America built some of the world's greatest architecture... and then demolished it.
A thread of wonders that were lost (and why)... 🧵
1. Cincinnati Library: replaced by a parking garage
The most beautiful library ever built in the US, with towering cast-iron book alcoves. An institution since 1874, it was demolished in 1955 and the library moved to a new site with more space. Today, a parking garage stands in its place.
2. The Chicago Federal Building (1905 - 1965)
Demolished to make way for larger premises that more government departments could fit into: the modernist Kluczynski Federal Building.
Chicago lost what was the largest dome in the US (larger even than the US Capitol), and a wonder of the Beaux-Arts era.
3. Old Waldorf-Astoria Hotel, NYC (1893 - 1929)
If you ever wondered what was demolished to make way for the Empire State Building, this is it. A German Renaissance design containing the world's largest hotel — which also set the standard for luxury.
4. The Singer Building (1908 - 1968)
Maybe the greatest of the early skyscrapers, and once the tallest building on Earth. When its antiquated floor plan was deemed too inefficient for modern use, it was razed — and replaced by something far less dignified...
5. Garrick Theater, Chicago (1891 - 1961)
A wonderfully ornate theater inside what was a landmark of early modern architecture (by Louis Sullivan). Despite considerable protest, it was demolished for a parking garage.
6. Old Penn Station, NYC (1910 - 1963)
New York's majestic gateway might be the greatest train station ever built. After just 50 years, it was demolished to make way for Madison Square Garden, and the station pushed underground…
And here's the before and after shot.
7. The “Mayan Revival” Fisher Theatre, Detroit (1928 - 1961)
This theater still stands (inside the Fisher Building in Detroit), but it was gutted in the 1960s so it could be "modernized".
8. Old Metropolitan Opera House, NYC (1883 - 1967)
When the Metropolitan Opera Association moved to a new venue, rather than risk competition from a new company buying the Old Met, they handed it to developers. It was demolished for bland commercial property to be built.
9. Old Detroit Library (1877 - 1931)
Like the one in Cincinnati, it had a huge atrium (five-stories) with skylights, ornate iron railings and towering columns. Scaling the tall bookshelves was deemed an inefficient way to run a library in the modern world, so it was demolished.
10. Festival Hall, St. Louis, (1904 - 1905)
A gem of classicism that became an icon of the World's Fair held in St. Lous. It was built as a temporary structure (plaster and wood) to host large-scale musical pageants.
11. Erie County Savings Bank, Buffalo (1893 - 1968)
A truly unique, Romanesque design that was the city's most beloved building. It was demolished in an "urban renewal" project of the 1960s that saw a bland, modernist tower built instead.
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Tom Bombadil is the most mysterious character in The Lord of the Rings.
He's the oldest being in Middle-earth and completely immune to the Ring's power — but why?
Bombadil is the key to the underlying ethics of the entire story, and to resisting evil yourself… 🧵
Tom Bombadil is an enigmatic, merry hermit of the countryside, known as "oldest and fatherless" by the Elves. He is truly ancient, and claims he was "here before the river and the trees."
He's so confounding that Peter Jackson left him out of the films entirely...
This is understandable, since he's unimportant to the development of the plot.
Tolkien, however, saw fit to include him anyway, because Tom reveals a lot about the underlying ethics of Middle-earth, and how to shield yourself from evil.
The story of Saint George isn't just about a brave knight slaying a dragon and saving a damsel.
St. George matters because he holds the answer to the most important of all questions:
What actually is evil, and how do you destroy it? 🧵
To understand the nature of evil, first note that the dragon is a perversion of the natural world.
Its origin is in nature, like the snake or lizard, and that makes it compelling. It's close enough to something natural (something good) that we tolerate it.
And notice the place from which it emerges. In Caxton's 1483 translation of the Golden Legend, it emerges from a stagnant pond: water without natural currents, which breeds decay.
It's also outside the city walls, and thus overlooked.