I disagree that you dress like Cary Grant. In this thread, I will list some of the ways in which your dress differs and why such important details matter. đź§µ
On Twitter and elsewhere, I often notice that people collapse men's style into very broad forms. A suit is just a suit, and pants are just pants. But in fact, tiny differences make a huge impact, and more attention should be paid to silhouette, shape, and detailing.
Let's start with the basics.
A collar gap can appear if your jacket's shoulders don't match the slope of your natural shoulders. Or if the jacket isn't cut right for your posture. Or the jacket is too tight across the chest (the most likely reason for Tristan's collar gap)
You'll notice that Grant's collar always hugs his neck, even when he dances. See this scene from the 1958 film Indiscreet. One reason you want your collar to hug your neck is that the jacket is not only more comfy but will look more natural on you.
The tightness of Tristan's clothes creates other problems. Here we see divots along the sleevehead, pulling at the waist, and trousers that cling to his calves, causing ripples to go down his legs.
No such issues for Cary Grant. His clothes always hang beautifully and smoothly while still giving a distinctive, flattering silhouette.
Tristan also wears low-rise trousers. As a result, his shirt often peeks out from beneath his coat's buttoning point when his coat is fastened, ruining the elegant line and harmonious look that a suit should create. No such issue for Grant because his trousers sit higher.
This is also something Grant sticks with when he's not wearing a jacket. The result is a silhouette that shifts and moves. IMO, it's more elegant.
In fact, going back to an earlier thread where I said people appreciate "shape and drape" even when they don't know it, I think what people like about this outfit (referenced in the original tweet) is how it has shape and drape. The outfit moves.
You can see here that Tristan's overcoat is not as long, so it can't move in the same way. The trousers are also much slimmer than what Grant is wearing in the second photo.
Some of Tristan's suits exhibit a technical tailoring problem. In tailoring, the term "balance" refers to how a coat hangs from the shoulders. There are four dimensions to balance: front-back balance, left-right balance, straightening, and crookening.
Straightening and crookening refer to a technical tailoring issue that's too complicated to discuss here. However, left-right balance refers to how the jacket's hem should hang evenly across the left and right sides when seen from the front. This is correct:
Similarly, front-back balance refers to how the jacket hangs across the front and back when the coat is seen from the side. The front can be lower or level with the back, but it should never be higher. Tristan's coats are sometimes higher at the front because he has a big chest.
Compare this to Grant. His jackets always hang perfectly from the shoulders, creating a balanced hem.
If you have a short front balance, the coat will look like it's riding up on you. This can give you the appearance of a beer gut.
That's why it's ironic that Tristan's style advice is "achieve this body shape." This is not style advice; this is fitness advice
He's also incorrect that King Charles uses his tailor, Huntsman. Charles has never used Huntsman. He has used Kent & Haste, A&S, and Malcolm Plews
Tight, short clothes with heavily pegged trousers actually end up emphasizing your hips, making you look heavier in that area. Tristan has a more muscular figure than Grant, but his silhouette here is wider across the hips.
Historically, the Plantonic male figure in classic Western aesthetics is represented as having shoulders broader than the hips, while the female figure is the reverse (not saying you have to conform to these molds, but this is how they're represented in the arts).
Widening the leg below the knee would help de-emphasize the hips, giving you that Statue of David silhouette. This is something Cary Grant understood.
The central thing about Cary Grant's style is that he always looked elegant, even in To Catch a Thief (1955), where he wore a long-sleeve striped shirt, wide pants, loafers, and a neckerchief.
Comfort is central to elegance because you can not look elegant if you are uncomfortable. Tristan puts darts on everything—even the front of his shirts—because he wants to show off his figure. That's fine if that's your aesthetic, but it's not dressing like Grant.
The last thing I want to note, which I've noted in other threads, is that fitness is different from style. It's fine to be into fitness. But it's not true that you have to be a certain body shape to be stylish or dress well.
You also don't have to wear tailoring. My friend @DavidLaneDesign, who posts under the name bigfits1 on Instagram, is super stylish because he knows how to dress for his body type and how to use clothes as social language. There are lots of great casual looks on his Instagram
IMO, Tristan—and many of the people who follow him—associate style too much with having a certain body type (muscular), living a certain lifestyle, driving fast cars, and having a lot of wealth.
I think style is more about knowledge and developing your eye. My friend Tim thrifts most of his clothes or shops from affordable brands like Spier & Mackay. The blazer and grey trousers you see here were things his mom bought from Ralph Lauren when he was 16
IG thefoxtooth
Grant had a level of style few will ever reach. But I think Tim and David get closer to it—despite not following Tristan's style advice—because they employ certain ideas. Meanwhile, Tristan lacks Grant's elegance because he doesn't pay enough attention to the details.
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Let's start with an experiment. Here are two men wearing tailored jackets with jeans.
Which do you think looks better?
If you choose the outfit on the right, then we have the same taste. But why does he look better?
The answer stems fro a basic rule of classic tailoring: the jacket needs to have a certain relationship with the trousers so as to form a harmonious whole.
On April 30th, Josh Smith of Montana Knife Company said you won't have to worry about tariffs if you buy American.
Last week, he realized his costs are going up bc he imports equipment and steel. And so do his suppliers.
IMO many people aren't aware of how much they import.
Genuinely not posting this to gloat, but hoping that people reevaluate how much of their life is connected to an international supply chain. Many small businesses, including artisans, will see their businesses shutter because of these tariffs, regardless of how they voted
Extremely long, but if you want to hear it, Josh breaks down the challenges he's facing. I hear similar stories in menswear (e.g., 3sixteen needing to import the best denim, which comes from Japan). All this now faces tariffs.
Glad I bought a Sebenza in MagnaCut before all this.
In this thread, I will tell you, definitively, whether Sydney Sweeney has great jeans.
This way, you will be more informed when shopping for your wardrobe . đź§µ
I should state two things at the outset.
First, I never comment on womenswear because I don't know anything about it. This thread isn't actually about Sweeney's jeans (sorry, I lied). But in the last few days, I've seen grown men buying American Eagle jeans and I can't abide.
Second, while clothing quality matters, it's more important to develop a sense of taste. Buying clothes isn't like shopping for electronics — you don't "max out" specs. It's more like buying coffee — you sample around and identify what notes you like. Develop taste.
Sometimes I think about the closure of G. Lorenzi, a Milanese gentleman's shop that had been around for almost 100 years until their closure in 2014. The shop was special because it carried so many one-of-a-kind items from artisans — total handmade craft production, not factory.
At the time of their closure, they still carried over 20,000 items of 3,000 models, including speciality knives, picnic sets, and nutcrackers. They had over 100 styles of nail clippers and 300 different hairbrushes alone. Proprietor Aldo Lorenzi scoured the world for artisans.
There's nothing wrong with factory production. But as more of our lives get taken over by machines — including art and writing — this sort of production feels special.
Trailer for "A Knife Life," a documentary about the store by my friend Gianluca Migliarotti, available on Vimeo
I spent 15 yrs on a menswear forum. The longest argument I had was over a tiny detail that can be seen in this photo. For 6 months, I argued with the same five guys non-stop every day. The argument got so heated the forum owner banned one guy for life.
As I've mentioned before, there's a lot of coded language in menswear. Navy suits can be worn with black oxfords because this was the uniform of London businessmen. Brown tweeds go with brogues because these clothes were worn in the country. In this way, we get formal vs. casual.
The same is true for shoes. Tiny details come together to communicate something, much like how words form a sentence. Black is more formal than brown; calfskin more formal than suede or pebble grain; plain design is more formal than broguing. All of this stems from history.
The year is 2024 and you're browsing for a new shirt online. You come across a store selling shirts from Portuguese Flannel. You do your research and find they make quality garments: clean single-needle stitching, flat felled seams, quality fabrics, MOP buttons, classic designs
So you go ahead and purchase one. The shop charges 139 Euros and throws in free shipping. Given the exchange rate in 2024, that means you paid $163.19.