The buttoning point is the topmost button on a two-button coat or the center button on a three-button coat. It serves as the coat's visual fulcrum, determines the narrowest part of a jacket, and is where the lapels bloom.
Here, we see Jackson has a very muscular figure. The V-shape formed by his broad shoulders and narrow waist is even more extreme than the Statue of David.
Muscular men on here often tell me that they like tight suits because they want to show off their figure. So how can it be that Jackson and his compatriot here look so rounded? Lost is the V-shaped figure that Jackson supposedly wants to show.
The answer lies in the cut of the jacket. Jackson and his friend are wearing very short jackets. The classic length is something that bifurcates you about halfway from your collar to the floor when you're wearing heeled shoes. Their jackets are about 2" or 3" too short.
When you shorten the jacket, you have to raise the buttoning point to keep a proper distance from the buttoning point to the hem. Otherwise, the bottommost button will look weirdly close to the hem. But raising the buttoning point creates a rounder silhouette.
Look at these short Thom Browne suits on football stars Lionel Messi, Philippe Coutinho, Ivan Rakitic, and Rafinha. We can assume they all have V-shaped torsos (Statue of David-esque) because they're professional football players. Yet, the suits make them look anything but.
By contrast, I assume that Mariano Rubinacci, head of the bespoke tailoring house Rubinacci, does not have Jackson's figure. Yet, his suit results in that V-shape better because the jacket
1) is longer 2) has a lower buttoning point
For that V-shaped figure, the buttoning point should be placed at the narrowest part of your torso. That's at the very least, if not just a touch lower to elongate the lapel. This, of course, requires a longer jacket.
For a double-breasted, I think you should go even lower. This creates an even longer, sweeping lapel line and the most flattering V-shape through the jacket's front edge.
As I've noted in other threads, not all clothing has to conform to ideals about gendered forms. Outfits can be concealing, unflattering, or even disfiguring. Fashion is more than making men into David and women into Venus. Sometimes, stuff just looks cool! See Comme des Garçons.
But it's worth paying attention to how clothes create shapes. This is more useful than thinking, "Short jackets and slim pants are trending now, so I have to wear that."
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Let's first establish good vs bad ways to think about style. The first pic is correct — style is a kind of social language and you have to figure out what type of person you are. The second pic is stupid bc it takes style as disconnected objects ("this is in" vs "this is out").
I should also note here that I'm only talking about style. I'm not here to argue with you about ergonomics, water bottle holders, or whether something accommodates your Dell laptop. I'm am talking about aesthetics.
Watch these two videos. Then answer these two questions:
— Which of the two men is better dressed?
— How does each come off?
I think Carney is better dressed, partly because his clothes fit better. Notice that his jacket collar always hugs his neck, while Pierre Poilievre's jacket collar never touches him.
The level of craftsmanship that goes into a lot of Japanese menswear simply doesn't exist in the United States. You can do this for many categories — suits, jeans, hats, etc.
In this thread, I will show you just one category: men's shoes 🧵
For this comparison, I will focus on Japanese bespoke shoemaking vs. US ready-to-wear. The level of bespoke craftsmanship shown here simply doesn't exist in the US, so a Japanese bespoke vs. US bespoke comparison would be unfair. US bespoke is mostly about orthopedic work.
So instead, I will focus on the best that the US has to offer: ready-to-wear Alden.
On a basic level, top-end Japanese shoes are better because they are handwelted, whereas Alden shoes are Goodyear welted. The first involves more handwork and can be resoled more often.
In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.
After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.