Should federal buildings only be allowed to be neoclassical?
A thread... 🧵
Trump's "Promoting Beautiful Federal Civic Architecture" executive order would've prevented brutalist blocks like the FBI HQ if it existed in 1965.
But is that the right thing to do?
The order, revoked by Biden, restricted new federal buildings to "classical" styles: Neoclassical, Georgian, Federal, Greek Revival, Beaux-Arts, Art Deco — and what it deemed "historic humanistic architecture".
The argument is this: federal buildings aren't just offices for federal workers. Places that host the essential functions of government should be seen as monuments to America itself...
If you see Washington D.C.'s federal buildings as temples to freedom, then a brutalist capitol building makes no more sense than a brutalist, concrete monument to Lincoln would.
But why did Washington's builders choose neoclassical specifically — what's so great about it?
Well, it said that America had the confidence to compare itself to the great empires of the past...
They're temples to the foundations of America: "democratic Athens" and "republican Rome". When you climb the steps of the Supreme Court's Roman basilica, you contemplate millennia of progress that built the legal system.
But more modern styles can evoke the same thing:
When the Art Deco Chrysler Building chose soaring, steel eagles — it chose the same symbol of wisdom and power that Ancient Rome did...
The specific style chosen is less important than the message underlying it. Look at the FBI building in Washington — its huge concrete overhang makes you, the citizen, feel small as you approach.
In Chicago, something about the new faceless glass monoliths don't inspire you like the old Federal Building did. They make the state entities housed there feel equally faceless.
But is there something un-American about restricting how people can build?
The issue is that today's federal buildings have become monuments of selfish artistic expression — not monuments to America.
America's early builders were less interested in standing out to make an architect's name. They chose age-old forms they knew the public would love.
Today, the vast majority (72%) still prefer traditional federal buildings.
Thomas Jefferson, an accomplished architect, insisted public buildings should uplift the nation. He knew they were "the ornament of a country" — a way to establish a nation.
He designed many buildings himself, including this:
The good news? Classical (and Jeffersonian) architecture is surging in America.
This campus in Dallas is brand new — builders chose to commemorate American ideals with their work...
I just spoke to the architect behind the project — he's also the personal architect of the King of England.
Tom Bombadil is the most mysterious character in The Lord of the Rings.
He's the oldest being in Middle-earth and completely immune to the Ring's power — but why?
Bombadil is the key to the underlying ethics of the entire story, and to resisting evil yourself… 🧵
Tom Bombadil is an enigmatic, merry hermit of the countryside, known as "oldest and fatherless" by the Elves. He is truly ancient, and claims he was "here before the river and the trees."
He's so confounding that Peter Jackson left him out of the films entirely...
This is understandable, since he's unimportant to the development of the plot.
Tolkien, however, saw fit to include him anyway, because Tom reveals a lot about the underlying ethics of Middle-earth, and how to shield yourself from evil.
The story of Saint George isn't just about a brave knight slaying a dragon and saving a damsel.
St. George matters because he holds the answer to the most important of all questions:
What actually is evil, and how do you destroy it? 🧵
To understand the nature of evil, first note that the dragon is a perversion of the natural world.
Its origin is in nature, like the snake or lizard, and that makes it compelling. It's close enough to something natural (something good) that we tolerate it.
And notice the place from which it emerges. In Caxton's 1483 translation of the Golden Legend, it emerges from a stagnant pond: water without natural currents, which breeds decay.
It's also outside the city walls, and thus overlooked.