The producer of Ben Shapiro's show reached out to me to see if I'd like to discuss Ben's attire on his show. Like with Piers Morgan, since Ben invited feedback, I will do a thread comparing him to a menswear icon—this time, Ralph Lauren's Polo Bear. 🧵
Unlike his colleagues, Ben's tailoring is not bad. Jackets have shape and fit him well. Compare his jacket to Peterson's, which looks like it was dunked in water (the small collar gap on Ben would be filled if he wore a dress shirt). Tonal seersucker in the second pic is cool
Unfortunately, a tailor can only do so much. They only make your clothes, not put them on you. For men of a certain social class, this task would have been historically performed by a valet. Such a relationship was hilariously depicted in the British TV show Jeeves and Wooster
Most men today, including the ultra-rich, don't have valets, so they have to dress themselves. Ben is not very good at this because he doesn't understand the cultural language of clothing. He combines random things based on what catches his eye in the morning.
For example, tan belts don't go with charcoal suits because tan leather was historically worn in the country and charcoal worsted was worn in the city. Likewise, a burgundy dress shirt with black jeans and tan sneakers says nothing except "I'm sad Express is closing."
Compare this to Polo Bear, whose outfits have a sense of culture and history. He knows how to marshal patterns, fabric, and color so that his outfits communicate something: a fishing vest with blue chambrays; a turtleneck with a pinstripe suit. Keep this in mind as we go forward
Ben here is wearing a tailored jacket with patch pockets (a casual detail). But the smooth, grey fabric is too close to what you'd expect to see on a suit, making the jacket too formal for jeans. It looks like he spilled something on his suit pants and had to change out of them.
Polo Bear knows that grey odd jackets need texture in order to convincingly pass as sport coats. The tweed herringbone here is perfect. Heavy textures and loud patterns make tailored jackets less formal, allowing you to bridge the gap in formality between your pieces.
Here, Polo Bear is wearing a tailored jacket with jeans. Notice how he's reduced the gap in formality: a navy blazer and grey herringbone tweed are less formal than a suit jacket. He also wears them with textured knits, plaid shirts, and casual leather shoes. Success!
Here's another confusing outfit. The dressy navy jacket doesn't go with an untucked shirt, jeans, cowboy hat, and techy running sneakers. Ben seemingly thought the faint windowpane on his shirt and jacket would pull everything together. But he misses the bigger picture.
Polo Bear knows that if you want to create a Westernwear outfit, you need to wear things like barn coats, fringed leather jackets, chambray shirts, henleys, leather vests (if you're daring), and cowboy boots. The red bandana around the neck here is jaunty.
Successful outfits don't have to slavishly follow history. But see how Ben wears a cowboy hat with a blue dress shirt, jeans, and a black dress belt (confusing). Polo Bear creates a coherently rugged look: sportswear jacket, chunky knit, and hiking boots. Hat now looks at home
The first outfit—a black poplin dress shirt with a light grey orphaned suit jacket—is something you'd see after complaining about your chicken wonton tacos at Applebee's. But a black turtleneck with a charcoal chalkstripe DB flannel suit is dashing. See the difference?
Ben's outfit with a light-washed trucker jacket, white T-shirt, and black jeans looks like something your mom would buy you for your first day of school. But a better trucker jacket worn with a snap-button plaid flannel Western shirt says "rugged workingman."
We can see this outfit in its full glory here. The uniquely engraved two-piece silver buckle is set on a hand-tooled leather belt strap. There is coherence in terms of history and ruggedness, as well as a touch of craftsmanship. The popped corduroy collar is also a nice touch.
First outfit again makes no sense: a rugged leather jacket with a spotted dress shirt (the kind you'd receive in a clothing subscription box with "fun socks") and brown leather oxfords (a shoe style historically worn with suits for business). Second leather jacket is just ugly.
Polo Bear knows that you must first choose better clothes and then combine them thoughtfully using a sense of what materials, colors, and designs mean. The brown motorcycle jacket here looks great with black jeans and engineer boots (a motorsport style). Even the watch matches.
Ben also needs a better grasp of silhouettes and proportions. The overly long hoodie here looks weird with skinny jeans. No such issue for Polo Bear, who knows that oversized knits are more easily worn if you pull up the hem and wear them with looser pants.
He should also pay attention to visual weights. Pecoats are made from a very thick 32oz Melton wool. They cry out for a chunky knit underneath. This is no issue for Polo Bear, who knows he must balance the visual weight of his overcoat with a chunky knit. Balanced!
For some reason, Ben's tailor—who is normally good—cut him a formal vest like the kind of vest you'd wear with a business suit. This is wrong. Formal vests should be cut low, as you see here on Polo Bear. Ben should get the vest recut or wear a cummerbund.
Mostly, Ben's outfits need direction. These outfits are bad because they are random things pulled together, organized by little more than whatever color theory Ben has invented in his mind. Many also need a jacket, some texture, or an interesting silhouette—something for style.
By contrast, see how Polo Bear can dress for different occasions and activities. Many outfits here are quite casual—a few even involve shorts—but they all rely on the smart combination of styles, fabrics, and colors to express something about cuture and identity.
In these outfits, we also see a smart use of texture and pattern to create interesting ensembles. Even the sweater in the fourth slide has texture and pattern—it's not just your most boring, solid-colored, smooth merino crewneck or v-neck. Outfits need sauce.
Nowadays, putting together an outfit can be challenging because there are thousands of different aesthetics (just as there are thousands of languages). You have to learn a design language, which takes time. Ben can start by learning that a hoodie is not a jacket.
The best way to learn this language is to pay attention to culture.
Or just copy the Polo Bear. 🐻
(Video below by the_real_lin_shady on TikTok. Thanks to @JeremiahDJohns for the Polo Bear idea)
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After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.
Here is a guide breaking down what goes into quality men's footwear. This is focused on men's shoes, as women's shoes, depending on the style, will have different construction techniques and thus standards. 🧵
First, let's set a standard. What does it mean for a pair of shoes to be "good quality?" In this thread, I define that standard to be two things:
— Do the shoes age well?
— Can they be easily repaired?
In short, you should want and be able to wear the shoes for a long time.
We'll start with the part most people see: the uppers.
Quality uppers are made from full grain leather, which shows the natural grain of the hide (pic 1). Low quality uppers will be made from corrected grain, where bad leather has been sanded and given a chemical coating (pic 2)
When I was on a menswear forum, one of my most controversial opinions was that certain coats look better when they're worn open, while others look better when they're closed.
For instance, which of these two outfits look better to you? 🧵
If you shop for an overcoat today, there's a good chance you'll land on a single breasted. As suits and sport coats have receded from daily life, the types of outerwear that men historically wore with them have also slowly disappeared.
If you look at the past, men had all sorts of designs to wear over their tailored clothing: polos, Ulsters, Balmacaans, Chesterfields, paletots, wrap coats, etc. They were offered in a wider range of materials: gabardine, camelhair, covert, heavy tweeds, etc.
The reason why this looks off is bc the coat is built from many layers of material — haircloth, canvas, and padding — which sits on top of another jacket with similar structure. This can make you look a bit like a linebacker. If you find this to be the case, switch to a raglan 🧵
A raglan is defined by its sleeve construction. Most coats have a set-in sleeve, which is to say the sleeve attached to a vertical armhole, much like a shirt. A raglan, by contrast, has a diagonal seam running from the neck to armpit. Historically, this was put on raincoats.
A raglan construction is a bit more waterproof that its set-in sleeve counterpart because there's not vertical seam in which water can sit and eventually penetrate. But most importantly, it's completely devoid of padding. This results in a softer, rounder shoulder line. Compare:
If you mainly wear suits and sport coats, then you will want a simple dress watch on a leather strap. Remember that the spirit here is elegance, so the watch should also be elegant. Certain dress chronos can also work, such as the Vacheron Constantin 4072 in pic 4
If your wardrobe leans a bit more rugged — bombers, boots, raw denim — then you'll want a similarly rugged tool watch. Something like a dive watch or G-Shock. These larger watches will look more at home with your visually heavy clothes. Although small military watches also work