derek guy Profile picture
May 16, 2024 25 tweets 14 min read Read on X
The producer of Ben Shapiro's show reached out to me to see if I'd like to discuss Ben's attire on his show. Like with Piers Morgan, since Ben invited feedback, I will do a thread comparing him to a menswear icon—this time, Ralph Lauren's Polo Bear. 🧵 Image
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Unlike his colleagues, Ben's tailoring is not bad. Jackets have shape and fit him well. Compare his jacket to Peterson's, which looks like it was dunked in water (the small collar gap on Ben would be filled if he wore a dress shirt). Tonal seersucker in the second pic is cool
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Unfortunately, a tailor can only do so much. They only make your clothes, not put them on you. For men of a certain social class, this task would have been historically performed by a valet. Such a relationship was hilariously depicted in the British TV show Jeeves and Wooster
Most men today, including the ultra-rich, don't have valets, so they have to dress themselves. Ben is not very good at this because he doesn't understand the cultural language of clothing. He combines random things based on what catches his eye in the morning.
For example, tan belts don't go with charcoal suits because tan leather was historically worn in the country and charcoal worsted was worn in the city. Likewise, a burgundy dress shirt with black jeans and tan sneakers says nothing except "I'm sad Express is closing."
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Compare this to Polo Bear, whose outfits have a sense of culture and history. He knows how to marshal patterns, fabric, and color so that his outfits communicate something: a fishing vest with blue chambrays; a turtleneck with a pinstripe suit. Keep this in mind as we go forward


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Ben here is wearing a tailored jacket with patch pockets (a casual detail). But the smooth, grey fabric is too close to what you'd expect to see on a suit, making the jacket too formal for jeans. It looks like he spilled something on his suit pants and had to change out of them. Image
Polo Bear knows that grey odd jackets need texture in order to convincingly pass as sport coats. The tweed herringbone here is perfect. Heavy textures and loud patterns make tailored jackets less formal, allowing you to bridge the gap in formality between your pieces.
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Here, Polo Bear is wearing a tailored jacket with jeans. Notice how he's reduced the gap in formality: a navy blazer and grey herringbone tweed are less formal than a suit jacket. He also wears them with textured knits, plaid shirts, and casual leather shoes. Success!
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Here's another confusing outfit. The dressy navy jacket doesn't go with an untucked shirt, jeans, cowboy hat, and techy running sneakers. Ben seemingly thought the faint windowpane on his shirt and jacket would pull everything together. But he misses the bigger picture.
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Polo Bear knows that if you want to create a Westernwear outfit, you need to wear things like barn coats, fringed leather jackets, chambray shirts, henleys, leather vests (if you're daring), and cowboy boots. The red bandana around the neck here is jaunty.
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Successful outfits don't have to slavishly follow history. But see how Ben wears a cowboy hat with a blue dress shirt, jeans, and a black dress belt (confusing). Polo Bear creates a coherently rugged look: sportswear jacket, chunky knit, and hiking boots. Hat now looks at home
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The first outfit—a black poplin dress shirt with a light grey orphaned suit jacket—is something you'd see after complaining about your chicken wonton tacos at Applebee's. But a black turtleneck with a charcoal chalkstripe DB flannel suit is dashing. See the difference?
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Ben's outfit with a light-washed trucker jacket, white T-shirt, and black jeans looks like something your mom would buy you for your first day of school. But a better trucker jacket worn with a snap-button plaid flannel Western shirt says "rugged workingman."
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We can see this outfit in its full glory here. The uniquely engraved two-piece silver buckle is set on a hand-tooled leather belt strap. There is coherence in terms of history and ruggedness, as well as a touch of craftsmanship. The popped corduroy collar is also a nice touch.
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First outfit again makes no sense: a rugged leather jacket with a spotted dress shirt (the kind you'd receive in a clothing subscription box with "fun socks") and brown leather oxfords (a shoe style historically worn with suits for business). Second leather jacket is just ugly.
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Polo Bear knows that you must first choose better clothes and then combine them thoughtfully using a sense of what materials, colors, and designs mean. The brown motorcycle jacket here looks great with black jeans and engineer boots (a motorsport style). Even the watch matches.
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Ben also needs a better grasp of silhouettes and proportions. The overly long hoodie here looks weird with skinny jeans. No such issue for Polo Bear, who knows that oversized knits are more easily worn if you pull up the hem and wear them with looser pants.
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He should also pay attention to visual weights. Pecoats are made from a very thick 32oz Melton wool. They cry out for a chunky knit underneath. This is no issue for Polo Bear, who knows he must balance the visual weight of his overcoat with a chunky knit. Balanced!
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For some reason, Ben's tailor—who is normally good—cut him a formal vest like the kind of vest you'd wear with a business suit. This is wrong. Formal vests should be cut low, as you see here on Polo Bear. Ben should get the vest recut or wear a cummerbund.
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Mostly, Ben's outfits need direction. These outfits are bad because they are random things pulled together, organized by little more than whatever color theory Ben has invented in his mind. Many also need a jacket, some texture, or an interesting silhouette—something for style.


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By contrast, see how Polo Bear can dress for different occasions and activities. Many outfits here are quite casual—a few even involve shorts—but they all rely on the smart combination of styles, fabrics, and colors to express something about cuture and identity. Image
In these outfits, we also see a smart use of texture and pattern to create interesting ensembles. Even the sweater in the fourth slide has texture and pattern—it's not just your most boring, solid-colored, smooth merino crewneck or v-neck. Outfits need sauce.


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Nowadays, putting together an outfit can be challenging because there are thousands of different aesthetics (just as there are thousands of languages). You have to learn a design language, which takes time. Ben can start by learning that a hoodie is not a jacket. Image
The best way to learn this language is to pay attention to culture.

Or just copy the Polo Bear. 🐻

(Video below by the_real_lin_shady on TikTok. Thanks to @JeremiahDJohns for the Polo Bear idea)

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More from @dieworkwear

Jul 17
I believe this jacket is from Dobell, a company that produces their tailoring in Turkey. I'll show you some telltale signs of quality and where you can buy a tailored jacket made in Britain. 🧵
I don't think there's anything wrong with buying clothes made abroad (I believe in free trade). However, I think it's strange when people rail against "globalism" and free trade, while benefitting from these things. Talk is cheap; one should put their money where their mouth is. Image
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I asked Lee where he bought his jacket, but have thus far received no word. However, we can guess whether this is a high-end or low-end garment from two things.

Can you spot them? Image
Read 19 tweets
Jul 15
I disagree that this is an aesthetically pleasing photo. Tristan's outfit ruins it and I'll tell you why. 🧵 Image
I'll assume Tristan is telling the truth when he says he used Photoshop and not AI. If so, this is a very impressive Photoshop job. By removing the scaffold tarp, you reveal more of the building. By removing the other cars, you also achieve more aesthetic coherence. Image
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What is aesthetic coherence? It's the idea that things based on shared history or spirit go together. For instance, I've long said that the Cybertruck could look very cool if you wore certain outfits (futuristic techwear) and lived in a Brutalist home. Image
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Read 15 tweets
Jul 14
Some people are incredulous that you can wear certain shoes without socks, such as leather loafers. Much depends on your body and climate. But I'll tell you one reason why you find this difficult to believe: you buy low quality footwear. 🧵 Image
It's absolutely possible to wear certain shoes without socks. As mentioned in an earlier thread, men have been doing this for over a hundred years. Going sockless makes sense if the outfit is semi-casual (not business clothes). Image
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In fact, if you wear socks with certain footwear styles, such as espadrilles, you will look like you don't know what you're doing. Image
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Read 16 tweets
Jul 13
Tim is right and wrong here. I'll tell you where he's right and where he's wrong. 🧵 Image
It's perfectly fine to wear slip-on shoes without socks. Those who suggest otherwise are simply ignorant and unaware about the history of men's dress.

You don't have to take my word for it. We can go back to Apparel Arts. Image
Apparel Arts was an early 20th century trade publication that taught men how to dress well. It was sent to clothiers and tailors so they could smartly advise their clients, but it later became a public-facing publication under the title "Esquire." Image
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Read 24 tweets
Jul 11
I get this sort of comment all the time, often about bespoke suits or mechanical watches. "These things are boring," "This is only for rich people," or "Who cares?"

Let me tell you a story. 🧵 Image
Before the age of ready-to-wear, men had clothes made for them, either in the home or, if they could afford one, by a tailor. Ready-made clothing was limited to simple workwear, such as what was worn by sailors or miners.

Tailoring shop, 1780: Image
In this older method, a tailor would measure you, sometimes using a string (before the invention of tailor's tape). Then they'd use those measurements to draft a pattern, cut the cloth, and produce a garment. This process is called bespoke. Image
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Read 20 tweets
Jul 11
As I've stated many times, suit jackets and sport coats are made from many layers of material, including haircloth, canvas, and padding. These layers give the garment its structure so it doesn't fall on you like a t-shirt or dress shirt. Image
For the chest and lapels, these layers can be attached to each other using a single-needle roll-padding machine, such as you see here. This is what you'll typically see on factory-made suits (this is a Strobel KA-ED machine). Happens both on the low- and high-end.
Read 7 tweets

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