People are misunderstanding my point. It's not that brown shoes are wrong with dark suits. It's that tan shoes, in particular, are wrong with dark suits. It's also not about naval history but rather regional traditions. I will explain in this thread. 🧵
The suit was a British invention that spread around the world through the rise of Empire. So it's natural that England, and London in particular, set the standards for how to wear a coat and tie. During this period, certain traditions, cuts, and styles emerged.
As I've mentioned before, one such tradition is that men had wardrobes divided between city and country. City was for business, where men wore dark worsted suits with white shirts and black oxfords. Country was for sport, where they'd wear tweeds, tattersalls, and brown derbies,
In his book Distinction: A Social Critique of the Judgment of Taste, Pierre Bourdieu correctly recognized that the notion of "good taste" is simply the taste of the ruling class. This is why navy and grey worsted suits continue to look "right" with black leather shoes.
But what started with unipolarity (Pax Britannica, or Britain's "imperial century," which stretched from 1815 to 1914) later became a multipolar world. The centers for Western male dress later spread to France, Italy, and the United States, which put their own spin on things.
For instance, during the early 20th century, there were two leading tailors in Naples, Italy. The first was Angelo Blasi, who followed early 20th-century notions of "good taste" and cut a structured British jacket for Italian men. The second was Vincenzo Attolini.
Attolini was the head cutter at a Neapolitan tailoring firm called London House (called so because its founder, Gennaro, looked to London as his North Star). But Attolini knew that his Neapolitan customers wanted something lighter and more comfortable for Italy's warmer weather.
So he took a page from Domenico Caraceni's book and softened the suit. He minimized the shoulder pad, removed the domette, and used a softer chest piece and canvas. The result is a softer, slouchier silhouette, especially when compared to British cuts. Compare:
This wasn't just about comfort. Neapolitans were casualizing traditional British dress. Where Savile Row tailors cut a stiff, structured shoulder, Neapolitans made a soft, slouchy one. Where Brits insisted on "no brown in town," Neapolitans wore brown shoes for business
The biggest push for casualization came from the United States. Americans popularized the lounge suit for boardrooms, the single-breasted 2-piece suit, seersucker, patchwork madras, the button-collar, loafers with suits, etc. Depending on how you count, the tux was invented here
The leading US clothier was not a tailor but a store. In the early 20th cent, Brooks Brothers debuted their No. 1 Sack Suit, which carried American men from the hopping jazz clubs of the Roaring 20s through the Great Depression and onto Ivy campuses of a booming post-war America
Brooks Brothers' sack suit—a style later adopted by clothiers such as J. Press and The Andover Shop—was also a little more casual than its British counterparts. It had a softer, natural shoulder line and no front dart, which resulted in straighter sides.
And guess what? Americans also loved wearing brown shoes with dark suits. (We know Paul Newman is wearing brown shoes in the second pic because he's wearing a brown belt and not a n00b).
This why any American complaining about the casualization men's attire is anti-American. The United States has always pushed for casualization in dress. What we think of today as formalwear was not always seen as such. The suit itself was casual compared to a frock coat.
As you can see, these things are regional traditions. However, the one thing that ties them together is social capital. The men who popularized these styles were widely considered elegant—from Savile Row customers to Neapolitan gentry to US actors like Gary Cooper and Paul Newman
Men who wear tan shoes with dark suits have neither. They are not widely considered elegant, nor do they have cultural capital (unlike punks, skaters, etc). The look telegraphs a kind of corporate life that has been the butt of jokes forever. Like fun socks and tech fleeces
Up until relatively recently, black shoes were still considered de rigueur in parts of London where you still have to wear a suit for work. Some old-school Brits still think brown shoes look wrong with dark suits, even if the shoes are mid- or dark brown.
Since I'm not British, I think dark suits can be worn with shoes in black, dark brown, or mid-brown. But tan shoes look wrong to me. For tan shoes to work, they should be paired with more casual forms of tailoring and a lighter-colored jacket. To me, this looks more harmonious
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After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.
Here is a guide breaking down what goes into quality men's footwear. This is focused on men's shoes, as women's shoes, depending on the style, will have different construction techniques and thus standards. 🧵
First, let's set a standard. What does it mean for a pair of shoes to be "good quality?" In this thread, I define that standard to be two things:
— Do the shoes age well?
— Can they be easily repaired?
In short, you should want and be able to wear the shoes for a long time.
We'll start with the part most people see: the uppers.
Quality uppers are made from full grain leather, which shows the natural grain of the hide (pic 1). Low quality uppers will be made from corrected grain, where bad leather has been sanded and given a chemical coating (pic 2)
When I was on a menswear forum, one of my most controversial opinions was that certain coats look better when they're worn open, while others look better when they're closed.
For instance, which of these two outfits look better to you? 🧵
If you shop for an overcoat today, there's a good chance you'll land on a single breasted. As suits and sport coats have receded from daily life, the types of outerwear that men historically wore with them have also slowly disappeared.
If you look at the past, men had all sorts of designs to wear over their tailored clothing: polos, Ulsters, Balmacaans, Chesterfields, paletots, wrap coats, etc. They were offered in a wider range of materials: gabardine, camelhair, covert, heavy tweeds, etc.
The reason why this looks off is bc the coat is built from many layers of material — haircloth, canvas, and padding — which sits on top of another jacket with similar structure. This can make you look a bit like a linebacker. If you find this to be the case, switch to a raglan 🧵
A raglan is defined by its sleeve construction. Most coats have a set-in sleeve, which is to say the sleeve attached to a vertical armhole, much like a shirt. A raglan, by contrast, has a diagonal seam running from the neck to armpit. Historically, this was put on raincoats.
A raglan construction is a bit more waterproof that its set-in sleeve counterpart because there's not vertical seam in which water can sit and eventually penetrate. But most importantly, it's completely devoid of padding. This results in a softer, rounder shoulder line. Compare:
If you mainly wear suits and sport coats, then you will want a simple dress watch on a leather strap. Remember that the spirit here is elegance, so the watch should also be elegant. Certain dress chronos can also work, such as the Vacheron Constantin 4072 in pic 4
If your wardrobe leans a bit more rugged — bombers, boots, raw denim — then you'll want a similarly rugged tool watch. Something like a dive watch or G-Shock. These larger watches will look more at home with your visually heavy clothes. Although small military watches also work