People are misunderstanding my point. It's not that brown shoes are wrong with dark suits. It's that tan shoes, in particular, are wrong with dark suits. It's also not about naval history but rather regional traditions. I will explain in this thread. 🧵
The suit was a British invention that spread around the world through the rise of Empire. So it's natural that England, and London in particular, set the standards for how to wear a coat and tie. During this period, certain traditions, cuts, and styles emerged.
As I've mentioned before, one such tradition is that men had wardrobes divided between city and country. City was for business, where men wore dark worsted suits with white shirts and black oxfords. Country was for sport, where they'd wear tweeds, tattersalls, and brown derbies,
In his book Distinction: A Social Critique of the Judgment of Taste, Pierre Bourdieu correctly recognized that the notion of "good taste" is simply the taste of the ruling class. This is why navy and grey worsted suits continue to look "right" with black leather shoes.
But what started with unipolarity (Pax Britannica, or Britain's "imperial century," which stretched from 1815 to 1914) later became a multipolar world. The centers for Western male dress later spread to France, Italy, and the United States, which put their own spin on things.
For instance, during the early 20th century, there were two leading tailors in Naples, Italy. The first was Angelo Blasi, who followed early 20th-century notions of "good taste" and cut a structured British jacket for Italian men. The second was Vincenzo Attolini.
Attolini was the head cutter at a Neapolitan tailoring firm called London House (called so because its founder, Gennaro, looked to London as his North Star). But Attolini knew that his Neapolitan customers wanted something lighter and more comfortable for Italy's warmer weather.
So he took a page from Domenico Caraceni's book and softened the suit. He minimized the shoulder pad, removed the domette, and used a softer chest piece and canvas. The result is a softer, slouchier silhouette, especially when compared to British cuts. Compare:
This wasn't just about comfort. Neapolitans were casualizing traditional British dress. Where Savile Row tailors cut a stiff, structured shoulder, Neapolitans made a soft, slouchy one. Where Brits insisted on "no brown in town," Neapolitans wore brown shoes for business
The biggest push for casualization came from the United States. Americans popularized the lounge suit for boardrooms, the single-breasted 2-piece suit, seersucker, patchwork madras, the button-collar, loafers with suits, etc. Depending on how you count, the tux was invented here
The leading US clothier was not a tailor but a store. In the early 20th cent, Brooks Brothers debuted their No. 1 Sack Suit, which carried American men from the hopping jazz clubs of the Roaring 20s through the Great Depression and onto Ivy campuses of a booming post-war America
Brooks Brothers' sack suit—a style later adopted by clothiers such as J. Press and The Andover Shop—was also a little more casual than its British counterparts. It had a softer, natural shoulder line and no front dart, which resulted in straighter sides.
And guess what? Americans also loved wearing brown shoes with dark suits. (We know Paul Newman is wearing brown shoes in the second pic because he's wearing a brown belt and not a n00b).
This why any American complaining about the casualization men's attire is anti-American. The United States has always pushed for casualization in dress. What we think of today as formalwear was not always seen as such. The suit itself was casual compared to a frock coat.
As you can see, these things are regional traditions. However, the one thing that ties them together is social capital. The men who popularized these styles were widely considered elegant—from Savile Row customers to Neapolitan gentry to US actors like Gary Cooper and Paul Newman
Men who wear tan shoes with dark suits have neither. They are not widely considered elegant, nor do they have cultural capital (unlike punks, skaters, etc). The look telegraphs a kind of corporate life that has been the butt of jokes forever. Like fun socks and tech fleeces
Up until relatively recently, black shoes were still considered de rigueur in parts of London where you still have to wear a suit for work. Some old-school Brits still think brown shoes look wrong with dark suits, even if the shoes are mid- or dark brown.
Since I'm not British, I think dark suits can be worn with shoes in black, dark brown, or mid-brown. But tan shoes look wrong to me. For tan shoes to work, they should be paired with more casual forms of tailoring and a lighter-colored jacket. To me, this looks more harmonious
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I found this reply interesting ("Can those foreign companies open shop in the US?")
I don't think Japanese or South Korean menswear can be made in the US. At least, not without losing something. Let's explore why. 🧵
I should state at the outset that no thread will do Japanese or South Korean fashion justice because these countries are fashion powerhouses. Japan alone covers everything from Yohji Yamamoto to And Wander to WTAPS.
It's Impossible to generalize, but we can discuss aspects.
Let's set the stage: Trump announced that he wants to tax Japanese and South Korean goods 25% starting August 1st. That means if you're a menswear shop in the US importing $1,000 worth of clothes made in Japan or South Korea, you owe the US government $250.
Ahead of the NATO summit last month, President Zelenskyy arrived at the Paleis Huis ten Bosch wearing this outfit: a black jacket with matching black pants and a black shirt. Many debated whether this qualifies as a suit, as there's a $50M bet on it at Polymarket.
To understand the suit, we must place it in history.
During the Regency period (early 1800s), British men in high positions wore a long fitted garment known as the frock coat, which had a waist seam and full skirt. These garments were often quite colorful and expressive!
Any time I talk about a wealthy person's outfit, someone in the comments is quick to reply: "They're rich, you think they care?" No one has to care about my opinions or clothes, regardless of net worth.
But let's talk about the connection between wealth and aesthetics 🧵
About a year ago, Tucker Carlson told Chris Cuomo that "postmodern architecture" is intentionally designed to deaden the spirit. The clip was widely circulated online by people such as Benny Johnson, who seemingly agreed.
Postmodern architecture was actually a very brief movement that emerged in the 1960s as a counter-reaction to modernism's austerity and uniformity. Examples of postmodernism include Michael Graves's Portland Building and Guild House. Also Phillip Johnson's PPG Place.
Trump released a $250 fragrance (one for women, one for men).
Sometimes a fragrance can be expensive because it contains certain ingredients or involve artisanal, small-batch production. But with no note breakdown or even a description of the scent, what justifies this price?
I'm reminded of this 2016 blog post by Luca Turin, one of the best writers on fragrances. Even for niche perfumery he warns: "Niche perfumery stands a good chance of disappearing up its own rear end if it merely becomes yet another golden opportunity to rip off the customer."
If you're into fragrances, as I am, I encourage you to not support celebrity bullshit like this. Go to real perfumers. Some of my favorites include:
— AbdesSalaam Attar: He's a self-taught Sicilian Sufi perfumer who only uses natural ingredients. Many of his perfumes feel like you're walking through a Middle Eastern bazaar or spice market. Milano Caffe, Cuoio dei Dolci, and Tabac are worth a sniff. He can also do bespoke perfumes using your favorite notes.
— DS & Durga: David Moltz describes himself as doing "scent travel." He has an uncanny ability to transport you to far off places. I like Cowboy Grass, Debaser, Amber Kiso, and Burning Barbershop. If you can get a sample of his Pale Grey Mountain, Small Black Lake Sample (made part of his Hylands collection), it's really good with tailored tweeds.
— Anything by Jean Claude Ellena: One of the most famous perfumers in the world. His scents have been likened to watercolor paintings and chamber music because they're light, airy, and have a transparent quality. This makes them particularly good for spring/ summer. Check his scents from Hermes, such as Terre d'Hermes and Un Jardin sur le Nil, which are easy to find on discount. L'Eau d'Hiver for Frederic Malle is also great, but a bit more expensive.
— Tauer Perfumes: Andy Tauer is a chemist and self-taught perfumer who specializes in dry, spicy, woody scents. L'Air du Desert Marocain makes you feel like you're in the middle of the desert at night. Lonestar Memories is like being next to a crackling campfire while picking up on the scent of tobacco and leather. IMO, a must try if you're exploring niche perfumery.
Always try to get samples before buying a bottle. Check shops such as Luckyscent, Surrender to Chance, and The Perfumed Court. Also pick up a copy of Perfumes by Luca Turin and Tania Sanchez.
People think I'm biased against Jeff Bezos, but here's F. Caraceni Sartoria, widely considered one of the best bespoke tailoring houses in the world, commenting on Bezos's wedding suit.
"The most terrible, frightening, horrible tuxedo ever seen in my life. I'm really suffering"
Nothing to do with politics, only quality tailoring. F. Caraceni made suits for Silvio Berlusconi, who was hardly beloved by progressives. Many people don't know much about tailoring, which is fine, but this doesn't mean that rich or expensive = good.
Caraceni's work:
Here is a dinner suit F. Caraceni made for Yves Saint Laurent.