People are misunderstanding my point. It's not that brown shoes are wrong with dark suits. It's that tan shoes, in particular, are wrong with dark suits. It's also not about naval history but rather regional traditions. I will explain in this thread. 🧵
The suit was a British invention that spread around the world through the rise of Empire. So it's natural that England, and London in particular, set the standards for how to wear a coat and tie. During this period, certain traditions, cuts, and styles emerged.
As I've mentioned before, one such tradition is that men had wardrobes divided between city and country. City was for business, where men wore dark worsted suits with white shirts and black oxfords. Country was for sport, where they'd wear tweeds, tattersalls, and brown derbies,
In his book Distinction: A Social Critique of the Judgment of Taste, Pierre Bourdieu correctly recognized that the notion of "good taste" is simply the taste of the ruling class. This is why navy and grey worsted suits continue to look "right" with black leather shoes.
But what started with unipolarity (Pax Britannica, or Britain's "imperial century," which stretched from 1815 to 1914) later became a multipolar world. The centers for Western male dress later spread to France, Italy, and the United States, which put their own spin on things.
For instance, during the early 20th century, there were two leading tailors in Naples, Italy. The first was Angelo Blasi, who followed early 20th-century notions of "good taste" and cut a structured British jacket for Italian men. The second was Vincenzo Attolini.
Attolini was the head cutter at a Neapolitan tailoring firm called London House (called so because its founder, Gennaro, looked to London as his North Star). But Attolini knew that his Neapolitan customers wanted something lighter and more comfortable for Italy's warmer weather.
So he took a page from Domenico Caraceni's book and softened the suit. He minimized the shoulder pad, removed the domette, and used a softer chest piece and canvas. The result is a softer, slouchier silhouette, especially when compared to British cuts. Compare:
This wasn't just about comfort. Neapolitans were casualizing traditional British dress. Where Savile Row tailors cut a stiff, structured shoulder, Neapolitans made a soft, slouchy one. Where Brits insisted on "no brown in town," Neapolitans wore brown shoes for business
The biggest push for casualization came from the United States. Americans popularized the lounge suit for boardrooms, the single-breasted 2-piece suit, seersucker, patchwork madras, the button-collar, loafers with suits, etc. Depending on how you count, the tux was invented here
The leading US clothier was not a tailor but a store. In the early 20th cent, Brooks Brothers debuted their No. 1 Sack Suit, which carried American men from the hopping jazz clubs of the Roaring 20s through the Great Depression and onto Ivy campuses of a booming post-war America
Brooks Brothers' sack suit—a style later adopted by clothiers such as J. Press and The Andover Shop—was also a little more casual than its British counterparts. It had a softer, natural shoulder line and no front dart, which resulted in straighter sides.
And guess what? Americans also loved wearing brown shoes with dark suits. (We know Paul Newman is wearing brown shoes in the second pic because he's wearing a brown belt and not a n00b).
This why any American complaining about the casualization men's attire is anti-American. The United States has always pushed for casualization in dress. What we think of today as formalwear was not always seen as such. The suit itself was casual compared to a frock coat.
As you can see, these things are regional traditions. However, the one thing that ties them together is social capital. The men who popularized these styles were widely considered elegant—from Savile Row customers to Neapolitan gentry to US actors like Gary Cooper and Paul Newman
Men who wear tan shoes with dark suits have neither. They are not widely considered elegant, nor do they have cultural capital (unlike punks, skaters, etc). The look telegraphs a kind of corporate life that has been the butt of jokes forever. Like fun socks and tech fleeces
Up until relatively recently, black shoes were still considered de rigueur in parts of London where you still have to wear a suit for work. Some old-school Brits still think brown shoes look wrong with dark suits, even if the shoes are mid- or dark brown.
Since I'm not British, I think dark suits can be worn with shoes in black, dark brown, or mid-brown. But tan shoes look wrong to me. For tan shoes to work, they should be paired with more casual forms of tailoring and a lighter-colored jacket. To me, this looks more harmonious
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No one will see the label inside your clothes or know who made the fabric. So, it's more important to develop an eye for what looks good than to rely on brand names. In this thread, I will show some good spring/ summer fabric for tailoring. 🧵
Since woolen yarns hold heat, spring/summer clothes are typically made with worsted fabrics. That means that they don't have a fuzzy nap (i.e., they're not hairy, like tweed). Without a nap, a strong pattern can have very vivid lines, which often look ugly.
For this reason, a full suit in a patterned spring/summer fabric can be difficult to wear. One solution is to go for a very subtle pattern in low contrast, such as puppytooth, five-point star, or a hairline weave. These are always unimpeachable.
People keep asking me to comment on Harrison Butker's clothes, as he seems to be a clotheshorse. Some note that his clothes look "off." In almost every instance, it's because his clothes are too small. I will demonstrate. 🧵
In some cases, the outfits look bad because of poor styling decisions. These are bad fabrics. If you are starting to build a better wardrobe, it can be a good idea to avoid hard-finished fabrics with patterns. Without a fuzzy nap, the patterns can have very hard lines.
For example, compare the glen check woolen flannel on the left to the stripe on the right. A fuzzy nap will soften the lines, especially if the pattern is already not in high contrast. Mutes the blow.
Color works in a very specific way when it comes to fashion. But before I go on, I don't want my following thread to color your views. So let's start by asking: Which of these two outfits looks better to you? Choose before going on. 🧵
IMO, color should not be treated as a kind of abstract pseudo-science (e.g., blue looks good with brown). While those principles may be true, they are secondary to a more important consideration: the social language of clothing. What's the aesthetic you're operating in?
Let's take traditional tailoring. As I've mentioned before, many of our traditions for men's tailoring come from Britain, where men of a certain social class had wardrobes divided between city and country. Men wore stuff like navy suits in the city and brown tweeds in the country
i dont understand how this is the alpha male look nowadays. if these clothes were any tighter, they'd be inside him
Again, I disagree that wearing tight clothes necessarily makes for a more masculine silhouette. People should pay more attention to how clothes create shapes on your body. And even if you have a very masculine, athletic figure, tight clothes make for a more feminine silhouette
To clarify, these shapes do not necessarily mean anything for the people beneath the clothes. But in classic Western aesthetics, the masculine form is shoulders wider than the hips. The feminine silhouette is the opposite.
The producer of Ben Shapiro's show reached out to me to see if I'd like to discuss Ben's attire on his show. Like with Piers Morgan, since Ben invited feedback, I will do a thread comparing him to a menswear icon—this time, Ralph Lauren's Polo Bear. 🧵
Unlike his colleagues, Ben's tailoring is not bad. Jackets have shape and fit him well. Compare his jacket to Peterson's, which looks like it was dunked in water (the small collar gap on Ben would be filled if he wore a dress shirt). Tonal seersucker in the second pic is cool
Unfortunately, a tailor can only do so much. They only make your clothes, not put them on you. For men of a certain social class, this task would have been historically performed by a valet. Such a relationship was hilariously depicted in the British TV show Jeeves and Wooster
For a brief moment in 2018, J. Crew offered these "canoeist smocks" inspired by something elite British naval officers wore during WWII. The design was so cool—the kind of thing you'd typically only see from specialty Japanese brands.
The brand is in a much better position now than it was in 2020 (when it filed for bankruptcy). For a moment, it almost became like Old Navy. But the company's outerwear designs now are less risky, less exciting, and less complex. They use simple patterns and seams.
When people talk about quality, they often talk about the garment's fabric or durability. I often think of quality in terms of the garment's complexity. This smock was available in ripstop cotton ($298) or Ventile ($450). Not cheap, but well-made and tons of details for money.