IMO, people are getting too reductive about synthetic fabrics, equating "natural" with "good" and "synthetic" with "bad." Much depends on the material and how it's used. I will give some examples. 🧵
Nearly every high-end suit, sport coat, or pair of tailored trousers is lined in Bemberg, which is a brand name for cupro (a material made from rayon). Rayon is so great that even the best bespoke tailors in the world use it for lining.
Rayon is a soft, slippery fabric that's often used as a silk substitute. It's more breathable than silk, which is why tailors switched to rayon linings ~100 years ago. Why do you want this material in your jackets and pants?
For one, they help you slip into your clothes, especially when it comes to things like sleeves. Secondly, they can help the garment drape better, as materials like woolens can catch on cotton shirts. Third, they make your jackets breathe more! Look at these two summer jackets:
As you remove more of the lining, the back of the jacket can breathe better (good for hot summer days). But depending on how the fronts are constructed, you can end up doubling up on the jacket fabric, which may be less breathable than rayon! Thus, rayon has its use.
Rayon isn't just used for lining; it can also be used for shirts. I like how rayon shirts feel cool and slippery. They're cheaper and easier to maintain than their silk counterparts.
Let's take another potential use. Cotton doesn't have the natural crimp found in animal hair, so cotton fabrics don't have the spring-back quality found in wool. It's easy to understand this when you put your hands into a wool jacket's hip pockets. There is "spring."
Plant-based fibers, such as linen and cotton, don't have this quality, so cotton, corduroy, and linen garments can be stiff. This is also why you have to cut them a little larger. If these garments are too trim, the seams will be prone to ripping.
Even if you cut a cotton suit correctly, it can be stiff and uncomfortable if you're used to wearing wool garments. A tiny bit of elastane can give the fabric that same "spring-back quality."
Check out these fabrics from Zegna's "Winter Cottons" book. Both are 98% cotton and 2% elastane. I assure you that these are not low-quality fabrics. IMO, the corduroy is even better than Zegna's "CashCo" (cotton-cashmere), as it lasts longer. Cashmere can be a bit delicate.
There are plenty of other examples. Sierra Design's 60/40 parkas—called so because they're made from a 60/40 mix of cotton and nylon—are a classic. The nylon makes the parkas water-resistant without any need for DWR treatment (although DWR finishes can also be fine)
Service workers will sometimes wear uniforms made from synthetic fibers because the garments will look professional but can also be put through a wet-wash. If you made the garment from pure wool, you would have to dry clean (which is not always practical).
You likely already wear synthetic fibers. If your socks were made from pure cotton or wool, they would stretch out or droop over a short period of time (and feel pretty awful).
IMO, it's better to go by the brand and store's reputation, as well as your experience, than be overly reductive about synthetic fibers. A cashmere Shein sweater will be worse than a Zegna cotton-elastane suit. It's more about the maker than these reductive charts.
Someone brought up the environmental impact of synthetic fibers, but the production of natural materials also has its own impact. Much depends on what type of impact we're looking at. From the 2017 Global Fashion Agenda report:
Ultimately, the best way to lower your environmental impact is to buy less, buy better, use what you own, wash only when needed, and vote for ppl who will enact environmental policies. Reducing this discourse to natural=good, synthetic=bad can lead to worse purchases.
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Let's first establish good vs bad ways to think about style. The first pic is correct — style is a kind of social language and you have to figure out what type of person you are. The second pic is stupid bc it takes style as disconnected objects ("this is in" vs "this is out").
I should also note here that I'm only talking about style. I'm not here to argue with you about ergonomics, water bottle holders, or whether something accommodates your Dell laptop. I'm am talking about aesthetics.
Watch these two videos. Then answer these two questions:
— Which of the two men is better dressed?
— How does each come off?
I think Carney is better dressed, partly because his clothes fit better. Notice that his jacket collar always hugs his neck, while Pierre Poilievre's jacket collar never touches him.
The level of craftsmanship that goes into a lot of Japanese menswear simply doesn't exist in the United States. You can do this for many categories — suits, jeans, hats, etc.
In this thread, I will show you just one category: men's shoes 🧵
For this comparison, I will focus on Japanese bespoke shoemaking vs. US ready-to-wear. The level of bespoke craftsmanship shown here simply doesn't exist in the US, so a Japanese bespoke vs. US bespoke comparison would be unfair. US bespoke is mostly about orthopedic work.
So instead, I will focus on the best that the US has to offer: ready-to-wear Alden.
On a basic level, top-end Japanese shoes are better because they are handwelted, whereas Alden shoes are Goodyear welted. The first involves more handwork and can be resoled more often.
In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.
After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.