IMO, people are getting too reductive about synthetic fabrics, equating "natural" with "good" and "synthetic" with "bad." Much depends on the material and how it's used. I will give some examples. 🧵
Nearly every high-end suit, sport coat, or pair of tailored trousers is lined in Bemberg, which is a brand name for cupro (a material made from rayon). Rayon is so great that even the best bespoke tailors in the world use it for lining.
Rayon is a soft, slippery fabric that's often used as a silk substitute. It's more breathable than silk, which is why tailors switched to rayon linings ~100 years ago. Why do you want this material in your jackets and pants?
For one, they help you slip into your clothes, especially when it comes to things like sleeves. Secondly, they can help the garment drape better, as materials like woolens can catch on cotton shirts. Third, they make your jackets breathe more! Look at these two summer jackets:
As you remove more of the lining, the back of the jacket can breathe better (good for hot summer days). But depending on how the fronts are constructed, you can end up doubling up on the jacket fabric, which may be less breathable than rayon! Thus, rayon has its use.
Rayon isn't just used for lining; it can also be used for shirts. I like how rayon shirts feel cool and slippery. They're cheaper and easier to maintain than their silk counterparts.
Let's take another potential use. Cotton doesn't have the natural crimp found in animal hair, so cotton fabrics don't have the spring-back quality found in wool. It's easy to understand this when you put your hands into a wool jacket's hip pockets. There is "spring."
Plant-based fibers, such as linen and cotton, don't have this quality, so cotton, corduroy, and linen garments can be stiff. This is also why you have to cut them a little larger. If these garments are too trim, the seams will be prone to ripping.
Even if you cut a cotton suit correctly, it can be stiff and uncomfortable if you're used to wearing wool garments. A tiny bit of elastane can give the fabric that same "spring-back quality."
Check out these fabrics from Zegna's "Winter Cottons" book. Both are 98% cotton and 2% elastane. I assure you that these are not low-quality fabrics. IMO, the corduroy is even better than Zegna's "CashCo" (cotton-cashmere), as it lasts longer. Cashmere can be a bit delicate.
There are plenty of other examples. Sierra Design's 60/40 parkas—called so because they're made from a 60/40 mix of cotton and nylon—are a classic. The nylon makes the parkas water-resistant without any need for DWR treatment (although DWR finishes can also be fine)
Service workers will sometimes wear uniforms made from synthetic fibers because the garments will look professional but can also be put through a wet-wash. If you made the garment from pure wool, you would have to dry clean (which is not always practical).
You likely already wear synthetic fibers. If your socks were made from pure cotton or wool, they would stretch out or droop over a short period of time (and feel pretty awful).
IMO, it's better to go by the brand and store's reputation, as well as your experience, than be overly reductive about synthetic fibers. A cashmere Shein sweater will be worse than a Zegna cotton-elastane suit. It's more about the maker than these reductive charts.
Someone brought up the environmental impact of synthetic fibers, but the production of natural materials also has its own impact. Much depends on what type of impact we're looking at. From the 2017 Global Fashion Agenda report:
Ultimately, the best way to lower your environmental impact is to buy less, buy better, use what you own, wash only when needed, and vote for ppl who will enact environmental policies. Reducing this discourse to natural=good, synthetic=bad can lead to worse purchases.
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My post was sort of tongue-in-cheek, but I do feel that if you're a jeans and hoodie guy, you can just find versions of what you love. Identify the qualities you like and find better versions of that thing. Will give an example. 🧵
In 2019, I interviewed @andrew3sixteen, who co-founded @3sixteen (one of my favorite denim brands). He's a busy dude, a family man, and a father to two young boys. I remember him telling me that, except for outerwear, he only buys clothes that can be thrown into the wash.
He doesn't even engage in the kind of meticulous shoe-care techniques that are often talked about online (leather conditioning, polishing, etc). These are his Viberg work boots (new vs old). He prefers things that are easy to care for and get better with age.
If someone is serious about traditional aesthetics, they should know something about it. Read Esquire's Encyclopedia of 20th Century Men's Fashions, Apparel Arts, or early issues of Esquire. Many men in the past knew that certain outfits were fine without socks.
The problem with much Twitter discourse about aesthetics is that it's totally ignorant of the past and completely couched in modernity. People's views are knee-jerk reactions to certain groups, trends, or modernity itself. Very little appreciation for nuance and history.
An example of how this manifests: In an effort to signal to others that they are better than the "moderns," some "internet gentlemen" say that grown men should not wear sneakers. This is nothing more than someone who is ignorant of history and wishes to signal to others that they are more sophisticated than the hoi polloi, like a guy posing with a cigar and glass of whiskey.
It's perfectly fine for someone to say that they personally dislike sneakers. But dumb to say that grown men shouldn't wear sneakers. Plenty of men in the past wore sneakers, even ones often held up as an arbiter elegantiarum of men's style: the Duke of Windsor and JFK among them.
These sorts of grand statements only reveal someone's lack of knowledge of the past, even as they wag their fingers about "return to traditions."
Let me tell you a story about a $100 American shirt. 🧵
In 1896, Brooks Brothers president John E. Brooks—grandson to company founder Henry Sands Brooks—saw British polo players wearing something peculiar. Their collar points had little buttons that fastened to their body, preventing them from flying up while riders were in play.
Enamored with the design, Brooks sent a sample to his store in Manhattan with instructions to have the collar copied. Hence, the birth of Brooks Brothers' "polo collar"—also known as the button-down. The design was first put on pullover shirts, then coat-front varieties.
I don't know who Milo is talking about here, but since he has expressed pride in British culture, here are the ways in which his outfit violates British traditions. 🧵
The first and most obvious is that Milo has fastened the bottom-most button on his jacket, something that British men have known not to do since King Edward VI supposedly left his undone (and his courtiers followed). This button is a vestigial detail—not meant to be used.
The second is that the jacket is entirely too small. Look at this suit by Anthony Sinclair, a legendary British tailor who created a pared-down style known as the "Conduit Cut" (called so bc Sinclair was located on Conduit Street when he tailored for Connery). Note clean lines.
Check out these photos and ask yourself: who looks better? Set aside how you may feel about the person underneath the clothes and only look at the outfit. Who looks better and why? 🧵
IMO, George Hamilton looks better. There are numerous reasons, but here is one.
Here is a photo of him getting outfitted in a suit in 1966 with Bill Bixby at his side. This photo is somewhat rare because you don't often see a suit in this stage of making. Notice something?
One of the distinguishing points of this suit is the extended shoulder. You don't often get to see a suit like this because the effect is hidden once the sleeve is attached. But see how far the shoulder extends from his physical shoulder bone. There's also a bit of padding.