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Jul 12 18 tweets 7 min read Read on X
Before he died, millionaire Andrew Carnegie built 3,000 public libraries at his own expense—why?

Well, he believed in a concept called “noblesse oblige,” where the rich had a duty to help the poor.

But it’s a dying concept that needs reviving…🧵 Image
Andrew Carnegie was a leading industrialist at the turn of the 20th century. His steel business made him one of the wealthiest men in American history.

But his wealth wasn’t just for his private use—he believed he had a responsibility to care for the common man, too. Image
Carnegie claimed that providing education and beauty to the masses was the “noblest possible use of wealth.”

He built thousands of libraries, funded music venues like Carnegie Hall, founded the Carnegie Institution for Science, and built many museums.
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Though he might not have called it by name, Carnegie followed the principle of noblesse oblige—the idea that the wealthy or powerful in a society have an obligation to lift up the poor and weak.

It can be summed up simply:

“privilege entails responsibility.” Image
Noblesse Oblige is a French term literally meaning “nobility obliges,” but its origins go way back to at least ancient Greece.

Homer’s Iliad hints at the concept when the hero Sarpedon urges his comrade Glaucus to fight with him in the front ranks of battle. Image
Homer writes:

“Tis ours, the dignity they give to grace
The first in valor, as the first in place…”

Homer is pointing out how those “first in place”—the privileged class—have an obligation to lead their soldiers from the front, to be “first in valor.” Image
The Greeks had a version of noblesse oblige called “euergetism,” a social expectation that wealthy individuals should distribute part of their wealth to the community.

Rather than coming from genuine love for the people though, euergetism ensured poor citizens wouldn't revolt. Image
Aristotle writes in Politics:

“[the rich] will make magnificent sacrifices, and build some monuments and the people, then taking part in the banquets and feasts, and seeing the city splendidly decorated temples and buildings, wish to maintain the constitution…” Image
Ancient Rome adopted a similar practice that became more formalized in the patron-client system, where high status Romans offered favors for clients in return for political support.

Eventually this generosity toward clients expanded into a more general charity toward the poor. Image
Wealthy Romans often supported public entertainment like games, or built amenities like theaters, libraries, or baths.

It’s not uncommon to find the inscription D.S.P.F. (de sua pecunia fecit, “done with his own money”) on a building indicating a wealthy Roman had funded it. Image
Noblesse oblige also has biblical roots.

In the book of Luke, Jesus says:

“Everyone to whom much was given, of him much will be required, and from him to whom they entrusted much, they will demand the more." Image
As Christianity spread, wealthy Christians remembered Jesus’ words that “it is easier for a camel to go through the eye of a needle than for a rich person to enter the kingdom of God.”

It wasn’t wealth per se that was bad—it was how one used their wealth that mattered. Image
Under medieval feudalism, noblesse oblige held society together.

In feudalism, a lord had an obligation to protect his vassals; in turn the vassals pledged loyalty to the lord. Nobles understood their duties to their vassals in a similar way that Christ had for his flock. Image
Noblesse oblige was an important concept in European aristocracy throughout the medieval and modern eras, but critics of aristocracy argued that, although it imposed on the nobility a duty to behave nobly, it was used as a tool by the aristocracy to justify their privilege. Image
Later, as aristocracy disappeared and rigid hierarchies flattened, noblesse oblige became less formalized. It became more “good manners” than societal obligation. Image
For example, in Honoré de Balzac’s 1835 work “The Lily of the Valley '' where he recommends good behavior for young men, he concludes:

"Everything I have just told you can be summarized by an old word: noblesse oblige!" Image
Today, some might argue, noblesse oblige is a dead concept.

Elites still engage in philanthropy, but the lack of a unified moral framework eliminates the social pressures that used to ensure the rich helped the poor.

Is it possible to resurrect the idea of noblesse oblige? Image
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More from @thinkingwest

Jul 13
20 iconic European castles that you need to see in your lifetime 🧵

1. Hohenzollern Castle, Germany Image
2. Pena Palace, Portugal Image
3. Château de Chillon, Switzerland Image
Read 22 tweets
Jul 10
A lot of Medieval and Renaissance architecture was inspired by one man.

Artists like Michelangelo, Brunelleschi, and Da Vinci learned much of what they knew from an obscure Roman engineer who lived more than 1000 years prior…🧵 Image
The 16th-century architect Palladio called Roman architect Vitruvius his “master and guide,” but little is known of the figure.

We do know he was a military engineer who served under Julius Caesar in the 1st century BC, specializing in the construction of ballista siege engines Image
He likely campaigned in North Africa, Gaul, Hispania, and Pontus near the Black Sea.

But his dynamic military career would be overshadowed by his more creative accomplishments, namely his writings on architecture. Image
Read 19 tweets
Jul 9
Feudalism was actually a pretty good system.

Here’s why:

-everyone had a defined role that served society as a whole: peasants, vassals, and lords all had responsibilities to each other
-it was extremely decentralized
-it’s hierarchy ensured long-term stability
-with hereditary monarchy, it was a lot more difficult for influence peddlers to buy off leaders
-hereditary monarchs’ interests were tied to those of the people since they ruled for lifeImage
There’s a reason the system lasted almost 1000 years and built incredible civilizations like this:


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Not saying there weren’t any drawbacks, but I think in light of our current systems it can be fruitful to rethink (as best as we can without any biases) systems that we often write off a priori
Read 6 tweets
Jul 8
J.R.R. Tolkien’s books have inspired countless fantasy novels since he first published The Hobbit in 1937.

But have you ever wondered what works inspired him to write in the first place?

Here are 10 books that inspired Tolkien🧵 Image
1. The Red Fairy Book, Andrew Lang

Tolkien once claimed:

“I have been a lover of fairy stories since I learned to read.”

This work contains one of the great fairy stories of all time: Fafnir the dragon from the Volsunga. It influenced Tolkien’s creation of dragons like Smaug Image
2. The Poetic Edda, Unknown

The Edda is a 12th-century goldmine of legends from Norse mythology. Its sagas of heroism comprise the work written during a time of shifting cultural influences in Nordic culture.

Tolkien’s works have many Norse influences pulled from the Edda. Image
Read 13 tweets
Jul 5
The East India Company was the most powerful corporation of all time.

It had an army larger than Great Britain's, and its influence shaped the borders of continents.

So how did a company become stronger than most countries?🧵 Image
The East India Company's origins started with famed explorer Francis Drake.

His voyage in 1577 opened the world to the East Indies, and when he returned to England in 1580, he brought exotic spices from the Spice Islands that investors believed could be a lucrative venture. Image
Soon after, the Queen granted a charter to a group of wealthy merchants and explorers for the region. The new corporation was called “Governor and Company of Merchants of London trading into the East Indies” or more commonly the “East India Company.”
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Read 21 tweets
Jul 2
Democracy produces ugly art.

On the other hand, the greatest masterpieces of all time—like the works of Raphael, da Vinci, and Michelangelo—were created by aristocratic societies.

So why does aristocracy lead to great art, while democracy doesn’t? Image
First, we need to understand how the great artistic periods like the Renaissance were funded.

A key factor in the proliferation of art was a concept called patronage, where princes, popes, and other influential people provided funds for painters, sculptors, and musicians. Image
Patronage was how artists made their living—they didn’t receive a steady income unless they were actively creating art.

Patrons would put up the funds for a project—often Church artwork or private commissions for nobility—and the artist would see that project through. Image
Read 18 tweets

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