First, what makes something feel cool? There are three factors: fiber, weight, and weave. Most shirt fabrics fall within a narrow range in terms of weight, so we can eliminate that dimension. This leaves us to discuss fiber and weave.
Linen is a great material for summer shirts because it wicks moisture from your skin, transferring it to the other side and allowing it to quickly dissipate. You can test this by washing two shirts—one linen, one cotton—and letting them air dry. See which dries faster.
This is good because it means you will be less sweaty and sticky on a hot day. However, linen holds wrinkles, which may or may not be to your taste. You can get cotton-linen blends to tamp this down, but the more cotton in the blend, the less you get of linen's properties.
If you move over to cotton, then you'll want to pay attention to weave. The more open the weave, the more breathable the shirt. The downside, of course, is that very open weaves can be very sheer. This is a nice comparison photo from the blog Bond Suits.
In the world of shirt fabrics, voile is among the most open and lightweight of weaves. You can see this below: the cap from my camera is slightly visible beneath the fabric.
When worn, this can be very noticeable, particularly if the shirt is white (white is always going to be a little more sheer than non-white fabrics, all things equal). However, it's considerably less sheer even in colors like light blue. Compare the shirt bodies below:
I don't have a photo, but I recently saw James, the bespoke tailor behind the newly launched shirt company Hume, wearing a light blue voile shirt and it wasn't as indecent as I would have expected. Looked similar to below—totally wearable without an undershirt
IG humeldn
Alternatively, you can try a panama weave. At the British shirt fabric company Acorn, they have some made from a three-ply, 70s yarn (fabric is called Cambridge). The yarn is a little coarser and heavier, which makes them less sheer. Can't see much of my camera cap behind fabric
There are a ton of other fabrics like this. Plain weaves tend to be more open than twills, so you can look for fabrics like batiste (see below). However, ready-to-wear shirts are rarely labeled like this, so you have to hold the fabric up to see how much light pours through.
For example, here's a Leno weave. When worn, this is not sheer at all because of the thickness of the yarn and the structure of the weave. But when I hold it up to the light, I can almost see the the outline of the tree in the background. This is what you want on a hot day.
Again, no shirt is going to feel cool on a hot day—normal clothes don't have built-in air conditioners. However, the idea is that you want something a little more comfortable than a dense oxford cloth or twill. So think about elements like fiber (linen vs cotton) and weave.
There's a ton of places to get nice shirts. On the high-end, check Ascot Chang at The Armoury and G. Inglese at No Man Walks Alone. Proper Cloth is a great online made-to-measure shirtmaker. They can send swatches and make anything you want, including casual styles.
If you're interested in bespoke, CEGO, Divij Bespoke, Ascot Chang, Hume, Budd, and Dege & Skinner travel through the US for trunk shows. On the more affordable end, check J. Crew, Brooks Brothers, Kamakura, J. Press, O'Connell's, Ledbury, and Spier & Mackay.
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In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.
After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.
Here is a guide breaking down what goes into quality men's footwear. This is focused on men's shoes, as women's shoes, depending on the style, will have different construction techniques and thus standards. 🧵
First, let's set a standard. What does it mean for a pair of shoes to be "good quality?" In this thread, I define that standard to be two things:
— Do the shoes age well?
— Can they be easily repaired?
In short, you should want and be able to wear the shoes for a long time.
We'll start with the part most people see: the uppers.
Quality uppers are made from full grain leather, which shows the natural grain of the hide (pic 1). Low quality uppers will be made from corrected grain, where bad leather has been sanded and given a chemical coating (pic 2)
When I was on a menswear forum, one of my most controversial opinions was that certain coats look better when they're worn open, while others look better when they're closed.
For instance, which of these two outfits look better to you? 🧵
If you shop for an overcoat today, there's a good chance you'll land on a single breasted. As suits and sport coats have receded from daily life, the types of outerwear that men historically wore with them have also slowly disappeared.
If you look at the past, men had all sorts of designs to wear over their tailored clothing: polos, Ulsters, Balmacaans, Chesterfields, paletots, wrap coats, etc. They were offered in a wider range of materials: gabardine, camelhair, covert, heavy tweeds, etc.
The reason why this looks off is bc the coat is built from many layers of material — haircloth, canvas, and padding — which sits on top of another jacket with similar structure. This can make you look a bit like a linebacker. If you find this to be the case, switch to a raglan 🧵
A raglan is defined by its sleeve construction. Most coats have a set-in sleeve, which is to say the sleeve attached to a vertical armhole, much like a shirt. A raglan, by contrast, has a diagonal seam running from the neck to armpit. Historically, this was put on raincoats.
A raglan construction is a bit more waterproof that its set-in sleeve counterpart because there's not vertical seam in which water can sit and eventually penetrate. But most importantly, it's completely devoid of padding. This results in a softer, rounder shoulder line. Compare: