Today is Aadi 18, the day Vandhiyathevan commences his journey from Kanchi to Thanjavur, kicking off the proceedings of Ponniyin Selvan!
Come, let us travel along Vandhiyathevan to retrace the hero's journey in modern day Tamilnadu, with google map links and images! (A thread)
Vandhiyathevan is on a mission - to deliver two secret messages from Kanchipuram to Thanjavur.
After 175km of travel, both the hero and his horse are tired.
That is when he sees the refreshing visuals of Veeranarayanapura lake. It was Aadi 18, and the Cholas were celebrating.
This dam of 16km length was built by Rajaditya Chola named after his father Parantaka-1 aka Veeranarayanan.
Sri Ramanuja was influenced by the magnitude of this lake and decided to establish 74 mutts : a number based on the 74 openings in the lake. Map: maps.app.goo.gl/8asdoDVFwVHieu…
Hero & Aazhvarkadiyaan proceed south to Veeranarayana Perumal temple.
They see a young Nathamuni, singing the 10 known pasurams of the time (who later goes on to discover the lost 3990 pasurams)
This is Kalki's genius: making his reel characters meet real historic people!
This Abimaana Sthala temple is in Kattumannarkoil, which is 26km from Chidambaram and 6km from Veeranam lake.
Chola inscriptions mention the temple's name as Veeranarayana Vinnagaram (Tamil for Vishnu's Griham-house)
Next, the hero reaches Kadambur Sambuvarayar palace before sunset to stay the night.
This is where the plot thickens: he accidentally discovers a secret meeting of conspirators discussing who should be the next king!
But where is this Sambuvarayar palace today? Does it exist?
Palaces, however magnificent, if built with red stones do not stand the test of time.
They crumble eventually, unlike temples built with black stone. Bloggers suggest that Amirthakateshwarar temple in Melakadambur, is the site of Kadambur palace. Map: maps.app.goo.gl/zZnZoK3Gcj4dmo…
The next morning, influenced by Aazhvarkadiyaan, the hero crosses Kollidam river with a boat that is big enough to hold his horse, and travels south to see Kudanthai astrologer. This is where he meets his love interest, Kundhavai for the first time.
Let us take a slight detour - and travel along with Aazhvarkadiyaan. He crosses Kollidam river with the hero & then splits up to follow Pandya conspirator Idumbankaari, who meets his leader Ravidasan at Thirupurambiyam Pallipadai at midnight. This secret place exists even today!
This Pallipadai temple was built to honor king Prithvipathi, who died in the Thirupurambiyam battle. This battle changed the course of history, resulting in the fall of Pallavas & the rise of Cholas. Today, it is is in ruins, with no walls or visitors!Map: maps.app.goo.gl/MCAtTz6Uf3xv9F…
The hero, from Kudanthai reaches Thiruvaiyaru & then proceeds to the new capital: Thanjavur to deliver his 1st message. In this Rajapattai (Highway), he meets Nandini for the first time. She is in a royal palanquin, and sweeps the hero off his horse, when she reveals herself!
After multiple adventures in the Tanjore palace (the site of which is unknown), he reaches Pazhaiyaarai - the old capital of Cholas. To deliver the 2nd message to Kundavai. Nathan Koil and Vadathalli Koil at Pazhaiyaarai are mentioned in the novel. Map: maps.app.goo.gl/heQ5trFeGpsSrr…
Multiple magnificent palaces at Pazhayaraai - one each for the king, queen & princess are nowhere to be found today. Their remains are in a village called Chozhanmaaligai. The Cholas, their palaces didn't last, but their temples and fame sure did!
Finally, Kundhavai & the hero meet, in a boat near Pazhaiyaarai lake and he delivers the 2nd message to complete his mission. But wait - the princess sends him off on his next mission - to Sri Lanka, to bring Ponniyin Selvan back to the Chola kingdom!
Phew, The hero's journey from Part 1 of the novel comes to an end here. He travels a grand total of 350km from Kanchipuram to Pazhaiyaarai with multiple detours, betrayals, friendships and loves! And Kalki made us travel along with him, through Ponniyin Selvan.
If you liked this thread, and want to read the entire set - all locations, along with the plot context, buy my "Ponniyin Selvan Route Map" book.
300 pages, 100 spots, with the retelling of the entire PS plot.
To understand the effectiveness of this endearing superhit film, you must first understand the psychology of "Identifiable Victim Effect"
You can learn more about yourself and how your brain works by watching this film. (1/8)
Our brains are wired to respond more strongly to individuals than to stats.
Which is why articles about the sufferings of poor families passes off as an abstract impersonal statistic but putting a name, face and story to a SINGLE suffering family makes it more relatable to us.
And Tourist Family does this brilliantly. The characterization is wonderfully designed to be humanized and likeable. Every single person in this film is a goody-good person.
You laugh with them, you cry with them, and you don't want anything bad happening to them.
When things you don't want to happen, happens, how do you respond?
Do you fatalistically blame it on destiny and accept it, or take initiative to overcome it?
What is the guiding principle in the fate vs free will debate?
What did Sri Rama do in such circumstances? (1/8)
In the epic's defining moment, Sri Rama who was about to be crowned as King, was instead sentenced to exile for 14 years.
Lakshmana was outraged by the injustice of this request, but Sri Rama calmly considered the exile as the will of destiny.
Kambar writes - "நதியின் பிழையன்று நறும்புனலின்மை; விதியின் பிழை"
"it is not the fault of river to dry up when rains fail. Similarly, Kaikeyi isn't at fault for fate's doing", says Sri Rama.
Here Lakshmana is for free-will, to not passively accept injustice, and to fight for the kingdom which was Sri Rama's right.
But Sri Rama defers to destiny and accepted the extraordinarily difficult situation that circumstances suddenly placed upon him and agreed to be exiled.
I've read Ponniyin Selvan cover to cover thrice, and this is my biggest takeaway from it.
It was a decision made by the hero Arulmozhi, inspired by his Suryavanshi ancestor Sri Rama. And it has a relevant lesson for all of us to learn in current political climate.
A🧵(1/8)
BG: Arulmozhi is the more popular prince among public, and they wanted him to be king, even when his elder brother was the crown prince.
This popularity constantly unsettles him, as he wants to do the right thing. And he wants to go beyond public opinion and shape it.
He is influenced by 2 tales - the sacrifices of Shiva he hears from priests at Thiruvarur Thyagaraja temple, and Ramayana.
Rama left for the forest at night when citizens were asleep & also informs his charioteer to take it along a circle so that they can't retrace his path.
2. "My dear Anna, shall I compare thee to Thiruvalluvar or to Marcus Aurelius?"
3. "Like Socrates was punished in ancient times, fake cases, imprisonment is the punishment of our times.
When they checked the pulse of A Raja during 2G case, it was normal. Infact it was the investigating officers who were pulsating with a rapid heartbeat!"
Sati was the most forceful issue created by the Evangelical-Utilitarian alliance to validate Brit rule in India.
The missionary-Brit nexus inflated the # of incidents to horrific levels for politics.
Cholas have documented Sati giving a much needed nuance to this topic (1/8)
The colonial term Sati to refer to this practice is incorrect . Sahagamana/anugamana is the right Indic term.
Anugamana was a rare and sporadic practice in ancient Thamizhagam.
Vaanavan Maadhevi (mother of Rajaraja) chose to do it after the passing of Sundara Chola.
There are several conditions for it to be permitted in Chola tradition:
1) the wife must be in perfect physical and mental health 2) it should be purely voluntary without external influences 3) the close family members must request her to reconsider until the final moment
Kadhalikka Neramillai - a lighthearted film on the surface that espouses the Drav question of - "Is marriage really necessary?"
Directed by Kiruthiga Udhayanidhi, the film has a puratchi pudhumai pen at its helm, and yes she is not a random girl, but a TamBrahm.
An analysis:
This rom-com has Shriya Chandramohan as its central character - she has a BF, registers her marriage months before the engagement (WHY?), drinks, has premarital fun, doesn't know to wear a saree, smokes after a breakup etc.
In summary, a modern day career-centric, jolly good woman. No issues. But is she a "random" modern day woman? Nope.
In egalitarian EVR land where there are no c@ste surnames, the film portrays her family as TamBrahms with no hesitation whatsoever.
Shriya finds days before her "official" engagement that her legally wedded husband is cheating on her.
So, in a case of role reversal, she drinks, and tries smoking in an attempt to move on, like "men". Her father is sorta cool with it. Her aunt (played by Vinodhini) jokingly hints at having "properly" smoked before.
Just moments before there's a deliberate scene where the aunt calls Shriya's father as "Athimber" (a word used by Ds to m0ck TBs)
But why this depiction of community is necessary? Read on.