It's true that fashion once served as a form of class differentiation, and as soon as hoi polloi caught on, the elite moved on. German sociologist wrote about this in this 1902 essay On Fashion. An excerpt:
This largely explains why the Duke of Windsor was the most influential male fashion figure of his day. He popularized belts, zippered flies, cuffed trousers, and a style of tailoring known as the drape cut. For a while, when he wore something, others followed.
But as the century marched forward, fashion influence switched from just those with financial capital to those with cultural capital. This switch is most neatly represented during the immediate post-war years, when the culture wars was reflected in clothes.
American men returning home from the trenches of Europe were able to receive a free college education through the GI Bill. Consequently, many adopted bourgeoisie mores and ended up becoming some version of The Man in the Gray Flannel Suit.
Those not afforded such opportunities formed a kind of American underclass, and they created their own fashions. My friend Bruce Boyer writes about this in his book Rebel Style. This was the rise of workwear, zoot suits, and "proletarian fashion."
Although there has always been countercultural fashion, we see an explosion of these styles across the US and Western Europe after the war: swing kids and hep cats; bikers, rockers and outlaws; beats and beatniks; modernists and mods; drag and dandies; hippies and bohemians.
As the post-war period marched forward, the appeal of the suit started to wane. Remember, the suit represented the bourgeoisie (e.g., Man in the Gray Flannel Suit) and the underclass presented an alternative (e.g., Marlon Brando in The Wild One).
Given the anti-war protests, various freedom movements (e.g., Civil Rights movement, feminist movement, and Stonewall), and the Watergate scandal, the suit just increasingly felt less appealing.
Tailoring saw a brief resurgence in the 1980s as a backlash to 1970s hippies (e.g., the "greed is good" ethos represented in the film Wall Street). But it met its final blow in the 1990s with the rise of business casual, the tech boom, and newly minted Sand Hill Road billionaires
In fact, people like Zuckerberg made jeans and hoodies the new status symbol. This uniform represented meritocracy in the New Economy, which stood opposed to the coat-and-tie aesthetic of traditional industries back east. Turns out, you can still be a bad person in a hoodie
Meanwhile, as Americans were leaving these aesthetics, Japanese people were picking them up and turning them into rules. There are a ton of publications in Japan that dissect all of these looks—what are the right materials, cuts, styles, etc for a look.
Such codifications weren't just for tailoring, but also workwear, hiking style, rockabilly, etc. Lots of cool magazine layouts of "gear," like these photos below. If you want to read about how Japan saved classic American style, pick up David Marx's book Ametora.
The wealthiest people today dress terribly. It's all some form of bland business casual—slim fit chinos, polos, finance vests, and dress sneakers. If it's a suit, the thing fits terribly and the person has probably mucked it up with some contrasting buttonhole.
Dressing well today is not about money, but about taste. I often post photos of rich men as bad examples. And the good examples?
Are we supposed to pretend this suit is good tailoring? The trousers are too low, the side seams are straining, the upper sleeve is too tight, and the pattern doesn't match across the pockets. McGregor's "tailor" charges ~$5k for this. You can get the same for $30 at Shein.
Furthermore, it's ridiculous to suggest I only promote expensive looks when I've spent the last 13 years rounding up quality menswear items on eBay. This takes me ~10 hrs a week. I'd wager that I've dedicated more time to this than most ppl. I've also made suggestions on Twitter:
Here's a whole thread on affordable stuff you can find on eBay and elsewhere. I have a ton of posts like this on my site (Die, Workwear) and Put This On (where I do most of my service writing)
I've shown examples here of how a cheap suit can look better than an expensive one if you simply develop an eye. Here's a suit costs a whopping $25. IMO, this looks better than McGregor's $5,000 suit.
IG edgyalbert
You also don't have to wear tailoring! While my Twitter acct is now mostly about tailoring bc of the audience size, half my blog is about workwear & casualwear. Just yesterday, I showed these completely thrifted looks from Derrick (IG derrick_b_smith).
If I can be accused of anything, it's weaponizing arcane info about menswear that doesn't matter in real life. My views are purely that of a hobbyist and have nothing to do with how rich ppl dress today. Prince William often looks like your average business casual guy now.
I mainly take umbrage with with @c_kletzer's critique because I've spent ~15 years trying to make this hobby more accessible to a wide range of people. I spend a lot of time rounding up eBay items, writing articles, and making my info free. Hardly gatekeeping with wealth.
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One day, "It" will happen, by which I mean sudden and unexpected news that you want to celebrate. In such cases, you will want the right outfit. 🧵
What do I mean by "It?" I mean that joyous moments are not always something you can plan for. Perhaps you received a pay raise or got accepted at a waitlisted school. Perhaps a loved one is now cancer-free. Such moments can be sudden and unexpected — and you want to be prepared.
Of course, you can always celebrate in the same clothes you wear to bed. But IMO, this diminishes the moment. Thus, it's nice to special outfits for "It," even if you don't wear them all the time. It's similar to toasting a special glass of champagne and drinking water.
In the 1950s, Irving Penn traveled across London, Paris, and NYC to take portraits of workers in their work clothes. These clothes at the time were not considered glamorous — they would not have shown up on fashion runways — but they demonstrate a simple aesthetic principle 🧵
Consider these outfits. How do you feel about them? Are they charming? Repulsive? Stylish?
If you consider them charming and stylish, as I do, then ask yourself: what makes them charming and stylish? Why are you drawn to the outfits?
As I've mentioned before, I think outfits look better when they have "shape and drape." By shape, I mean the outfit confers a distinctive silhouette. If these men took off their clothes, we can reliably guess their bodies would not be shaped like this:
If you're just dipping your toes into tailored clothing, start with a navy sport coat. This is something you can wear with a button-up shirt and pair of trousers, or something as casual as a t-shirt and some jeans. It's easily the most versatile jacket.
Key is to get something with texture so it doesn't look like an orphaned suit jacket. Spier & Mackay has great semi-affordable tailoring. Their navy hopsack Moro is made from pure wool and a half-canvas to give it shape. Classic proportions and soft natural shoulder
There's a pervasive belief that we no longer produce clothes in the United States. This is not true. In this thread, I will tell you about some great made-in-USA brands — some that run their own factories, while others are US brands contracting with US factories. 🧵
I should first note this thread focuses on well-made, stylish clothes produced in ethical conditions. For me, producing in the US is not enough. It means nothing if the clothes are ugly, crappy, or produced in sweatshop conditions. My article for The Nation below.
JEANS
Gustin produces MiUSA jeans using raw Japanese denim. "Raw" means the fabric hasn't been pre-distressed, allowing it to naturally fade with use, reflecting your actual body and lifestyle. I like their fuller 1968 Vintage Straight fit. They also do lots of other stuff.
Let's first establish good vs bad ways to think about style. The first pic is correct — style is a kind of social language and you have to figure out what type of person you are. The second pic is stupid bc it takes style as disconnected objects ("this is in" vs "this is out").
I should also note here that I'm only talking about style. I'm not here to argue with you about ergonomics, water bottle holders, or whether something accommodates your Dell laptop. I'm am talking about aesthetics.
Watch these two videos. Then answer these two questions:
— Which of the two men is better dressed?
— How does each come off?
I think Carney is better dressed, partly because his clothes fit better. Notice that his jacket collar always hugs his neck, while Pierre Poilievre's jacket collar never touches him.