derek guy Profile picture
Sep 10, 2024 18 tweets 9 min read Read on X
Some style lessons from Gerard Basquiat, a Haitian immigrant whose son helped define the New York art scene and neo-expressionism. 🧵 Image
In tailoring, the term "gorge" refers to the seam that connects a jacket's collar to its lapels. This determines the shape and placement of the lapel's notch. The most classic placement creates a horizontal line running from the notch to the collar points.
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As a counter reaction to 1990s Armani, which had excessively low gorges, men's tailoring has seen gorges creep up over the last 20 years. It's not uncommon to see a notch lapel almost sitting on top of the shoulder. Or peak lapels flying off the shoulder.
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Something interesting about Gerard Basquiat's tailoring is that he always wore a notch that was basically level with his collar points. In this way, the notch is never too high or low; it's just classic. Compare to Ted Cruz's overly high gorge.
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Interestingly, Gerard carried this proportion into the later part of his life, bucking ready-to-wear trends. This again looks very tasteful (compare to the peak lapel a bit up-thread, which was flying off someone's shoulder). Image
People often think about clothes just in terms of sizes (small, medium, large). But a more defining aspect is their shape. Gerard's tailoring had tremendous shape, as evidence in the lapel's roll at the buttoning point. Compare to Cruz's lapel, which is pressed flat like panini
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Men are often reluctant to wear a higher-rise trouser because they don't want to look like an old man. But in a tailored outfit, the trouser rise serves a function: it covers up the bit of shirt fabric that would otherwise peek out from beneath the coat's buttoning point.
A suit is simply a garment where the jacket and pants have been made from the same cloth. This should create a coherent whole. When shirt fabric flashes beneath the jacket's buttoning point, it disrupts the line and spoils the sense of elegance.
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Gerard's sense of elegance is carried into his accessories. When wearing dark worsted suits, Gerard wore small dress watches on a leather strap. This looks much better than chunky sport watches, such as Cruz's Tag Heuer chronograph, which are better for casualwear.
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I suspect Gerard wore a Cartier Tank. His son's friend, Andy Warhol, also famously wore a Tank, once quoted as saying: “I don't wear a Tank to tell the time. In fact, I never wind it. I wear a Tank because it's the watch to wear.” Maybe Gerard suggested the style to him.
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Gerard's sense of quiet sophistication is also reflected in his ties. This spotted one reminds me of something Gore Vidal once wore while hanging out with JFK. Very demure, very tasteful.
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It's hard to talk about how to choose tasteful ties without spinning out an entire thread. But it's a generally good idea to stay away from overly shiny materials or busy designs. Jacquards, where a pattern has been woven into the silk, can also be dangerous. These are ugly:
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Most men today don't wear ties; they often look for ways to dress down tailoring. When doing so, I encourage you to never wear dress shirts with black buttons or contrast linings, as these look cheap and tacky. Go for something more classic, like Gerard's skipper collar polo.
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Additionally, when wearing knitwear, consider getting something that's a bit more textured. Texture is an easy way to add visual interest to an outfit, which is helpful when you can't layer with a coat or jacket.
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They can also be warmer and more rugged. Here's Gerard wearing a heavy woolen Shaker knit with a collared shirt and cotton pants while feeding his son at a park. A good dad outfit. Image
Ultimately, you will look great if you choose clothes that fit and flatter, develop an eye for details, and add dimensions such as tasteful textures and patterns when possible. Image
It also helps to keep clothes clean.
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To end, here are some of my favorite photos of Jean-Michel Basquiat. These were taken by Yutaka Sakano in 1983 when the artist was visiting Tokyo. As such, he's also wearing vintage items from Japanese designer Issey Miyake. Note the concept of "shape and drape" here.


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More from @dieworkwear

Jan 11
Two terrible takes. The second somehow worse than the first. 🧵 Image
Wool and down are just materials, like linen or cotton. They can be used to make anything. Down doesn't have to be a Canada Goose parka. It can be something like a Rocky Mountain Featherbed vest or a Nigel Cabourn Everest parka. Image
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The second is great because it's modeled after something Sir Edmund Hillary and his team wore on their climb up Mount Everest. The advantage of natural down is that it's very warm for its weight; synthetic versions are better in wet conditions. Fill power count tells you warmth. Image
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Read 19 tweets
Jan 7
It's a lot easier to understand fashion/ clothing if you think of it in terms of social language, not purely in terms of function or artistic expression. I will give you some examples. 🧵
Have you ever wondered why there's this buttonhole on a jacket's lapel? Or really, suit jackets and sport coats have lapels at all? The lapels seemingly serve no practical function and yet take a bit of fabric and skill to make.

The answer is in the garment's history. Image
The lapel's buttonhole is a vestigial detail from when sport jackets could be buttoned up all the way up to the neck to protect the wearer from blustery cold. Here, we see single and double-breasted coats with what's known as a Ghillie collar. Image
Read 18 tweets
Jan 6
Some quick reactions to the menswear outfits seen tonight at the Golden Globes show. Please note that none of these comments are personal. I'm just reacting to the outfits. 🧵 Image
IMO, Daniel Craig's outfit has too much velvet. Compare him to Hiroyuki Senada, who wears a similar outfit but ditches the vest. I think this improves the look, as black velvet can suck up a lot of light. The white shirt here provides some needed contrast. Image
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Not a fan of these unusual double-breasted jackets made with one or two button closures. I don't think it improves on the traditional design. The lapels are also too narrow for his frame and the shoes are too inelegant for the outfit. Image
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Read 16 tweets
Jan 5
I said "one of the most," not "the most." But I'm happy to explain why Kapital has been *one of the most* creative, fun, and interesting menswear brands in the last twenty years. Hopefully this thread inspires you to explore the world of offbeat Japanese workwear. 🧵
In 1985, Toshikiyo Hirata built a clothing factory in Kojima District, Okayama, an area known as Japan's denim capital (hence the brand's name). He had just spent time in the US, where he fell in love with vintage jeans, so he wanted to make American workwear using Japanese craft Image
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In 2002, his son Kiro Hirata joined the company. Kiro is immensely creative and borrows heavily on Americana, workwear, and counter-cultural movements. He uses familiar archetypes: the hippie, surf bum, war vet biker, rock star, etc. But designs feel psychedelic. Image
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Read 20 tweets
Jan 2
There are a few reasons for this. 🧵
The first and most obvious is that taste is a social construct shaped by forces such as cultural and financial capital. As Pierre Bourdieu pointed out in his book Distinction, our notions of "Good Taste" is often nothing more than the preferences and habits of the ruling class. Image
In this sense, judgements of taste tend to be path dependent. Dress shirts are considered to be in "good taste" when they're white or light blue for no other reason than the fact that's what elites wore. Black dress shirts are associated with the lower, sometimes criminal classes Image
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Read 16 tweets
Dec 31, 2024
Like a lot of stuff in classic men's dress, the rule of "no white after Labor Day" is rooted in class dynamics during the early 20th century. Many questions can be answered by "what is the aesthetic?" and "who set the rules?" 🧵
During the early 20th century, men's dress was governed by TPO (time, place, and occasion). In England, where we get many of our rules, men did business in London while wearing navy suits and black oxfords. But when in the country, they wore brown tweeds and grained derbies. Image
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This is where we get the rule "no brown in town." The idea was that you were not supposed to wear brown tweeds and brown grained derbies while doing business in London (a rule that held pretty firmly until relatively recently, at least for sectors like finance).
Read 19 tweets

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