Tomorrow is Geeks & Nerds for Harris, a free livestream hosted by @RealLyndaCarter bringing fandoms together in support of Kamala Harris. I don't know if anyone is planning to show up in a costume, but if they do, I want you to think about the work that goes into costuming. 🧵
If a costume dept has done its job well, you shouldn't think about the costumes at all. The clothes should just pull you into the show. Such is the case of The Boys, where the clothes were made by a network of tailors and designers operating under the name LA Specialty Costumes.
To understand what makes this type of work special, you have to understand how clothes are made. Generally speaking, there are two types: ready-to-wear and bespoke.
In ready-to-wear (RTW), a designer comes up with an idea and works with a factory to make a series of samples
This iterative process—making a sample, adjusting the design, making another sample, adjusting the design—is how they're able to come up with such creative pieces that fit a wide range of body types. A bespoke tailor would never be able to make this for you:
The problem with RTW is that it's made to fit many ppl but no one in particular. This is where bespoke tailoring comes in. In bespoke, a garment is perfected for a client through an iterative series of fittings. The labor intensiveness of this makes it hard to create samples
For shows such as The Boys, the costuming process is unique in that it combines these two worlds: the unbounded creativity in RTW with the perfect fit in bespoke tailoring. It also brings to bear a much wider scope of technologies (as you'll soon see).
The process starts with concept art, which as you can see below, is much more detailed than what can be found in a fashion designer's sketchbook. It's important to get all these details right bc they have to be approved by committees, so everyone is on the same page.
Once the actors have been casted, they are measured by tailors, like you would see in a traditional bespoke tailoring process (such as below). But here's where things diverge: the actors also put on tight clothes, such as cycling shorts, and get a full body scan.
This gives the costume dept a digital rendering, which they use to play around with the proportions of the costume, so all the details come out right (as agreed upon in the concept art). They also use this data to create a 3D mold of the person's body (like a dress form or dummy)
I should say here that I know a tailor who makes bespoke suits for films. I asked if I could get photos of body forms so I can share them with you. He wisely said it's prob a bad idea for him to share semi-naked pics of Harrison Ford. OK Fair. So here's some pics of Ford clothed
These forms allow the tailors to conduct fittings without the actors being physically present. However, actors still need to come in for fittings. Laura Jean Shannon told me she had The Boys' cast come in and do kung-fu kicks in these clothes to make sure they fit right.
At a bespoke tailoring shop, a client will choose a stock fabric from one of the many fabric books. For The Boys, the fabrics are often customized. For example, Homelander's suit is made from a durable twill known as gabardine, much like military uniforms of the past.
However, the fabric has been put through a high-density printing process, which gives it some texture. Homelander's suit features a repeat eagle pattern. Soldier Boy's suit has repeating stars, but made with clear ink and little sparkles, so they catch the light in diff ways.
These costumes are also layered over bespoke muscle suits. These muscle suits build up a silhouette and even out the actor's muscles (ppl are rarely symmetrical). In season one of The Boys, the muscle suits were made from latex; now they are made from lighter weight foam.
The presence of a muscle suit is why even expensive repros of Homelander's costume don't have the same effect. On the left, we see a $125 costume on Amazon. On the right, we see Homelander's actual costume, which has the full silhouette (shape and drape!)
As you can imagine, all of this material—the foam muscle suit, high-density printed gabardine, accessories, and such—can make the person underneath feel quite warm. So underneath all this is another skin-tight garment with a network of tubes running around the body.
Between takes, the actor can cool down by plugging themselves into a machine that runs cold water through these tubes. Anthony Starr, who plays Homelander on the show, has a little bag that he carries around that powers this machine.
Another aspect is how difficult it is to get in and out of these costumes when you need to use the bathroom. Homelander's suit is actually a two-piece suit with the line hidden behind a working belt, as well as a zipper under the crotch for when he needs to go.
Lastly, there's a lot of finishing that goes into these costumes. All of the shadows and distressing you see here were done by an artist, who paints directly on the pieces by hand. Laura Jean stressed to me that the painted shadows are necessary to make the muscles really pop.
What's remarkable is not just the amount of work that goes into each garment—the creative design, bespoke fit, custom printed material, handmade muscle suits, custom gauntlets, belts, and knee pads—but that they need *multiples* of each costume for battle scenes (stuff rips).
What you're seeing is the result of century-old bespoke tailoring traditions meshed with modern technologies and unbound creativity. All of this takes a team of highly skilled people (20 people in LA Specialty Costumes along with a network of manufacturing partners).
One of the seamstresses on this team works for Gucci and does alterations for Lady Gaga. Another person helps makes the costumes you see on Broadway shows. As ever, it's important to remember there are actual people—talented tailors, pattern makers, artists—behind these things.
As mentioned earlier, tomorrow is "Geeks and Nerds for Harris," a livestream bringing fandoms together for Harris (e.g., anime nerds, comic nerds, Trekkies). @RealLyndaCarter is hosting with guests like @GeorgeTakei, @SeanAstin, and @BillNye. The Boys cast also will be there.
Jacqueline Emerson of The Hunger Games will be hosting a workshop for how to get out the vote if you're an introvert (like me). Event starts at 5pm PT/ 8pm ET. Follow @GeeksForHarris for more info.
If you see costumes tomorrow, consider the work that went into making them.
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After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.
Here is a guide breaking down what goes into quality men's footwear. This is focused on men's shoes, as women's shoes, depending on the style, will have different construction techniques and thus standards. 🧵
First, let's set a standard. What does it mean for a pair of shoes to be "good quality?" In this thread, I define that standard to be two things:
— Do the shoes age well?
— Can they be easily repaired?
In short, you should want and be able to wear the shoes for a long time.
We'll start with the part most people see: the uppers.
Quality uppers are made from full grain leather, which shows the natural grain of the hide (pic 1). Low quality uppers will be made from corrected grain, where bad leather has been sanded and given a chemical coating (pic 2)
When I was on a menswear forum, one of my most controversial opinions was that certain coats look better when they're worn open, while others look better when they're closed.
For instance, which of these two outfits look better to you? 🧵
If you shop for an overcoat today, there's a good chance you'll land on a single breasted. As suits and sport coats have receded from daily life, the types of outerwear that men historically wore with them have also slowly disappeared.
If you look at the past, men had all sorts of designs to wear over their tailored clothing: polos, Ulsters, Balmacaans, Chesterfields, paletots, wrap coats, etc. They were offered in a wider range of materials: gabardine, camelhair, covert, heavy tweeds, etc.
The reason why this looks off is bc the coat is built from many layers of material — haircloth, canvas, and padding — which sits on top of another jacket with similar structure. This can make you look a bit like a linebacker. If you find this to be the case, switch to a raglan 🧵
A raglan is defined by its sleeve construction. Most coats have a set-in sleeve, which is to say the sleeve attached to a vertical armhole, much like a shirt. A raglan, by contrast, has a diagonal seam running from the neck to armpit. Historically, this was put on raincoats.
A raglan construction is a bit more waterproof that its set-in sleeve counterpart because there's not vertical seam in which water can sit and eventually penetrate. But most importantly, it's completely devoid of padding. This results in a softer, rounder shoulder line. Compare:
If you mainly wear suits and sport coats, then you will want a simple dress watch on a leather strap. Remember that the spirit here is elegance, so the watch should also be elegant. Certain dress chronos can also work, such as the Vacheron Constantin 4072 in pic 4
If your wardrobe leans a bit more rugged — bombers, boots, raw denim — then you'll want a similarly rugged tool watch. Something like a dive watch or G-Shock. These larger watches will look more at home with your visually heavy clothes. Although small military watches also work