I get a lot of requests to "stick to fashion." IMO, clothing is a kind of social language and you can't understand how to dress better unless you consider the social, cultural, and even political dimension of clothes. 🧵
The reason why black oxfords are always "correct" with navy suits, and brown derbies sit comfortably alongside tweed, has nothing to do with color theory. It has to do with our notion of "good taste," which is just the preferences and habits of the ruling class pre-1980.
Similarly, the reason why military surplus field jackets— such as the M-43, M-51, and M-65—look good with sweatshirts, jeans, and graphic tees has to do with how anti-authoritarian youths turned Army jackets into a countercultural pose during the 1970s.
If you want to know how to wear a chore coat, you have to go back to the people who originally imbued style with cultural meaning, namely blue collar workers and artists such as Georges Braque.
From this, we understand that chore coats look best when they're loose (as they were originally worn for work, and thus needed to allow for comfortable, free movement). The outfits below aren't historical reproductions, but they look cool bc the proportions are right.
Knowing how to dress better may also include learning how to communicate gender, such as playing with ideas about femininity or masculinity. Think of dress more like writing a sentence; less like throwing paint on canvas.
Belgian shoes are these little dainty slip-ons with a feminine bow at the top. I think they look best on guys who look super masculine, as then the feminine shoes contrast with their gender expression. Or in outfits that have a bit of sexiness to them.
Such discussions require talking about gender!
Similarly, there's the production of clothing, which is always going to be loaded with politics. If we agree that some groups imbue things with meaning, then some things are "cooler."
When buying Native American jewelry, I try to buy stuff made by Native American craftspeople, as I think that makes the pieces cooler (why get the cover band?). That's very much a political discussion.
Below: Chipeta Trading (vintage) and Maida Goods (modern)
I can't answer how to "punch up" a plain t-shirt and jeans outfit because I don't know what you want to say! How do you identify? What do you want to express? This requires introspection, reflection on culture, and considerations about class, gender, and politics.
It's impossible to separate discussions of class, gender, and politics from clothes because clothes are inherently expressions about those dimensions. To understand how to dress better, you have to think about the history of social groups and creation of meaning.
If you don't consider these things, you end up with bland outfits like the one below or those lame color charts that treat fashion as some pseudo-science (X color goes with Y color, A body type wears B shape). That stuff gets you nowhere.
Frankly, I find strict service writing (e.g., "how to dress better") and trend reporting both a bit dull. I think fashion is more interesting when you connect it to other things. This more holistic approach also helps you dress better, as then you know the meaning of style.
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In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.
After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.
Here is a guide breaking down what goes into quality men's footwear. This is focused on men's shoes, as women's shoes, depending on the style, will have different construction techniques and thus standards. 🧵
First, let's set a standard. What does it mean for a pair of shoes to be "good quality?" In this thread, I define that standard to be two things:
— Do the shoes age well?
— Can they be easily repaired?
In short, you should want and be able to wear the shoes for a long time.
We'll start with the part most people see: the uppers.
Quality uppers are made from full grain leather, which shows the natural grain of the hide (pic 1). Low quality uppers will be made from corrected grain, where bad leather has been sanded and given a chemical coating (pic 2)
When I was on a menswear forum, one of my most controversial opinions was that certain coats look better when they're worn open, while others look better when they're closed.
For instance, which of these two outfits look better to you? 🧵
If you shop for an overcoat today, there's a good chance you'll land on a single breasted. As suits and sport coats have receded from daily life, the types of outerwear that men historically wore with them have also slowly disappeared.
If you look at the past, men had all sorts of designs to wear over their tailored clothing: polos, Ulsters, Balmacaans, Chesterfields, paletots, wrap coats, etc. They were offered in a wider range of materials: gabardine, camelhair, covert, heavy tweeds, etc.
The reason why this looks off is bc the coat is built from many layers of material — haircloth, canvas, and padding — which sits on top of another jacket with similar structure. This can make you look a bit like a linebacker. If you find this to be the case, switch to a raglan 🧵
A raglan is defined by its sleeve construction. Most coats have a set-in sleeve, which is to say the sleeve attached to a vertical armhole, much like a shirt. A raglan, by contrast, has a diagonal seam running from the neck to armpit. Historically, this was put on raincoats.
A raglan construction is a bit more waterproof that its set-in sleeve counterpart because there's not vertical seam in which water can sit and eventually penetrate. But most importantly, it's completely devoid of padding. This results in a softer, rounder shoulder line. Compare: