Fabric comes in different weights. In the menswear industry, this is measured in ounces or grams per square meter. American tailors tend to use ounces; Europeans and Asian tailors tend to use grams. Here we see swatches from Draper's Ascot book ranging from 8oz to 12oz.
In men's tailoring, 12-14oz is considered midweight. Anything less than 12 oz is lightweight; anything above 14oz is heavyweight. Once you get above 18oz, this is considered "coating" weight, which is to say it's typically used for overcoats.
If you live in a very hot, humid climate, then you might want to wear lighter weight fabrics, especially in open weaves, as they will wear cooler. Here's a suit made from a Harrisons of Edinburgh cloth (from their Indigo book). If I remember correctly, this is an 8oz fabric.
Conversely, here's a pair of grey flannel trousers made from what I believe is a 16oz cloth and a wrap coat made from a whooping 27oz cloth. You would melt if you wore this outfit in the summer, so it's strictly for cold days.
Lots of things go into how a fabric hangs or keeps its shape: the fiber composition, the weave, the finishing, etc. However, one important dimension is the weight. Here are two pure linen suits. Right is 11oz; left is 17oz. Look at the difference in the wrinkles around the lap.
Men in the past wore much heavier fabrics. It wasn't unusual for a summer suit to start around 13oz; winter suits to start around 16oz. This is partly why everything hung so well and looked so great. Look at the sharpness of these trousers.
Over time, fabric has gotten lighter weight for a variety of reasons. First, the spread of central heating meant that people no longer had to wear heavy clothes indoors. Second, a combination of technology and animal breeding made lightweight cloth more accessible.
The fashion industry also sold men on the idea that lighter, shinier, and silkier fabrics were more luxurious. "Oh la la, monsieur! Just feel that fabric. So silky and smooth and lightweight. You will always be so comfortable!"
There are two problems with lightweight fabrics. First, any mismatch between the tailoring and your body will show up in the form of ugly wrinkles and creases. Heavy fabrics hang better, so they're more forgiving. Check out how these heavy tweed trousers hang.
Second, as mentioned earlier, lightweight fabrics will hold their winkles more readily than their heavier counterparts (all things equal). Trump buys many of his suits from Brioni, and luxury Italian brands like these often sell customers on the idea of "luxurious" wools.
If you get a lightweight fabric, you have to compensate in other ways. For instance, Ascot's 2-ply Ascot fabrics clock in at 8oz. But the yarn has been given an extra twist during the spinning process, which makes them naturally wrinkle resistant.
Everyone has to figure out which types of fabrics are right for them. Your internal furnace, sensitivity to heat, lifestyle, and climate all play a part. One person might sweat in 14oz fabrics; another person is totally fine in something as heavy as 18oz, even in the same area.
But as a general rule of thumb, you should try to wear the heaviest fabrics you can bear. Trump favors lightweight, luxurious wools almost year round, and that's why his pants often look wrinkly.
Sorry, this is switched. The suit on the left is made from an 11oz pure linen. The suit on the right is made from 17oz pure linen. You can see how the suit on the right is less wrinkly. This is due to the difference in fabric weight.
Let's first establish good vs bad ways to think about style. The first pic is correct — style is a kind of social language and you have to figure out what type of person you are. The second pic is stupid bc it takes style as disconnected objects ("this is in" vs "this is out").
I should also note here that I'm only talking about style. I'm not here to argue with you about ergonomics, water bottle holders, or whether something accommodates your Dell laptop. I'm am talking about aesthetics.
Watch these two videos. Then answer these two questions:
— Which of the two men is better dressed?
— How does each come off?
I think Carney is better dressed, partly because his clothes fit better. Notice that his jacket collar always hugs his neck, while Pierre Poilievre's jacket collar never touches him.
The level of craftsmanship that goes into a lot of Japanese menswear simply doesn't exist in the United States. You can do this for many categories — suits, jeans, hats, etc.
In this thread, I will show you just one category: men's shoes 🧵
For this comparison, I will focus on Japanese bespoke shoemaking vs. US ready-to-wear. The level of bespoke craftsmanship shown here simply doesn't exist in the US, so a Japanese bespoke vs. US bespoke comparison would be unfair. US bespoke is mostly about orthopedic work.
So instead, I will focus on the best that the US has to offer: ready-to-wear Alden.
On a basic level, top-end Japanese shoes are better because they are handwelted, whereas Alden shoes are Goodyear welted. The first involves more handwork and can be resoled more often.
In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.
After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.