The past few days, I have seen this image circulating on social media. Since some posts did not include identifying information, there has been confusion about what it depicts, who made it, and when it was made. If you see people asking about this image, please direct them here.
I drew this picture in 2010. It depicts St. Michael the Archangel (not St. George), as a samurai. Specifically, it illustrates the Biblical verse Rev 12.7: And there was a great battle in heaven; Michael and his angels fought with the dragon, and the dragon fought and his angels.
The drawing was commissioned by a religious priest whose order had done missionary work in Japan. The idea to transpose a subject from Christian iconography into the style of an ukiyo-e print was his suggestion; I had never drawn anything like this before.
(My work is mostly based on medieval European art, such as illuminated manuscripts.)
Although (as my name suggests) I have Japanese ancestors, I do not speak Japanese, have never been to Japan, and claim no expertise in Japanese culture.
Although this scene depicts an event in the future, and therefore cannot exactly be judged for historical accuracy, I now know that the clothing and weaponry and style overall are not quite that of a 16th century samurai depicted by a 19th cenury artist.
I was doing my best in my first attempt to draw something like this, and I think that I have improved as I learned more about Japanese art. Indeed, it was the preliminary research for this commission that introduced me to some of my favorite artists.
The drawing was made with pigment-based calligraphy inks on Bristol board, with gold leaf. (If I remember correctly, I initially used brass leaf, and later replaced it with gold.) At the time that I drew it, I was just beginning to sell giclée prints of my work.
Due to my experience making intaglio prints and lithographs in college, I thought that it was customary to issue all art prints in limited editions — so the first few giclée prints that I issued were signed and numbered.
(I later learned that it is not best practice to do this with digital prints, so I now only sell digital prints in open editions.)
This drawing became far more popular than I ever expected, and I sold all of the prints quickly. Since I limited the edition, I was not allowed to make more.
Because so many people continued to ask me for them, I decided to make another, similar drawing, this one with several angels and dragons, and with a composition similar to a woodcut by Albrecht Dürer. I finished this one in 2013.
Although I prefer this second drawing, the first one was still more popular. So I decided to make a new drawing that is very similar to the first one.
This third drawing was finished in 2018. It has a different background (with lightning instead of a moon), different colors and fabric paterns, and is larger. I drew it on washi, is Japanese tissue paper.
All of these original drawings have been sold, but prints of the latter two are available, here:
I have drawn several other subjects in a Japanese style, including the Second Dream of St. Joseph, the Temptation of St. Anthony, the Wedding at Cana, and Our Lady of Perpetual Help.
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Those who follow my work know that I am intensely interested in lettering, calligraphy, and type design. Despite that, I spend relatively little time pondering questions of which typeface to use —
because in my own artwork and publishing projects, I only use letters that I design myself. (See here for examples:
I received a commission to create a Catholic religious drawing in a Chinese style. When developing the concept for the project, I looked to one of the early missionaries to China, the Italian priest Matteo Ricci...
Some time in the early 17th century, Ricci gifted four European prints to the Chinese publisher Cheng Dayue: two engravings by Anthony Wierix from a series illustrating the Passion and...
... Resurrection of Christ, another by the same artist of the Virgin of Antigua in Seville Cathedral, and one by Crispijn De Passe the Elder from a series illustrating the life of Lot.
Master Cheng copied these images into his Ink Garden, a model book...
This ink drawing illustrates an incident early in the life of Saint Francis of Assisi.
St. Francis’s father, a wealthy cloth merchant, was disturbed by his odd behavior and his giving away the family’s money. He appealed to the bishop of Assisi to discipline his son...
According to Thomas of Celano:
"When he had been led before the bishop, Francis neither delayed nor explained himself, but simply stripped off his clothes and threw them aside, giving them back to his father. He did not even keep his trousers, but stood there in front of...
... everyone completely naked. The bishop, sensing his intention and admiring his constancy, rose and wrapped his arms around Francis, covering him with his own robe. He saw clearly that Francis was divinely inspired and that his action contained a mystery....
These are universal bookplates; anyone can write his or her name in the blank space and paste them into books to identify a personal library. They depict St. Francis of Assisi in a scene ironically relating to the ownership of...
...books. According to a medieval vita:
"When blessed Francis was sitting near a fire, warming himself, the same one spoke to him again about a psalter. And blessed Francis told him: After you have a psalter, you will desire and want to have a breviary; after you have a...
... breviary, you will sit in a fancy chair, like a great prelate telling your brother: Bring me the breviary. And speaking in this way with great intensity of spirit, he took some ashes in his hand, put them on his head rubbing them around his head as though he were washing...