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However, in medieval Latin, certainly by the 13th century when Thomas of Celano wrote this sequence, the æ and œ diphthongs had largely disappeared, following changes in pronunciation. Because these were pronounced the same as e by itself, most scribes simply wrote e. If you…
projecting from its top. Here, I have done the opposite: I started with the shape of a realistic heart, and reduced that to a stylized emblem.
I drew this picture in 2010. It depicts St. Michael the Archangel (not St. George), as a samurai. Specifically, it illustrates the Biblical verse Rev 12.7: And there was a great battle in heaven; Michael and his angels fought with the dragon, and the dragon fought and his angels.
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https://twitter.com/HerreidJohn/status/1694510485880684573Jed Gibbons, illuminated miniatures.
Some time in the early 17th century, Ricci gifted four European prints to the Chinese publisher Cheng Dayue: two engravings by Anthony Wierix from a series illustrating the Passion and... 
According to Thomas of Celano:
...books. According to a medieval vita:
the Holy Trinity in the traditional Gnadenstuhl (Throne of Mercy) arrangement: God the Father as the Ancient of Days holds the Crucified Christ, and the Holy Ghost in the form of a dove flies between Them. This was a common means of portraying the Holy Trinity in Gothic art.
St. Theodore of Canterbury, also known as St. Theodore of Tarsus, was born in Asia Minor in the early 7th century, and witnessed the wars between Sassanid Persia and the Byzantine Empire. He fled the conquests of the Rashidun Caliphate, lived in Constantinople and later Rome.
Hildegard’s theology of beauty, best expressed in her epistle on music to the prelates of Mainz, has profoundly influenced my artwork. She proposed that delight in beauty is essentially a longing for the dimly remembered experience of Eden.
The image is from this article::