As men's tailoring has slowly died, many people, including Will, see things in overly broad strokes. He thinks that these outfits are the same when they couldn't be more different. He also alludes to this idea of "noblesse oblige," which refers to a specific social class.
To understand the difference, we have to go back to the founding of Brooks Brothers in 1818. Brooks was the most important American men's clothier, as they invented the ready-made suit and introduced American men to things such as sack suits, Shetland tweeds, polo coats, etc.
At the turn of the 20th century, Brooks Brothers clothed that class of upwardly mobile Americans who saw their fortunes rise with industrial capitalism. Their children went to elite private schools such as Phillips Academy, which fed into the Ivy League system.
These students shopped at satellite campus clothiers such as The Andover Shop and J. Press, which carried similar Brooksy styles (soft shouldered suits, rep ties, Shetland knits, etc). There were some crazy styles at this time, but the look was "very demure, very mindful."
When these students graduated, they worked on Wall Street, at major law firms, and in the halls of political power. The term "white shoe firm" refers to those prestigious professional service firms once staffed by Ivy League graduates who wore white bucks (a marker of class)
This look, known as Ivy style, was the aesthetic of the American ruling class (aka patrician style, WASP style, Old Money look). Notice the soft shoulder here, the dartless front (which result in straighter sides). If you were able to see the back, you'd see a hook vent.
Along with the softer more "demure" look, there was also an emphasis on thrift (born of Protestant values). In 1952, a photographer snapped a photo of Adlai E. Stevenson—who actually comes from that "noblesse oblige" class—while he was on the campaign trail.
Despite having generational wealth, there was a hole in Stevenson's shoe. For those in the know, these markers—beat up shoes, frayed oxford button-down collars, patched up tweeds—are a mark of real "patrician style."
There's a joke about how if you ask one of these people where they bought their clothes, they will say they inherited it from their grandfather. This shows generational wealth—you didn't buy the clothes, you inherited them, which isn't something that can be bought.
You also see this quality in King Charles' clothes: patched up suits and shoes, cracked leather, 30-50 year old clothes, and repaired Barbour jackets.
Real wealth—generational wealth—shows patina.
Donald Trump is none of these things. He lives in a gold home (the opposite of demure). His suits are from the flashy Italian brand Brioni. They have much more structured square shoulders. He wears bright red satin ties.
Satin is a very bright, glossy material. A real American patrician would never wear such a thing, but if forced, they would do so at night (never in the afternoon, as the material would be too shiny and thus gaudy). The patrician choice would be a simple, matte silk rep tie.
Trump dresses as a flashy businessman and entertainer. His suits are heavily padded to create an imposing, authoritative figure. His bright red tie is a matter of branding.
Entertainers were once so looked down upon that Frederick Scholte, the Dutch-English tailor who dressed the Duke of Windsor, wouldn't take them on as clients (save for two, so long as they didn't wear his suits on screen). He turned down a client bc they arrived in a flashy car.
Today, the language of tailoring is mostly dead and people, such as Will (the original poster), only see things in broad strokes. So a suit is just a suit; casualwear is just casualwear. Suit people are noble; casualwear people are slobs. Etc etc etc.
They think "Old Money style"—patrician style, "noblesse oblige" style, WASP style—is the set of photos on the left when it's really the right. The flashiness of the left is, in fact, distasteful and goes against those old Protestant values.
Will, the original poster, even has the term "WASP" in his bio, despite seemingly knowing nothing about the style. Real "WASP" style—as in Ivy Style—is nothing like Trump. It looks more like this:
To bring this to King Charles and his social class, the British equivalent looks like this below. Charles himself is a well-known and longtime client of Anderson & Sheppard, a Savile Row firm famous for their soft shoulders (opposite of Trump's padded Brioni suits)
There are only a few American political figures left who dress in this manner. One is Robert Mueller, who came from that kind of New England family. You know it from his choice of suits, ties, and collars. A journalist who spent time with him told me Mueller shops at Brooks Bros
The suggestion that Trump's style can be in any way described as "noblesse oblige" only shows how little most Twitter trads know about the style they supposedly revere.
A central difference between me and the many people who will reply angrily to this thread is that I don't think suits are automatically "good" and casualwear is automatically "bad." A good casualwear outfit is better than a bad suit (and this happens often). I don't hold disdain for everyday people, so I don't use suits as a political cudgel.
Jeff Bezos and Donald Trump—two figures featured in that original thread—both dress badly to me. It matters none that one is a suit.
I mainly take umbrage with the idea that Trump's style can be in any way described as "aristocratic" or "noblesse oblige." These words refer to specific classes of people who had specific dress habits. Trump's attire has nothing to do with that practice.
You can say he never dresses down, which is true, but you can then just make that point without acting as though there's anything aristocratic about his dress. He's simply a businessman entertainer. Suit salesmen also never dress down, and if their dress habits were similar to Trump's, their style would also have no relationship to "aristocratic style."
"Twitter trads" often want to be patted on the back for simply liking suits (I doubt many of them wear them with much regularity), despite not appreciating the fine details or nuances of various styles. Yet, they also complain about the slipping of standards in schools—people are graded on a slipping curve, they say.
But is this not also just a slipping of standards? You want to label anything with revers and three pockets as "aristocratic?" Put on any old suit and suddenly you're King Charles. Give me a break.
Just make your point: Trump doesn't dress down (this is true). And you hate the modern world. You fancy yourself as being above other people, despite the fact that, the very signaling of this thing, shows you are irreparablely middle-class.
To state the obvious, you can like suits, tailoring, and Old Money style without LARPing in this way (I know many menswear enthusiasts who love Old Money style and are very forthright about their class status and hold no grudge against everyday citizens). If you must LARP, at least know what you're talking about.
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I think "fun socks" should be used judiciously, as a lot of what's worn today feels more childish than whimsical. IMO, most men should avoid them entirely.
But if you insist on wearing them, here are some suggestions on how to make them look less bad. đź§µ
Any time this topic comes up, people invariably bring up George HW Bush, who was known to wear fun socks later in life. While I wasn't a fan of those socks, I agree that Bush was well-dressed. I also think when you reach a certain age, you have license to wear whatever you want
There are a few reasons why most outfits look bad with these sorts of socks. First, most men are not at that senior age where these socks become charming.
Second, most of these socks look like something you acquire by sending in a proof-of-purchase from a cereal box.
Most people think of black tie as the most formal kind of menswear, but technically speaking, it's semi-formal evening attire. Historically, men wore this kind of outfit to dinner or evening shows, such as going to the opera or ballet. Or celebrations such as NYE parties.
White tie is true formalwear. It differs from black tie primarily in how it requires a long tailcoat (black tie originated when men cut the tails off their coats to create a more casual garment for dinner). Also requires a white waistcoat, white tie, and wing collar.
If you're interested in bespoke tailoring and based in the United States, I have some trunk show announcements to share with you. Since Twitter recently changed their formatting options, I will be doing this as a thread. đź§µ
Matthew Gonzalez
There's a long history of cross-border influence and immigration in tailoring, but as far as I know, Matthew Gonzalez is the first American to operate under his own banner on Savile Row. Born and raised in Southern California, he moved to London about twenty years ago to pursue a degree in bespoke tailoring from the London College of Fashion. Thereafter, he climbed the ranks — moving from undercutter at Thom Sweeney to cutter at Dunhill and eventually Huntsman, where he achieved his longtime goal of cutting on Savile Row.
Today, he runs his own firm, where he merges his California sensibility with his training in British bespoke craftsmanship. He recently told me he admires a photo of JFK staring out of a window. The President dressed in a dark worsted suit, white button-up shirt, and dark silk necktie, but everything about the photo looks very casual and relaxed. This, he told me, is what American style means to him.
Gonzalez cuts suits and sport coats inspired by that mid-century American tailoring, although he's adamant about not wanting the clothes to look like historical costumes. Thus, while the jackets have a soft, natural shoulder line, he sticks with front darts and prefers side vents (rather than the dartless front and hook vent characteristic of Ivy Style). The lapels have a moderate width and minimal belly (the curve sometimes distinguishing an older style of British tailoring). The garments are designed so they can be teamed with a dress shirt and tie, or something more casual such as a chambray button-up.
Given Gonzalez's penchant for slightly more relaxed, casual attire, it's no surprise that he also offers made-to-measure suede jackets, wool-cashmere shawl collar cardigans, and denim Western shirts (made without the contrast stitching, so they look more at home with tailoring). He's also one of the few bespoke tailors I've met who "gets it" when it comes to the polo coat, arguably the most iconic of American overcoat styles. Gonzalez tells me he thinks a polo coat should have letter box patch pockets, a half belt, gauntlet cuffs, an inverted back pleat, and a center button vent. But crucially, he also thinks the split-sleeves should be made with a lapped seam. To my eye, this makes the garment more casual and sporty—truer to its original roots—and allows the tailor to shape the sleevehead.
Consider Gonzalez if you share the same sensibilities: a love for classic American tailoring, but a suspicion of styles that are too anachronistic, and a bias towards clothes that feel more relaxed and casual. The point about Gonzalez using a split-sleeve with a lapped seam demonstrates that he takes care of details that may not occur to a client, but will be appreciated years down the road.
Taillour
In bespoke tailoring, there's a generally accepted rule that most clients would do well to observe: choose a company based on their house style and stay close to it. The term "house style" refers to the tailor's established methods, which combine to create clothes with a distinguishable fit and feel. Just as you wouldn't order burritos from a ramen chef, you shouldn't ask an English tailor for an Italian jacket (or vice versa).
Taillour is one of the few exceptions. Co-founder and head cutter Fred Nieddu has worked in the bespoke tailoring industry for decades, cutting for firms such as Thom Sweeney and even teaching pattern drafting courses at the London College of Fashion. A good percentage of his current workload involves making clothes for films and TV shows. In fact, you may have seen his creations. He made all the menswear for the Netflix series The Crown, the suits in the film The Phoenician Scheme, and one of the colorful costumes for Wonka. Given this experience, he's more flexible than most tailors regarding what he's willing and able to make.
Still, I think it's always a good idea to stay close to the house style. I think of Taillour's house style as very soft but architectural in its lines. Nieddu uses a full body canvas and only a bit of laptair near the wearer's collar bone to prevent the jacket from sinking. The shoulders are minimally padded, giving the garments a very light feel. While Neapolitan tailors are known for a similar construction, Taillour's jackets have a bit more room and shape. The shoulder line is very straight, and the chest is slightly full. When combined with those characteristically straight lapels and larger jacket collar, I find Taillour's jackets have an angular appearance reminiscent of Apparel Arts drawings.
Consider Nieddu if you want a tailor who's a bit more flexible in terms of what they're willing to make (although, again, I recommend tweaking at the margins, not bringing in a photo of something and asking for it to be copied). He has also made clothes for women, which will be useful if you're looking for someone who can make a women's suit, sport coat, or overcoat.
Summer is around the corner and soon you'll read a bunch of tweets about how every man should have a pair of loafers.
I don't think anyone needs anything, but if you're shopping for a pair, let me show you how to think about loafers. This applies to any wardrobe item. đź§µ
When it comes to choosing loafers, a simple answer will go something like this: "Such-and-such brand makes the best pairs." Or "Here's a hierarchy of loafers." IMO, such approaches are reductive and often devolve into trend or status pursuits.
Let me show you another approach.
As always, it's helpful to start at the beginning.
There are a few origin stories for loafers, but most lead back to Norway. If menswear lore is to be believed, then the penny loafer comes from a simple slip-on shoe known as the teser, which was once worn by Norwegian peasants.
Someone asked if I could tell them where to buy a pair of good chinos. In this thread, I will tell you, but my answer is not simple. On the upside, I think this is a better approach when shopping for clothes and you can apply it to any kind of item. đź§µ
A simple answer will go something like this: "Such-and-such makes the highest quality chinos." Or "this brand provides the best value." While potentially useful in some respects, I don't think this gives you the fullest picture.
Instead, let's start at the beginning.
During the 1898 Spanish-American War, US troops stationed in the Philippines wore sand-colored pants made from a heavy cotton twill woven in China. Since the Philippines had been under Spanish colonial rule at this time, the locals call these "pantalones chinos" (Chinese pants).
One day, "It" will happen, by which I mean sudden and unexpected news that you want to celebrate. In such cases, you will want the right outfit. đź§µ
What do I mean by "It?" I mean that joyous moments are not always something you can plan for. Perhaps you received a pay raise or got accepted at a waitlisted school. Perhaps a loved one is now cancer-free. Such moments can be sudden and unexpected — and you want to be prepared.
Of course, you can always celebrate in the same clothes you wear to bed. But IMO, this diminishes the moment. Thus, it's nice to special outfits for "It," even if you don't wear them all the time. It's similar to toasting a special glass of champagne and drinking water.