As men's tailoring has slowly died, many people, including Will, see things in overly broad strokes. He thinks that these outfits are the same when they couldn't be more different. He also alludes to this idea of "noblesse oblige," which refers to a specific social class.
To understand the difference, we have to go back to the founding of Brooks Brothers in 1818. Brooks was the most important American men's clothier, as they invented the ready-made suit and introduced American men to things such as sack suits, Shetland tweeds, polo coats, etc.
At the turn of the 20th century, Brooks Brothers clothed that class of upwardly mobile Americans who saw their fortunes rise with industrial capitalism. Their children went to elite private schools such as Phillips Academy, which fed into the Ivy League system.
These students shopped at satellite campus clothiers such as The Andover Shop and J. Press, which carried similar Brooksy styles (soft shouldered suits, rep ties, Shetland knits, etc). There were some crazy styles at this time, but the look was "very demure, very mindful."
When these students graduated, they worked on Wall Street, at major law firms, and in the halls of political power. The term "white shoe firm" refers to those prestigious professional service firms once staffed by Ivy League graduates who wore white bucks (a marker of class)
This look, known as Ivy style, was the aesthetic of the American ruling class (aka patrician style, WASP style, Old Money look). Notice the soft shoulder here, the dartless front (which result in straighter sides). If you were able to see the back, you'd see a hook vent.
Along with the softer more "demure" look, there was also an emphasis on thrift (born of Protestant values). In 1952, a photographer snapped a photo of Adlai E. Stevenson—who actually comes from that "noblesse oblige" class—while he was on the campaign trail.
Despite having generational wealth, there was a hole in Stevenson's shoe. For those in the know, these markers—beat up shoes, frayed oxford button-down collars, patched up tweeds—are a mark of real "patrician style."
There's a joke about how if you ask one of these people where they bought their clothes, they will say they inherited it from their grandfather. This shows generational wealth—you didn't buy the clothes, you inherited them, which isn't something that can be bought.
You also see this quality in King Charles' clothes: patched up suits and shoes, cracked leather, 30-50 year old clothes, and repaired Barbour jackets.
Real wealth—generational wealth—shows patina.
Donald Trump is none of these things. He lives in a gold home (the opposite of demure). His suits are from the flashy Italian brand Brioni. They have much more structured square shoulders. He wears bright red satin ties.
Satin is a very bright, glossy material. A real American patrician would never wear such a thing, but if forced, they would do so at night (never in the afternoon, as the material would be too shiny and thus gaudy). The patrician choice would be a simple, matte silk rep tie.
Trump dresses as a flashy businessman and entertainer. His suits are heavily padded to create an imposing, authoritative figure. His bright red tie is a matter of branding.
Entertainers were once so looked down upon that Frederick Scholte, the Dutch-English tailor who dressed the Duke of Windsor, wouldn't take them on as clients (save for two, so long as they didn't wear his suits on screen). He turned down a client bc they arrived in a flashy car.
Today, the language of tailoring is mostly dead and people, such as Will (the original poster), only see things in broad strokes. So a suit is just a suit; casualwear is just casualwear. Suit people are noble; casualwear people are slobs. Etc etc etc.
They think "Old Money style"—patrician style, "noblesse oblige" style, WASP style—is the set of photos on the left when it's really the right. The flashiness of the left is, in fact, distasteful and goes against those old Protestant values.
Will, the original poster, even has the term "WASP" in his bio, despite seemingly knowing nothing about the style. Real "WASP" style—as in Ivy Style—is nothing like Trump. It looks more like this:
To bring this to King Charles and his social class, the British equivalent looks like this below. Charles himself is a well-known and longtime client of Anderson & Sheppard, a Savile Row firm famous for their soft shoulders (opposite of Trump's padded Brioni suits)
There are only a few American political figures left who dress in this manner. One is Robert Mueller, who came from that kind of New England family. You know it from his choice of suits, ties, and collars. A journalist who spent time with him told me Mueller shops at Brooks Bros
The suggestion that Trump's style can be in any way described as "noblesse oblige" only shows how little most Twitter trads know about the style they supposedly revere.
A central difference between me and the many people who will reply angrily to this thread is that I don't think suits are automatically "good" and casualwear is automatically "bad." A good casualwear outfit is better than a bad suit (and this happens often). I don't hold disdain for everyday people, so I don't use suits as a political cudgel.
Jeff Bezos and Donald Trump—two figures featured in that original thread—both dress badly to me. It matters none that one is a suit.
I mainly take umbrage with the idea that Trump's style can be in any way described as "aristocratic" or "noblesse oblige." These words refer to specific classes of people who had specific dress habits. Trump's attire has nothing to do with that practice.
You can say he never dresses down, which is true, but you can then just make that point without acting as though there's anything aristocratic about his dress. He's simply a businessman entertainer. Suit salesmen also never dress down, and if their dress habits were similar to Trump's, their style would also have no relationship to "aristocratic style."
"Twitter trads" often want to be patted on the back for simply liking suits (I doubt many of them wear them with much regularity), despite not appreciating the fine details or nuances of various styles. Yet, they also complain about the slipping of standards in schools—people are graded on a slipping curve, they say.
But is this not also just a slipping of standards? You want to label anything with revers and three pockets as "aristocratic?" Put on any old suit and suddenly you're King Charles. Give me a break.
Just make your point: Trump doesn't dress down (this is true). And you hate the modern world. You fancy yourself as being above other people, despite the fact that, the very signaling of this thing, shows you are irreparablely middle-class.
To state the obvious, you can like suits, tailoring, and Old Money style without LARPing in this way (I know many menswear enthusiasts who love Old Money style and are very forthright about their class status and hold no grudge against everyday citizens). If you must LARP, at least know what you're talking about.
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Sometimes I think about the closure of G. Lorenzi, a Milanese gentleman's shop that had been around for almost 100 years until their closure in 2014. The shop was special because it carried so many one-of-a-kind items from artisans — total handmade craft production, not factory.
At the time of their closure, they still carried over 20,000 items of 3,000 models, including speciality knives, picnic sets, and nutcrackers. They had over 100 styles of nail clippers and 300 different hairbrushes alone. Proprietor Aldo Lorenzi scoured the world for artisans.
There's nothing wrong with factory production. But as more of our lives get taken over by machines — including art and writing — this sort of production feels special.
Trailer for "A Knife Life," a documentary about the store by my friend Gianluca Migliarotti, available on Vimeo
I spent 15 yrs on a menswear forum. The longest argument I had was over a tiny detail that can be seen in this photo. For 6 months, I argued with the same five guys non-stop every day. The argument got so heated the forum owner banned one guy for life.
As I've mentioned before, there's a lot of coded language in menswear. Navy suits can be worn with black oxfords because this was the uniform of London businessmen. Brown tweeds go with brogues because these clothes were worn in the country. In this way, we get formal vs. casual.
The same is true for shoes. Tiny details come together to communicate something, much like how words form a sentence. Black is more formal than brown; calfskin more formal than suede or pebble grain; plain design is more formal than broguing. All of this stems from history.
The year is 2024 and you're browsing for a new shirt online. You come across a store selling shirts from Portuguese Flannel. You do your research and find they make quality garments: clean single-needle stitching, flat felled seams, quality fabrics, MOP buttons, classic designs
So you go ahead and purchase one. The shop charges 139 Euros and throws in free shipping. Given the exchange rate in 2024, that means you paid $163.19.
First, let's do an experiment. Here are two relatively similar outfits: a blue shirt with a pair of dark blue jeans.
Which do you like better? Reply to this tweet with your answer. This way, people can see how the majority of people "voted."
If you said the right, then we have the same taste. This is despite the outfit on the left following this exact guide — and the outfit on the right not appearing in the guide at all.
I both agree and disagree that it's subjective. Like with anything, my views on tailoring stems from a "first principle." That principle is that men wore tailored clothing better in the past (specifically the period from about the 1930s through 80s). đź§µ
If we agree on this, then there are certain ideas that naturally flow from this principle, partly because men's dress during this period was governed by time, place, and occasion. As stated before, one such idea was city vs country clothing.
Another such idea was resort or evening wear. Or summer vs winter wear. And so forth.
One can carry these ideas forward into today's age without it look like historical cosplay. Just like how we are currently using words to communicate, some from the early 1900s.
Twitter has a character limit, so I assume (intelligent) people will read context and know I'm talking about interior design and fashion, which today are coded as "gay interests" for men. Not painting or architecture, which carry no such stigma.
IMO, it's absolutely true that American Protestants were uniquely against certain forms of ornamentation, including fashion. For instance, the Quakers deliberately shunned adornment and extravagance in dress, stressing the importance of simplicity.
In his book "The Suit," Christopher Breward writes about how Quakers would talk about "troubling lapses into self-fashionableness by wayward members" during meetings. However, the Quakers were small in number and often seen as unusual by their fellow non-Quaker community members