Harris Tweed is the only fabric that's legally protected. Just as Bordeaux wine has to be from the Bordeaux region of France, any fabric bearing this stamp has to be woven in the Outer Hebrides, finished in the Outer Hebrides, and made from wool dyed & spun in the Outer Hebrides.
The Outer Hebrides is Scotland's Wild West. In his 1973 book, WH Murray wrote that the region's most important climatic feature are the gale force winds. If you ask an islander for tomorrow's forecast, he won't say dry, wet, or sunny, but quote a figure from the Beaufort Scale.
For that reason, the local blackface sheep have a thicker, coarser, stronger fleece. They used to be the only wool source for Harris Tweed, although nowadays, the fabric can be woven from wool sourced from Cheviots. They have a softer fleece.
The production of Harris Tweed used to be done by crofters (such as tenant farmers), who used the material for living and trading. It was not uncommon for someone to pay rent with blankets or lengths of clò-mòr. Which is to say there were hundreds or thousands of producers.
Today, this production is consolidated into three mills. They do the work of grading and sorting the fleece, washing it, dyeing and carding the fibers, and then spinning them into yarn. This material is then arranged in the form of beams or bobbins. From National Geographic:
In the video above, you can see how the wool is dyed into brilliant colors. This material is then mixed together. When spun into yarn and woven into cloth, you get this interesting depth that's not just flat brown or yellow, but a color that reflects the richly colored landscape.
The main thing to know about Harris Tweed is that it's the most widely used hand-loomed fabric for men's tailoring. By hand-loomed, I mean the mills send bobbins or beams to independent weavers who work with just their hands and feet (no automation or electricity).
This weaving typically takes place in a shed located steps from the weaver's home. In the olden days, weavers used Hattersley single-width looms. Today, some operate Bonas-Griffith double-width looms to produce softer, lighter fabrics (ones made from that Cheviot woo)l.
In the past, men primarily did the weaving, while women did the waulking (the soaking of tweed in urine, then stretching and thumping it to shrink and soften it; material would later be hand washed). Women sang songs in chorus to lighten the work and keep rhythm.
Today, that finishing process is done industrially and without urine, although the weaving is done in the same was it has for generations: by foot and hand on an old loom stored in a drafty shed. From an old Esquire series:
The thing about Harris Tweed is that it's ... rough. It's pricklier than other types of tweeds partly because it's typically made from that locally sourced blackface sheep wool (stronger, coarser wool). IMO, it's best for outerwear such as sport coats and overcoats.
If you get trousers, you will need to get them fully lined. Or you need to have your own fleece, which is to say hairy legs.
If you want something lighter, softer, and more comfortable, you can try Breanish tweed.
Breanish doesn't qualify as Harris Tweed bc it's not purely made from locally sourced wool, but it's still handloomed on the island using an old single-width loom that was purchased with a bottle of whisky. Since they use a mix of materials, like cashmere, the cloth is softer.
So that's what happens on that island. If you're buying custom clothes, then Harris Tweed can be sourced from Harrisons Fine Worsted. If you're buying ready-to-wear, many clothiers will stock Harris Tweed sport coat: Drake's, Ben Silver, J. Press, Ralph Lauren, among the many.
Harris Tweed is certainly not the only type of tweed. The garments below are made in other regions and from other types of wool. But it's the only one that's legally protected. If you see something with the Harris Tweed logo (the orb), you now know the backstory.
Forgot to add: if you want something relatively affordable, lots of Etsy sellers make notebooks, eyewear sleeves, and pen cases from Harris Tweed.
And while not made from Harris Tweed or even tweed at all, I also like Waverley Scotland notebooks, which have nice tartan covers.
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I don't know anything about womenswear, but I've noticed that women's tailoring is typically free of the problems I commonly see on men. I had dinner with a bespoke tailor last night who explained why this may be so. A thread for those interested. 🧵
Disclosure: I don't know how the patterns were drafted for the clothes featured in this thread. That would make a big difference in how they should be judged. But for the purpose of this thread, I'll assume they're ready-to-wear or designer (i.e., adjusted off a block pattern).
One thing I notice is that women's tailoring typically features a high armhole. For instance, at last year's DNC, every politician who made a speech raised their hand at some point. On men, this typically resulted in their jacket lifting. But not so on women.
First, some basics. It's easier to dress like this if you involve some kind of activity. I suggest going out to a nice restaurant or bar. Or going to a party or an evening show. You can also dress like this just to have fun in the city (e.g., going to the museum).
Another thing: there are elements in this outfit that may be harder to pull off, such as the hair-on-hide coat. Can you try? Yes, of course, but it's more of a statement piece. Needs the right haircut/ personal vibe.
It's interesting to see how gender in aesthetics is constantly a moving target. Will explain how four outfits from today's Todd Snyder FW25 show were once considered very masculine, but now may not because men perform disinterest in clothes. 🧵
The first is straightforward: single-breasted, notch lapel suit made from grey herringbone tweed. My guess is that this model is wearing a size up for styling purposes (gives him some swagger). The cut you'll try in-store will probably be a little slimmer.
Of course, tweed is that prickly woolen that British men once wore while playing sport in the countryside. It used to be that men's wardrobes were strictly divided between town (London) and country, but such rules broke down over time. Hence the phrase "tweed in the city."
Before Europeans landed in North America, the Pacific Northwest was populated by the Coast Salish people, who had been here for thousands of years. During the 19th century, many made a living by selling woven blankets to traders. The blankets typically featured geometric designs.
Business dried up in the late 19th century as the market was flooded with Hudson Bay Point blankets, so Coast Salish people picked up knitting needles. This was the birth of the Cowichan sweater, which combined old Coast Salish weaving practices with European knitting techniques.
If you're based in the US and shop a lot online, you may know that packages declared under $800 usually arrive without taxes. According to Reuters, in addition to the 25% Canada tariff, Trump is also canceling this de minimis tax exemption for Canadian imports. 🧵
This will be quite expensive for guys who are into menswear. For instance, Spier & Mackay is popular among guys who are budget-conscious but want quality tailoring. Their $400 suits will now arrive with $100 tax bill.
Naked and Famous is also super popular because they're an easy, relatively accessible entry point into the world of raw denim. Most of their jeans are around $250, so those will arrive with a $63 tax bill.
I'm writing this thread partly bc ideas about respectability run rampant on this platform. Often see people saying things like, "Men shouldn't wear backpacks or hoodies; they're for children." When quarter zips came up, lots of people said, "Well, at least they're not hoodies."
I dislike respectability in dress bc I don't think you should judge a person's deeper, more important qualities based on their clothes. Also dislike when people base their aesthetics on aping whatever the middle class does. I think you can appreciate "high" and "low" aesthetics.