The Harris Tweed Act of 1993 doesn't stop other people from producing tweed. It only regulates who gets to use the Harris Tweed Orb logo, which is a trademarked symbol. Let me give you some examples. 🧵
Below is Donegal tweed, which is called so because it's produced in the Donegal county of Ireland. Donegal tweed is most known for its signature flecks, which are created by spinning yarn with bits of felted wool, which glob onto the yarn like gum on a piano string.
My favorite Donegal tweed producer is Molloy & Sons, a father-and-son team that produces for some of the best English, American, and Japanese brands, as well as bespoke tailors around the world. I love the fabric for its story as much as its physical qualities.
The nice thing about a Donegal tweed is that, much like a solid-colored grenadine tie, it adds visual interest to plain-colored outfits but won't clash with patterned ones. The tiny flecks sit somewhere between "patterns" and "solid colors." Great for sport coats.
The problem with Donegal tweed is that the term is also used to describe any tweed with flecks. I believe the outfit on the right, while great, is made from an Italian-woven "Donegal tweed." The video on the right shows a Scottish-woven "Donegal tweed."
Again, all of those are great but what if you want something woven in the county after which the fabric was named? Oftentimes, it's hard to know where the fabric is from or who made it. When you're in a store, you only see the jacket.
That's where the Harris Tweed Orb comes in. In order to bear these labels, you have to meet three criteria: fabric was handwoven in the Outer Hebrides, finished in the Outer Hebrides, and made from wool dyed & spun in Outer Hebrides.
No one is "banning" competition. You can weave tweed right now in anywhere in the world, but you can't place that logo on it because it's regulated by the Harris Tweed Authority, much like slapping a Chanel logo on a bag.
Why should you care where something is made, assuming it was made under ethical conditions? There's no reason you HAVE to. But some people care about provenance and regional craft traditions.
For instance, I love the craft of handsewn moccasins made in Maine. When I heard the owner of Arrow Moccasins passed away some years ago, I bought a few more from other craftspeople, knowing this a disappearing craft.
Video from Yuketen:
I also like that you can still get handknitted Arans from the Aran islands and Fair Isle sweaters made on the Fair Isles (those are produced on flat-bed knitting machines).
Pics via Old Stone Trade, Fair Isle with Marie, and Fair Isle Made in Fair Isle
Such labeling connects consumers with specific craftspeople, which helps those regional traditions survive. When the market is flooded with all sorts of things and you have no idea how something was made, this doesn't help producers or consumers.
About fifteen years ago, I wanted to get hand-knotted tassels for a dressing gown, as I loved the versions that English tailors used to make for customers. Most dressing gowns nowadays have no tassels (pic 1). Or the tassels are attached by machine (pic 2).
I called every bespoke shirtmaker on Jermyn Street (where these things were historically made). Budd Shirtmakers was the only one who had any left. Apparently, the last woman that made them had just retired and she had no apprentices. She made small box of em for future customers
Perhaps someone has gone back to making them (I don't know, although demand for this sort of stuff is low). If you love certain crafts, particularly as they connect to regional traditions, it's worth trying to protect them, which is the point of stamping fabric with this orb.
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If you're just dipping your toes into tailored clothing, start with a navy sport coat. This is something you can wear with a button-up shirt and pair of trousers, or something as casual as a t-shirt and some jeans. It's easily the most versatile jacket.
Key is to get something with texture so it doesn't look like an orphaned suit jacket. Spier & Mackay has great semi-affordable tailoring. Their navy hopsack Moro is made from pure wool and a half-canvas to give it shape. Classic proportions and soft natural shoulder
There's a pervasive belief that we no longer produce clothes in the United States. This is not true. In this thread, I will tell you about some great made-in-USA brands — some that run their own factories, while others are US brands contracting with US factories. 🧵
I should first note this thread focuses on well-made, stylish clothes produced in ethical conditions. For me, producing in the US is not enough. It means nothing if the clothes are ugly, crappy, or produced in sweatshop conditions. My article for The Nation below.
JEANS
Gustin produces MiUSA jeans using raw Japanese denim. "Raw" means the fabric hasn't been pre-distressed, allowing it to naturally fade with use, reflecting your actual body and lifestyle. I like their fuller 1968 Vintage Straight fit. They also do lots of other stuff.
Let's first establish good vs bad ways to think about style. The first pic is correct — style is a kind of social language and you have to figure out what type of person you are. The second pic is stupid bc it takes style as disconnected objects ("this is in" vs "this is out").
I should also note here that I'm only talking about style. I'm not here to argue with you about ergonomics, water bottle holders, or whether something accommodates your Dell laptop. I'm am talking about aesthetics.
Watch these two videos. Then answer these two questions:
— Which of the two men is better dressed?
— How does each come off?
I think Carney is better dressed, partly because his clothes fit better. Notice that his jacket collar always hugs his neck, while Pierre Poilievre's jacket collar never touches him.
The level of craftsmanship that goes into a lot of Japanese menswear simply doesn't exist in the United States. You can do this for many categories — suits, jeans, hats, etc.
In this thread, I will show you just one category: men's shoes 🧵
For this comparison, I will focus on Japanese bespoke shoemaking vs. US ready-to-wear. The level of bespoke craftsmanship shown here simply doesn't exist in the US, so a Japanese bespoke vs. US bespoke comparison would be unfair. US bespoke is mostly about orthopedic work.
So instead, I will focus on the best that the US has to offer: ready-to-wear Alden.
On a basic level, top-end Japanese shoes are better because they are handwelted, whereas Alden shoes are Goodyear welted. The first involves more handwork and can be resoled more often.
In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.