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Oct 31 16 tweets 4 min read Read on X
🧵~Versions of Ramayana authored by Kayasthas~

The timeless tale of Ramayana has been retold several times over millenia. On the occasion of #Diwali we present to you a thread on versions of the epic authored by Kayasthas in Sanskrit and regional languages.

Pictured: Ram, Sita and Lakshamana in the constitution of India by Nandalal Bose.

1. The Sanskrit text Ramacharitam authored by Sandhyakar Nandin of Bengal in the 12th century is a retelling of Ramayana which uses double entendre to also narrate the biographical sketch of the Pala king Ramapala.

The author was patronised by the Pala king Madanapala. A native of Varendra, ie North Bengal, he belonged to a family of hereditary ministers of the Pala kingdom. His father Prajapati Nandi was the Sandhi-Vigrahika or the Minister of Peace and War of Ramapala.

Ramacharita contains a detailed account of the Varendra rebellion that happened during the reign of Ramapala and as such is considered to be an important historical text. 1/nImage
2. Rama-Vikrama, another text from 12th century Bengal is a Sanskrit play composed by the Bengali playwright Sagara Nandi. Unfortunately this text is lost and is only known from reference to this work in another text by the author. 2/n
3. Durgabari Ramayana is a 15th century lyrical composition in Assamese by Durgabar Kayastha based on an earlier Assamese Ramayana by Kaviraja Madhava Kandali. This composition is performed as Ojapali, a traditional performing art of Assam involving singing and folk dance. 3/n
4. The Jagamohan Ramayana is a 15th century Odia retelling of the epic by Jagamohan Dasa, a Karana Kayastha of Odisha. This version is presented as a dialogue between Shiva and Parvati. 4/n Image
5. In the 16th century, a Srivastava Kayastha named Gobind Das translated the Valmiki Ramayana into Hindi during the reign of Akbar making it perhaps the earliest Hindi version of Ramayana. 5/n
6. Naval Singh, a Srivastava Kayastha and a poet of Brajbhasha patronised by the King of Samthar, authored several poetic works on the Ramayana in the 19th century. 6/n
7. Janaki Ramayana is a 19th century version of the epic in Maithil, authored by Pandit Lal Das, a Karna Kayastha of Mithila. Unlike other versions of the Ramayana which have all focused on Lord Rama, in this version the protagonist is Mata Sita. This is perhaps the only such version in existence. The entire retelling of the epic is from the perspective of Sita focusing on her divinity.Image
8. Vijaya Nayaka Ramayana is a Bhojpuri version of the text authored by the poet and freedom fighter Raghuveer Naryana in the early 20th century. The original manuscript of the text is also in the Kaithi, aka Kayasthi script which was employed for writing Awadhi and Bhojpuri in the past. 8/n
9. The later medieval Kayasthas were also known for their expertise in the Persian language. Several Farsi retelling of Ramayana have been authored by Kayasthas during this period. During 1623-24 CE, Girdhardas Kayastha rendered the amalgamation of Valmiki Ramayana and Tulasi Ramacharitamanas into a Persian Mathnawi, ie poetic version, dedicating it to the Mughal emperor Jahangir. 9/n
10. In AH 1097, circa 1685-6 CE, Kayasth Chandraman Bedil authored Farsi Ramayana titled "Nargisistan" during the reign of the Mughal emperor Aurangzeb. 10/n
11. Amar Singh, a Srivastava Kayastha from Allahabad, also translated the Ramayana into Farsi during the reign of the Mughal emperor Aurangzeb. This work is titled "Amar Prakash." At the end of the text he gives an account of his genealogy mentioning that one of his ancestors, Gobind Das Srivastava, had translated the Sanskrit Valmiki Ramayana into Hindi during the reign of Akbar. 11/nImage
12. Ramayan-e-Khushtar by Munshi Jagannath Srivastava Khushtar is widely considered to be the greatest retelling of the epic in Urdu. It was completed in the year 1852 and was dedicated to the Nawab of Awadh Wajid-Ali-Shah. 12/n Image
13. In 19th century Awadh, another Kayastha named Munshi Shankar Dayal Farhat, published his version of Urdu Ramayana titled Ramayan-e-Farhat. 13/n Image
14. We will end this thread with this verse from the Valmiki Ramayana:
यावत् स्थास्यन्ति गिरयः सरितश्च महीतले ।
तावद् रामायणकथा लोकेषु प्रचरिष्यति ॥
"As long as the mountains and rivers shall endure upon the earth,
So long will the tale of Ramayana be told among people."

Wishing everyone a Happy #Diwali2024 !
n/n
@SVOjha @UdayMahurkar @Aatma_the_soul4 @HINDprehistory @ShreeHistory @nisheethsharan @sharmasatyan @KushagraAniket @Gaudeshwar @rashwet @GangesHistory @mujifren
@LykosPagan @arya_amsha @Saatvata @bvlldhist @BarooahNabaarun @Zoomerjeet @Jabalisamhita @kshetragnya @KayasthaFacts @tan

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More from @historiakayasth

Jun 29
🧵 ~Kayastha ladies as religious donors in epigraphs~

Kayastha women from aristocratic families enjoyed economic freedom. As a result, they have featured prominently as religious donors throughout history. We shall document some interesting examples here.

1. A Srivastava lady named Devalla Devi who was the daughter of Thakur Devadhara Srivastava, and the wife of Suhada Deva Srivastava who was the keeper of the Ajaigarh fort and also the minister and treasurer of Bhojavarman Chandela in the 13th century, caused to be made a large number of sculptures at the Ajayagarh fort, including Surabhi, Shiva, Gauri, Nandi, Ashtashalkti. 1/nImage
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The sculpture of the female worshipper here has been identified as that of Devalladevi Srivastava. She is also the co-donor of several other sculptures with her husband Suhada Deva. 2/n Image
In another panel of Devi images from Kilkila falls in Panna, Devalladevi is mentioned as the donor along with her husband. The entire panel is now unfortunately coated with a thick layer of plastic paint. 3/n Image
Read 11 tweets
Feb 11, 2022
It seems that Kāyastha had almost a monopoly of sort over office of Sāndhivigrahin i.e. Minister of War and Peace.
The Dasapalla grant of Devānanda II (11 century AD) records gifting of village to Kāyastha Yaśodatta who was a Sāndhivigrahika and is said to be a śāstropādhyāya.
Charter of Narasapalm plates of Vajrahasta (1055 AD) which records grant of land to Vajrahasta III relative were written by Kāyastha Dhavala,a Sandhivigrahin.
Another plate of King Vajrahasta III which records grant of village to a vaisya were written by Dāmodara who introduces himself as son of Māvura,Sandhivigrahin and mahā Kāyastha.
Read 5 tweets
Nov 30, 2021
Mathur Kayasthas
-Footprints from Kushan to Paramars-

Art credits - @ravidraws for @historiakayasth Image
Mathur Kayasthas likely derive their surname from geographical location of Mathura.
Early Kayasthas of Mathura were an elite group is indicated by the fact that they donated sculptures during Kushana period.Yasa wife of a kayastha is said to have donated this sculpture . Image
After mention of Yasa of Kushana Period,we find mention of Mathur Kayasthas in Gwalior inscription of King Bhuvanpala 1103AD. Image
Read 15 tweets
Oct 7, 2021
~Kayasthas and the cult of Sun worship ~
In Bhinmal Stone inscription of Udaysimhadeva VS 1306, we find reference to two sons of Thakkura Udaysimha of Mathur subcaste.The two brothers donated to treasure of Jagatswamin, Surya Divinity of Bhinmal.
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The same diety has been referred to as Kuldevta of Narapati ,kayastha minister of Hammira of Ranthambore in inscriptions of Hammira era.
Read 12 tweets
Sep 20, 2021
ॐ श्री चित्रगुप्ताय नमो नमः

We hereby start with a post citing references in scriptures to our ancestor and preceptor, Lord Chitragupta. Image
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Read 4 tweets

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