I get this sort of comment a lot and it seems to stem from the presupposition that fashion images should be dominated by white men, and any deviation from this is some sort of woke DEI project. 🧵
With rare exceptions, I've never considered someone's ethnicity when posting a photo of a good or bad outfit. One exception that comes to mind is when I was critiquing Steve Harvey's suggestion that you can wear suit jackets as sport coats.
Some suggested that this is Black culture. IMO, it's more of a generational divide, so I took the opportunity to highlight two Black men I think are exceptionally stylish and know the difference between suit jackets and sport coats.
It's not surprising to me that, if you base it purely on merit, you will wind up with a lot of photos of well-dressed men who are not white. Even if we're just talking about tailoring. First, the majority of the world is non-white. Second, Asia has a great fashion scene.
For instance, Japan still has a lot of great independent print media, most of which is orientated towards hobbyists. For menswear, there's Popeye, 2nd, Go Out, Leon, Men’s Ex, Men’s Club, and many more. Here's one magazine dedicated to just classic shoes!
Here's some photos from Men's Ex (very dangerous title, as one misplaced space and the meaning totally changes). This shows how a suit should fit. Does it look familiar? That's because it's very similar to the info I tweet here. Again, very orientated towards hobbyists.
Here's one of my favorite publications, albeit now defunct. Free & Easy covered classic tailoring, Americana, and workwear. They really dug into the details. One spread got into like the tiny ways different military fatigues fit. Very nerdy stuff.
American fashion media is different. It's relatively more focused on celebrities. Often, over half of each print publication is not even about clothes, but things like sports, movies, or music. Lots of lifestyle stuff. These Japanese magazines are only about menswear.
Along with better education, you also have a different market environment. One of my shoemakers is a Philadelphia transplant who now works as a bespoke shoemaker in Tokyo. He tells me that he's able to make bespoke shoes in Tokyo bc cost of living is lower than in NYC or San Fran
Since Tokyo has walkable neighborhoods and low rent, he can afford to pursue his dream as a shoemaker. He doesn't need to sell hundreds of shoes per year to do this; he only needs to sell maybe a couple of dozen. Affordable rent is a big part of this equation!
Japan has an incredibly rich fashion scene with many different aesthetics. And through geographical proximity, you see some Japanese influence in nearby countries such as China, South Korea, and Thailand.
For example, here's MotivMfg, an independent design and production studio in Beijing that takes ideas from traditional menswear (often workwear) and reimagines them as futuristic pieces.
Here's Rosen-X, which is designed by @the_rosenrot. The company is based in Shanghai and does what I would roughly describe as "futuristic unisex fashion." Gracia runs a blog (The Rosenrot) about avant-garde fashion, so you see many of these ideas in her designs.
The same can be said of any number of countries or traditions. There are a lot of US brands right now using Indian workshops, which are full of craft skills such as hand block printing. Stoffa, Kardo, Karu Research, and Harago among them.
In the US, even the most traditional aesthetic, such as what you'll find at Brooks Brothers or Ralph Lauren, was shaped by ethnic minorities. Traditional American style was formed by Jewish tailors and made cool by Black jazz musicians.
It's not surprising to me that many Black men wear tailoring well because tailoring is still part of the Black church. And if you're serious about craft, you'll learn of Black tailors such as Andrew Ramroop and Oswald Boateng on Savile Row.
I realize the OP is an explicitly racist account. But I am responding bc I often get this sort of comment (e.g., "why do you post so many photos of Asian people" or "you think you're slick by posting photos of Black men.")
IMO, if this looks strange to you, I think you should consider that there was once a DEI policy in the other direction (sometimes explicitly stated, such as the case of Abercrombie and Fitch, and sometimes implicit bias).
Despite there being a more diverse set of stylish people (such as what Robert Frank captured in his book The Americans; pic 1), a lot of fashion content centered on a very specific group (often WASP; pic 2).
In any case, with rare exceptions, I never consider someone's ethnicity when posting photos. You are simply too easily triggered. When I suggest how men can dress better, a section of Twitter replies with "I don't want to look gay." Only so much I can do. 🤷♂️
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I found this reply interesting ("Can those foreign companies open shop in the US?")
I don't think Japanese or South Korean menswear can be made in the US. At least, not without losing something. Let's explore why. 🧵
I should state at the outset that no thread will do Japanese or South Korean fashion justice because these countries are fashion powerhouses. Japan alone covers everything from Yohji Yamamoto to And Wander to WTAPS.
It's Impossible to generalize, but we can discuss aspects.
Let's set the stage: Trump announced that he wants to tax Japanese and South Korean goods 25% starting August 1st. That means if you're a menswear shop in the US importing $1,000 worth of clothes made in Japan or South Korea, you owe the US government $250.
Ahead of the NATO summit last month, President Zelenskyy arrived at the Paleis Huis ten Bosch wearing this outfit: a black jacket with matching black pants and a black shirt. Many debated whether this qualifies as a suit, as there's a $50M bet on it at Polymarket.
To understand the suit, we must place it in history.
During the Regency period (early 1800s), British men in high positions wore a long fitted garment known as the frock coat, which had a waist seam and full skirt. These garments were often quite colorful and expressive!
Any time I talk about a wealthy person's outfit, someone in the comments is quick to reply: "They're rich, you think they care?" No one has to care about my opinions or clothes, regardless of net worth.
But let's talk about the connection between wealth and aesthetics 🧵
About a year ago, Tucker Carlson told Chris Cuomo that "postmodern architecture" is intentionally designed to deaden the spirit. The clip was widely circulated online by people such as Benny Johnson, who seemingly agreed.
Postmodern architecture was actually a very brief movement that emerged in the 1960s as a counter-reaction to modernism's austerity and uniformity. Examples of postmodernism include Michael Graves's Portland Building and Guild House. Also Phillip Johnson's PPG Place.
Trump released a $250 fragrance (one for women, one for men).
Sometimes a fragrance can be expensive because it contains certain ingredients or involve artisanal, small-batch production. But with no note breakdown or even a description of the scent, what justifies this price?
I'm reminded of this 2016 blog post by Luca Turin, one of the best writers on fragrances. Even for niche perfumery he warns: "Niche perfumery stands a good chance of disappearing up its own rear end if it merely becomes yet another golden opportunity to rip off the customer."
If you're into fragrances, as I am, I encourage you to not support celebrity bullshit like this. Go to real perfumers. Some of my favorites include:
— AbdesSalaam Attar: He's a self-taught Sicilian Sufi perfumer who only uses natural ingredients. Many of his perfumes feel like you're walking through a Middle Eastern bazaar or spice market. Milano Caffe, Cuoio dei Dolci, and Tabac are worth a sniff. He can also do bespoke perfumes using your favorite notes.
— DS & Durga: David Moltz describes himself as doing "scent travel." He has an uncanny ability to transport you to far off places. I like Cowboy Grass, Debaser, Amber Kiso, and Burning Barbershop. If you can get a sample of his Pale Grey Mountain, Small Black Lake Sample (made part of his Hylands collection), it's really good with tailored tweeds.
— Anything by Jean Claude Ellena: One of the most famous perfumers in the world. His scents have been likened to watercolor paintings and chamber music because they're light, airy, and have a transparent quality. This makes them particularly good for spring/ summer. Check his scents from Hermes, such as Terre d'Hermes and Un Jardin sur le Nil, which are easy to find on discount. L'Eau d'Hiver for Frederic Malle is also great, but a bit more expensive.
— Tauer Perfumes: Andy Tauer is a chemist and self-taught perfumer who specializes in dry, spicy, woody scents. L'Air du Desert Marocain makes you feel like you're in the middle of the desert at night. Lonestar Memories is like being next to a crackling campfire while picking up on the scent of tobacco and leather. IMO, a must try if you're exploring niche perfumery.
Always try to get samples before buying a bottle. Check shops such as Luckyscent, Surrender to Chance, and The Perfumed Court. Also pick up a copy of Perfumes by Luca Turin and Tania Sanchez.
People think I'm biased against Jeff Bezos, but here's F. Caraceni Sartoria, widely considered one of the best bespoke tailoring houses in the world, commenting on Bezos's wedding suit.
"The most terrible, frightening, horrible tuxedo ever seen in my life. I'm really suffering"
Nothing to do with politics, only quality tailoring. F. Caraceni made suits for Silvio Berlusconi, who was hardly beloved by progressives. Many people don't know much about tailoring, which is fine, but this doesn't mean that rich or expensive = good.
Caraceni's work:
Here is a dinner suit F. Caraceni made for Yves Saint Laurent.