The first person who comes to mind is Yashwant Rao Holkar II (full name Maharajadhiraj Raj Rajeshwar Sawai Shri Sir Yeshwant Rao II Holkar XIV Bahadur), who was the Maharaja of Indore. He occasionally wore beautiful garb that I can only assume is traditional to Indian culture.
Unfortunately, I don't know much about non-Western forms of dress, so I can only speak to the Western forms of attire that he wore. Here he is in white tie. Everything here is impeccably tailored—collar hugs neck, no divots, perfect peak lapel and gorge.
When Trump visited the Queen, I was shocked by how his waistcoat peeked out from underneath his black tailcoat. Awful. But no such issue for Yashwant Rao. By keeping the white waistcoat shorter than the tailcoat, you preserve the harmony of the suit. Much more elegant.
Yashwant Rao also wore some dashing double-breasteds. If I were present at his fittings, I would perhaps see if I could lower his buttoning point just a touch. Still, the quality of the tailoring is evident and the full curvy roll on that lapel demonstrates quality pad stitching
Here we see him in some traditional dress coats—the first appearing to be a polo coat and the second an Ulster (albeit rendered in a finer overcoating than the heavy tweeds traditionally used for this design). I suspect the lapels were finished with a back stitch near the edge.
Here he is on vacation (possibly on a safari). You'll notice that the combo is coherent—sporting tweed with a gun patch, combined a sporty shirt and pith helmet. Very different from ppl today who combine sporting details with business clothes (e.g. satin tie with gun patch tweed)
The man even looked elegant at home wearing silk dressing gowns and piped pajamas. Notice that these clothes fit very full. Many ready-to-wear brands today produce slim-fit pajamas, which make no sense to me since tight clothes are uncomfortable in bed.
For someone more contemporary, check out Amitabh Bachchan. The Bollywood actor sported knits-on-knits, suits with flared trousers, and dashing 1970s style eyewear.
Amitabh Bachchan understands proportion: big lapel with big collar and big eyewear. Compare to RFK Jr., who wears a medium wide lapel with a dinky collar and shoestring tie. To make that outfit work, you have to narrow the lapel and widen the tie. Proportions have to harmonize.
Bachchan here shows how you can do tonal outfits by varying fiber, sheen, and shade, rather than color. And how you can ditch the tie by wearing a more casual suit (not a dark worsted) with a turtleneck (not white dress shirt). Patterned scarf adds visual interest.
Fundamentally, he looks good because his tailoring is well done. Collar hugs the neck, high armholes, jacket ends about halfway from collar to the floor.
If people find those outfits too traditional, then I'll introduce you to my friend Agyesh, who runs one of my favorite brands. Stoffa is one of those rare brands that does classic, casual menswear in a way that feels true to the original spirit but also looks new and interesting.
Agyesh got his start at Isaia and *really* knows fabrics. So it's no surprise that the heart of Stoffa is in luxurious materials. If you follow me here, you've probably seen me post their lookbooks often because I'm so enamored by the brand.
Have I ever seen a well-dressed Indian man? Yea, Agyesh's dad. Look at this guy—insane levels of cool.
I also love these looks on Sahaj Anand. Great use of color and proportions, especially in those soft, dusty colors and tonal outfits.
Lastly, Indian style isn't limited to just well dressed men; it also includes materials and certain production techniques. Most notable is madras, named after the city now called Chennai. Supposedly, this is an Indian interpretation of Scottish tartans.
Madras is typically hand-woven and then colored using vegetable dyes, which makes it not very colorfast. In the early days, it would bleed, which caused one Brooks Brothers customer to angrily storm into a shop one day demanding a refund after a shirt ruined his wash.
Thereafter, Brooks Brothers labeled all their shirts "bleeding madras" and "guaranteed to bleed," turning the bug into a feature. Modern madras is colorfast, but purists, including me, fancy the older, original stuff where possible.
If the material looks familiar, it's because traditional American clothiers such as Brooks Brothers, J. Press, The Andover Shop, and Winston Tailors (who made for JFK) turned bleeding madras into shirts, sport coats, and even trousers.
True diehards go for the real stuff: patchwork madras. I can't tell if this stuff is easier to wear as a sport coat or pair of odd trousers, but it takes a bit of gusto either way.
In any case, I could name more well-dressed Indians and the contributions that India has made to men's style, including finely hand-loomed scarves, artisanal block prints, niche production houses for Hermes, and contemporary brands like Kartik Research, Harago, and Kardo.
There's a whole world of Indian contributions to men's style, even in the space of Western aesthetics. But you can't be a racist fuckwad if you want to learn about the world.
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Ahead of the NATO summit last month, President Zelenskyy arrived at the Paleis Huis ten Bosch wearing this outfit: a black jacket with matching black pants and a black shirt. Many debated whether this qualifies as a suit, as there's a $50M bet on it at Polymarket.
To understand the suit, we must place it in history.
During the Regency period (early 1800s), British men in high positions wore a long fitted garment known as the frock coat, which had a waist seam and full skirt. These garments were often quite colorful and expressive!
Any time I talk about a wealthy person's outfit, someone in the comments is quick to reply: "They're rich, you think they care?" No one has to care about my opinions or clothes, regardless of net worth.
But let's talk about the connection between wealth and aesthetics 🧵
About a year ago, Tucker Carlson told Chris Cuomo that "postmodern architecture" is intentionally designed to deaden the spirit. The clip was widely circulated online by people such as Benny Johnson, who seemingly agreed.
Postmodern architecture was actually a very brief movement that emerged in the 1960s as a counter-reaction to modernism's austerity and uniformity. Examples of postmodernism include Michael Graves's Portland Building and Guild House. Also Phillip Johnson's PPG Place.
Trump released a $250 fragrance (one for women, one for men).
Sometimes a fragrance can be expensive because it contains certain ingredients or involve artisanal, small-batch production. But with no note breakdown or even a description of the scent, what justifies this price?
I'm reminded of this 2016 blog post by Luca Turin, one of the best writers on fragrances. Even for niche perfumery he warns: "Niche perfumery stands a good chance of disappearing up its own rear end if it merely becomes yet another golden opportunity to rip off the customer."
If you're into fragrances, as I am, I encourage you to not support celebrity bullshit like this. Go to real perfumers. Some of my favorites include:
— AbdesSalaam Attar: He's a self-taught Sicilian Sufi perfumer who only uses natural ingredients. Many of his perfumes feel like you're walking through a Middle Eastern bazaar or spice market. Milano Caffe, Cuoio dei Dolci, and Tabac are worth a sniff. He can also do bespoke perfumes using your favorite notes.
— DS & Durga: David Moltz describes himself as doing "scent travel." He has an uncanny ability to transport you to far off places. I like Cowboy Grass, Debaser, Amber Kiso, and Burning Barbershop. If you can get a sample of his Pale Grey Mountain, Small Black Lake Sample (made part of his Hylands collection), it's really good with tailored tweeds.
— Anything by Jean Claude Ellena: One of the most famous perfumers in the world. His scents have been likened to watercolor paintings and chamber music because they're light, airy, and have a transparent quality. This makes them particularly good for spring/ summer. Check his scents from Hermes, such as Terre d'Hermes and Un Jardin sur le Nil, which are easy to find on discount. L'Eau d'Hiver for Frederic Malle is also great, but a bit more expensive.
— Tauer Perfumes: Andy Tauer is a chemist and self-taught perfumer who specializes in dry, spicy, woody scents. L'Air du Desert Marocain makes you feel like you're in the middle of the desert at night. Lonestar Memories is like being next to a crackling campfire while picking up on the scent of tobacco and leather. IMO, a must try if you're exploring niche perfumery.
Always try to get samples before buying a bottle. Check shops such as Luckyscent, Surrender to Chance, and The Perfumed Court. Also pick up a copy of Perfumes by Luca Turin and Tania Sanchez.
People think I'm biased against Jeff Bezos, but here's F. Caraceni Sartoria, widely considered one of the best bespoke tailoring houses in the world, commenting on Bezos's wedding suit.
"The most terrible, frightening, horrible tuxedo ever seen in my life. I'm really suffering"
Nothing to do with politics, only quality tailoring. F. Caraceni made suits for Silvio Berlusconi, who was hardly beloved by progressives. Many people don't know much about tailoring, which is fine, but this doesn't mean that rich or expensive = good.
Caraceni's work:
Here is a dinner suit F. Caraceni made for Yves Saint Laurent.
Let me make the case for why the NHL should abolish its dress code, which currently requires players to wear a suit and tie while heading to and from games. 🧵
The arguments I've seen for the dress code fall into one of two categories: players look better in a coat-and-tie (some use descriptions such as "classy"). Others say that requiring players to dress in this way shows respect for the game. I will address each argument in turn.
It's true that tailoring once played a larger role in sports. Basketball coaches, for instance, used to wear tailored jackets pretty regularly, even at games. Some even looked quite good in these outfits.