PICTURE THREAD TOUR OF LUTON, UK 🇬🇧

I recently visited Luton - a working class town near London infamously home to both the Tate Brothers and Tommy Robinson and one of the towns in Britain most transformed by immigration - to see what it looks like today 🧵 Image
Luton was one of the towns earliest effected by large scale immigration. It’s against this background that Robinson’s EDL first emerged, the working class living on the frontlines of a changing Britain. My TLDR impression of Luton is that this change has now largely happened Image
In some ways Luton might as well be another country. It’s easy to look at pictures of foreign-coded visuals in your own country and say, “oh it’s from a ghetto, China Town, Little India etc it’s always been like that.” Luton is like if these areas expanded over an entire city Image
Luton is so transformed that it helps to compartmentalise it as a parallel version of Britain - ‘The Yookay’. Change on this scale is emotionally charged because it really is just not anything like what Britain has been historically. There’s no ambiguity, it is not the same thing Image
Main high street - grotty but not unusually so for British standards. Demographics felt about 60-70% non-White. Selection of chain shops but also shops you only tend to find in heavily immigrant areas selling migrant foods, migrant-coded products - dessert bars, weaves etc Image
Central War Memorial. A few pieces of litter in the flowerbeds around it. Some nearby buildings hollowed out and replaced with tatty-looking cheapo ‘poundstores’ - at the ‘higher end’ you have at best brands like… McDonald’s or TK Maxx. No particularly inspiring new developments Image
The main shopping mall in the town centre. A detail not pictured, homeless encamped to the side who stared intensely at me as I took this picture. You can see Deliveroo riders, betting shops, smash burger takeaways - classic common features of British high streets in the 2020’s Image
Inside the central shopping mall - the demographics maybe 80% non-White British. A few nice ‘Yookay’ details on this shot. The demographics again, the Halal Turkish food, the poster overhead stressing the importance of recycling your bottles in order to reduce the use of plastics Image
Lots of remittance shops around, many shops or services that emphasise their owner’s country of origin. Not just Nails & Spa but Moroccan Nail & Spa. “I am a Moroccan. We are Moroccans. This is a Moroccan Nail & Spa.” The streets a patchwork of non-sequitur assertions of identity Image
Dessert Bars are increasingly common in British cities in part because many migrant communities use these places as social spaces in lieu of bars. You can’t drink alcohol so you go here to ‘chill’, film crazy TikTok video. I stuck my head in a few, no white people. Many venues are implicitly coded to specific communities in this way - traditional British pubs by contrast for example will be mostly white clienteleImage
Another shot of the main high street. Some banners suspended from lampposts - advertisements for ‘support hubs’ for support for alcoholism, drug addiction, abuse etc. Partly these banners stem from Britain’s overbearing ‘mental health’ therapy culture but I also suspect Luton has a lot of genuine alcoholics, drug addicts, abuse victims etcImage
At the top of the city by the courthouse. Closed up traditional ‘Red Lion’ Hotel, litter strewn across the floor by a residential block. Don’t know if the local council just doesn’t bothering hiring people to clean or if people throw so much litter cleaning it is a losing battle Image
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Fairly typical residential street just outside the city centre. Some litter on the floor. There was a particularly egregious house on this street with piles of garbage stacked outside but an obese Pakistani man standing in front of the building smoking began glaring at me as I walked past so I didn’t take a pictureImage
On the way to the South Asian ‘side’ of Luton. Lots of litter. An ugly carriageway surrounds Luton, makes it a hassle to walk - a hangover from post-war urban planning. Combine unsightly features like this with modern Yookayisms for a pungent cocktail of miserable drab aesthetics Image
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On entering the South Asian area you are greeted by a banner advertising a Festival of Diversity and litter strewn across the grass of a small open green space. I am not making this up - it sounds like I am being deliberately gratuitous here but this is literally what you see Image
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Dunstable Road is the main thoroughfare in this area, the residents a collection of religions and groups though mostly Muslims and mostly from the Subcontinent. The % of white people on the street drops from about 30% to 1-2% here, surfaces are adorned with Arabic calligraphy Image
Dunstable Road is a ghetto of a kind but it’s not a hermetically sealed ‘ghetto’. It spills out into the rest of Luton. It may be 20% more ‘Islamic-Looking’ than central Luton but that jump is pretty incremental, it isn’t a massively jarring huge jump there’s a flowing continuity Image
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Lots of chicken shops, jewellery shops, hijab shops, remittance services. On some the exterior panelling is plastic-y and the shopfronts extend out onto the pavement. Bi-folding cheap glass doors instead of heavier single doors. They aesthetically resemble shops in Cairo or Delhi Image
There is a sense in which this all represents a merging of aesthetic styles. A kind of evolving Neo-Mudéjar. Styles instinctively familiar in the Karachi marketplace merging with post-war British forms. This is how aesthetic forms change and develop over longer stretches of time Image
You can see this in the nearby residential area. 20th century British housing stock begins to take on slightly subcontinental features. Porticos grow larger, new panelling or tiling appears, imagery is affixed, features of the houses more resemble features from the home country Image
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Luton central mosque - a good example of what you could call British Islamic or ‘Rubber Dinghy Rapids’ architecture. Islamic forms built with the red brick of British industrial towns. I don’t find the architectural effect particularly inspiring but in this sense it is ‘British’ Image
More residential streets. Some Yookayisms; disability support standups, litter. Also common - signs, flags, imagery. The imagery is I want to say more common than cultural equivalents would be in white areas. Are Palestine flags a cultural equivalent to British Christmas lights? Image
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Garbage of various kinds left outside the front of houses. This kind of fly-tipping isn’t unusual in parts of Britain and is not necessarily exclusive to particular groups but it was noticeable here how many houses had garbage just dumped outside. Evidences a certain culture Image
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LEFT: Imran on the back of a ‘white van’ like an England flag

RIGHT: A Syrian Opposition flag seen above a (quite commonplace on Luton’s high streets) bubble tea shop. Luton contributed a significant number of foreign fighters to the opposition groups during the Syrian Civil War Image
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Another residential street, more litter. A generational divide - the older South Asians wearing traditional kurtas, jubbahs and taqiyahs, the younger South Asians decked out with North Face puffer jackets, Nike and Adidas hoodies, some with half balaclavas, full roadman regalia Image
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Back to the town centre. Well-maintained flowerbeds in which traditional English trashflowers are growing. The ‘Cakebox’ company is a newer ‘cake business’ founded by Sikh migrants which is quite rapidly expanding across Britain, appears to cater to the sweet-tooth certain migrant groups seem to have in the same way the dessert bars do. If you look inside one of these shops the interiors look quite cheap, tacky, sparse. They resemble the inside of a Mumbai phonecase corner store - possibly a cost saving measure that helps the business expand more, possibly genuine aesthetic preferenceImage
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Two supermarket interiors

LEFT: A sign warns shoppers that they are being watch by CCTV

RIGHT: An entire section of the supermarket Sainsbury’s devoted to Halal food Image
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An Islamic Dawah centre just off the edge of Luton’s highstreet. Natives generally do not convert to Islam but it isn’t unheard of, it is possible that the centre does occasionally succeed in converting passersby. The social pressure will be higher the more Muslim an area is Image
The main square. A group of youths (yoots) mostly of different migrant backgrounds can be seen milling around on the right. They were standing there a fair while, there every time I passed. It is obviously a kind of socialising but the form it takes is notable Image
A full house of remittances seen on the exterior of this electronics-cum-general wares store, not just to the Subcontinent and Africa but to Eastern Europe to. A reasonable ‘chunk’ of the Luton whites are Eastern European, which can make the streets seem more native than they are Image
South of the town centre, the area is visibly a little whiter, the signage more recognisably British. Inside the pubs the clientele is entirely white. As with the dessert bars these venues have become almost implicitly ethnic-coded without anybody consciously assenting to it Image
The area is not particularly clean, large litter middens can be seen by the side of the pavement. A little but not much better than the South Asian area. Again, why the council cannot clean it I do not know - unsure how you can be this apathetic but perhaps people just give up Image
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Collection of houses with litter strewn outside. Some of the houses are larger and more middle class coded but there is still a grimy sheen over the neighbourhood. Those with their curtains open look very normal inside. ‘Live, Laugh, Love’ Posters, ‘Our Home’, ‘Our Family’ signs Image
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Luton Airport in the distance, which provides the town with jobs. Luton is easily one of the most Yookay towns in Britain, I can see many mid-tier towns beginning to transform in this way over the coming decades - many already are. A process of ‘Lutonification’, ‘Yookayification’ Image

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Another dimension, with the extra context of all the internet memes about Assad especially it was difficult not to find the imagery sometimes funny. Not to trivialise the situation but it was almost as if Assad was smiling, grinning, laughing, waving down at you wherever you went. The images sometimes had a certain playfulness to them, Assad was very rarely completely stern-faced, it often seemed like he had a little knowing twinkle in his eye. Unsure if that was intentional, if Assad deliberately wanted to project an image of being a ‘fun chill guy’. Probably not. But if he did it did half-work and not in a hugely quirked-up self-parody way, a little more muted but still ‘fun’ - the world’s first ‘ironic’ dictator. The imagery didn’t feel entirely OTT serious like in say North Korea, Turkmenistan etc. Again not to trivialise it and you know, this is all my speaking as an outsider, but this was a recurring thought I kept having - difficult not to ‘notice’

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