As usual, there are no hard and fast rules on hemming. Everything depends on the aesthetic you're working within. In some aesthetics, it's fine to have a very cropped leg (pic 1). In other aesthetics, it's fine to have a stacked leg (pic 2). Depends on the look!
You can't be dogmatic about hemming bc much depends on the overall silhouette (including shape of pants). These silhouettes would look wrong if you didn't have fabric pooling around the ankles. Granted, there's a fine line btw intentional pooling and sloppy—so beware.
But with classic men's tailoring—meaning outfits involving suits, sport coats, tailored trousers, and such—you're pretty safe going with one of two options. These are nicely outlined in this Fantasy Explosion tee for Bloomingdale’s 150th Anniversary souvenir capsule collection.
There's what we'll call a "shivering break." Or what your tailor may know better as "no break." This means the trousers just kiss the top of your lace-up shoes (e.g., oxfords, derbies). This distinction is important bc slip-ons and boots can affect the break.
A shivering break is nice because it creates a clean, uninterrupted line from the top of your pants to the hem. This is particularly good if you trousers have pleats (which, if you wear high-rise trousers, I think you should consider).
One problem with a shivering break is that, depending on how the trousers are finished, there can be a gap between the back of your hem and the shoes, potentially exposing your socks. You can see this *almost* happening here, but not quite.
One solution is to ask for a slanted hem, or what's sometimes called "military hem." This can be done to plain hem trousers or cuffed trousers (although the second requires a bit more skill). This way, the front just kisses your shoe while the back covers any exposed sock.
The other option is to get a single break (on the Bloomingdale's t-shirt, they divide this into "small break" or "deep break." You may annoy your tailor if you ask for this level of specificity). This just means the trouser line breaks *once* over the shoe.
Stylistically, a single break is the more conservative option. The danger is that, if you wear belted trousers, your pants will slip a little throughout the day (inevitable unless you wear suspenders). This can turn a gentle break into a deeper break. Be aware.
Finally, there's the question of whether you should get cuffs. According to lore, King Edward VII popularized cuffs in 1890 when he started rolling up his trousers to keep the hem dry in bad weather. This is why some tailors still call this detail "turn ups."
In a 1922 issue of Vanity Fair, there were these illustrations of the Duke of York, Prince of Wales, and Prince Albert. The editors wrote: “In England, fashion never overrides the practical, and when it is raining in London, the Englishman’s trousers will always be turned up.”
Given this history, cuffs are considered a casual detail—most at home on country suits (where one might trudge through the mud) rather than the slick worsteds worn for business in London.
Compare: cuffed country suit on the Duke; plain hem business suit on King Charles
Today, the rule is much less strict. But cuffs should never be put on the most formal trousers, such as black tie rigs.
To me, pleated trousers cry out for cuffs. Americans have also historically cuffed their trousers, as we're more casual than our British counterparts. If you're an American patriot and wearing American-style tailoring (e.g., sack suits), cuff your pants.
Otherwise, it's up to you. Cuffed trousers have the advantage of putting a bit of weight at the end of your trousers, helping them hang better. IMO, this is especially nice as you walk, so your pants are flapping all over the place.
Whether cuffed or plain hem, you can also ask your tailor to finish your pants with a strip of durable fabric tape. Ideally, this tape should be placed in such a way that it prevents the edge from fraying. It will also add a tiny bit of weight.
If you want to be annoying, you can also ask your tailor to finish your cuffed trousers with a buttonhole along the inseam and outseam. This will allow you to unbutton your cuffs and brush out any debris, which can otherwise wear down the material over time.
A stylish graphic designer friend of mine once put matter of cuffs in font terminology. Cuffs, he said, are like the serifs on a font. They look right with very traditional outfits (pic 1), but more modern styles are often better uncuffed (pic 2).
If you're unsure, always ask for cuffs. You can always take them out, but you can't put them in once your trousers have been hemmed. In terms of size, 1.75" is considered classic for cuffs. But a 2" cuff says "I like clothes."
Either way, the most important thing is to avoid this. If your pants look like this, get your trousers hemmed. If they were hemmed but eventually look like this, consider how your pants may be falling down. You may need a belt, suspenders, or a tailor to take in the waist.
Two corrections for clarity:
— The first tweet should say "crease," not "pleats." A shivering break (or more commonly known as "no break") can help create a clean line. Useful on creased trousers (as pictured).
— Second tweet should say "aren't flapping," not "are flapping."
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One day, "It" will happen, by which I mean sudden and unexpected news that you want to celebrate. In such cases, you will want the right outfit. 🧵
What do I mean by "It?" I mean that joyous moments are not always something you can plan for. Perhaps you received a pay raise or got accepted at a waitlisted school. Perhaps a loved one is now cancer-free. Such moments can be sudden and unexpected — and you want to be prepared.
Of course, you can always celebrate in the same clothes you wear to bed. But IMO, this diminishes the moment. Thus, it's nice to special outfits for "It," even if you don't wear them all the time. It's similar to toasting a special glass of champagne and drinking water.
In the 1950s, Irving Penn traveled across London, Paris, and NYC to take portraits of workers in their work clothes. These clothes at the time were not considered glamorous — they would not have shown up on fashion runways — but they demonstrate a simple aesthetic principle 🧵
Consider these outfits. How do you feel about them? Are they charming? Repulsive? Stylish?
If you consider them charming and stylish, as I do, then ask yourself: what makes them charming and stylish? Why are you drawn to the outfits?
As I've mentioned before, I think outfits look better when they have "shape and drape." By shape, I mean the outfit confers a distinctive silhouette. If these men took off their clothes, we can reliably guess their bodies would not be shaped like this:
If you're just dipping your toes into tailored clothing, start with a navy sport coat. This is something you can wear with a button-up shirt and pair of trousers, or something as casual as a t-shirt and some jeans. It's easily the most versatile jacket.
Key is to get something with texture so it doesn't look like an orphaned suit jacket. Spier & Mackay has great semi-affordable tailoring. Their navy hopsack Moro is made from pure wool and a half-canvas to give it shape. Classic proportions and soft natural shoulder
There's a pervasive belief that we no longer produce clothes in the United States. This is not true. In this thread, I will tell you about some great made-in-USA brands — some that run their own factories, while others are US brands contracting with US factories. 🧵
I should first note this thread focuses on well-made, stylish clothes produced in ethical conditions. For me, producing in the US is not enough. It means nothing if the clothes are ugly, crappy, or produced in sweatshop conditions. My article for The Nation below.
JEANS
Gustin produces MiUSA jeans using raw Japanese denim. "Raw" means the fabric hasn't been pre-distressed, allowing it to naturally fade with use, reflecting your actual body and lifestyle. I like their fuller 1968 Vintage Straight fit. They also do lots of other stuff.
Let's first establish good vs bad ways to think about style. The first pic is correct — style is a kind of social language and you have to figure out what type of person you are. The second pic is stupid bc it takes style as disconnected objects ("this is in" vs "this is out").
I should also note here that I'm only talking about style. I'm not here to argue with you about ergonomics, water bottle holders, or whether something accommodates your Dell laptop. I'm am talking about aesthetics.
Watch these two videos. Then answer these two questions:
— Which of the two men is better dressed?
— How does each come off?
I think Carney is better dressed, partly because his clothes fit better. Notice that his jacket collar always hugs his neck, while Pierre Poilievre's jacket collar never touches him.