When examined objectively, the amount of Jewish propaganda and influence used to goad the American public into World war 2 is astounding.
Let’s examine some of the films around that time.
Confessions of a Nazi Spy, 1939.
Directed by ✡️ Anatole Litvak
Produced by ✡️ Warner brothers. Real last Name Wonsal or Wonskolaser
Keep in mind the American public was very isolationist, and many Americans were German immigrants.
This movie is about a secret Nazi spy ring working to subvert the citizenry of America, which is ironic since this film is doing exactly that but subverting America for Jewish interest.
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Let’s examine some of the films around that time.
Confessions of a Nazi Spy, 1939.
Directed by ✡️ Anatole Litvak
Produced by ✡️ Warner brothers. Real last Name Wonsal or Wonskolaser
Keep in mind the American public was very isolationist, and many Americans were German immigrants.
This movie is about a secret Nazi spy ring working to subvert the citizenry of America, which is ironic since this film is doing exactly that but subverting America for Jewish interest.
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Beast Of Berlin- 1939
Director- ✡️ Sam Newfield
This movie is about a man and his wife leading an anti Nazi literature movement in Germany. In other words, it’s normalizing treason for “moral reasons.”
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Director- ✡️ Sam Newfield
This movie is about a man and his wife leading an anti Nazi literature movement in Germany. In other words, it’s normalizing treason for “moral reasons.”
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Escape- 1940
Director- ✡️ Mervyn LeRoy
A movie about an American going over to Germany to sneak someone out of a concentration camp….
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Director- ✡️ Mervyn LeRoy
A movie about an American going over to Germany to sneak someone out of a concentration camp….
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Mortal Storm- 1940
The first production by MGM that dramatized the persecution of the Jews.
Producer- ✡️ Victor Saville
Production company- ✡️ MGM
Distribution company- ✡️ Loe’s
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The first production by MGM that dramatized the persecution of the Jews.
Producer- ✡️ Victor Saville
Production company- ✡️ MGM
Distribution company- ✡️ Loe’s
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Foreign Correspondent- 1940
✡️- produced by Walter Wagner productions
This film is not entirely anti Nazi propaganda, only faintly.
At the end of the movie, the British war correspondent describes London being bombed by Germans, and “urging Americans to keep those lights burning” as his radio broadcast fades out.
Implicitly indicating America needs to help save Britain from Germany.
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✡️- produced by Walter Wagner productions
This film is not entirely anti Nazi propaganda, only faintly.
At the end of the movie, the British war correspondent describes London being bombed by Germans, and “urging Americans to keep those lights burning” as his radio broadcast fades out.
Implicitly indicating America needs to help save Britain from Germany.
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The Great Dictator- 1940
-Charlie Chaplin, who produced and acted in this film, was by all accounts not Jewish, but he had great sympathy to the Jewish cause.
The purpose of the film was to advance a strong condemnation of facist leaders, and portray Jews as persecuted.
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-Charlie Chaplin, who produced and acted in this film, was by all accounts not Jewish, but he had great sympathy to the Jewish cause.
The purpose of the film was to advance a strong condemnation of facist leaders, and portray Jews as persecuted.
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Casablanca- 1942
-Distributed by ✡️ Warner Brothers
-Produced by ✡️ Hal Wallis
-Screenplay by ✡️ Julius and Phillip Epstein
-Directed by ✡️ Michael Curtiz
While clearly Casablanca is a romance story, the anti German undertones cannot be ignored. The main villain is German Major Strasser, and all the protagonist, while somewhat appearing neutral at times, certainly harbor positive feelings to the Free French movement. The bar owner of Casablanca fought on the “loyalist” or communist side of the Spanish Civil war.
While the propaganda is a little more subtle, it is propaganda nonetheless.
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-Distributed by ✡️ Warner Brothers
-Produced by ✡️ Hal Wallis
-Screenplay by ✡️ Julius and Phillip Epstein
-Directed by ✡️ Michael Curtiz
While clearly Casablanca is a romance story, the anti German undertones cannot be ignored. The main villain is German Major Strasser, and all the protagonist, while somewhat appearing neutral at times, certainly harbor positive feelings to the Free French movement. The bar owner of Casablanca fought on the “loyalist” or communist side of the Spanish Civil war.
While the propaganda is a little more subtle, it is propaganda nonetheless.
🧵 7/12
Sergeant York- 1941
Technically a movie about World War 1, but the story is that a Tennessee lad goes from being a bible believing conscientious objector, to massive German Killer.
The movie was used to inflame more German hatred after the attack of Pearl Harbor, and pro war sentiment generally.
It was the highest grossing film of 1941.
✡️- produced by Warner Brothers
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Technically a movie about World War 1, but the story is that a Tennessee lad goes from being a bible believing conscientious objector, to massive German Killer.
The movie was used to inflame more German hatred after the attack of Pearl Harbor, and pro war sentiment generally.
It was the highest grossing film of 1941.
✡️- produced by Warner Brothers
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To Be or Not to Be- 1942
A comedy film, but the effect of planting anti German sentiment is all the same. The plot concerns a troupe of actors in Nazi-occupied Warsaw who use their abilities at disguise and acting to fool the occupying troops.
-✡️ Directed by Ernst Lubitsch
-✡️ story by Melchior Lengyel
-✡️ screenplay by Edwin Justus Mayer
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A comedy film, but the effect of planting anti German sentiment is all the same. The plot concerns a troupe of actors in Nazi-occupied Warsaw who use their abilities at disguise and acting to fool the occupying troops.
-✡️ Directed by Ernst Lubitsch
-✡️ story by Melchior Lengyel
-✡️ screenplay by Edwin Justus Mayer
🧵 9/12
You may think, well what difference does it make. Jewish producers were producing movies in their ethnic interest. True. But 2 important things to note.
1. Was it in American interest to go to war?
2. Let’s imagine we had a bunch of German Americans running our media and producing films about how the Jews had ruined Germany during the Weimar Republic. How they dominated the German media, porn industry, and the like, and ran the country straight into the ground. How Hitler did not have a desire to take over the world, but that he was opposed to Marxism and saw the threat coming from the East. That the concentration camps were not “death camps” but work camps to support the war, that he did not declare on either Britain or France…
Would it change the way you view the world?
Of course it would. The media is the programmer, and you are the program.
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1. Was it in American interest to go to war?
2. Let’s imagine we had a bunch of German Americans running our media and producing films about how the Jews had ruined Germany during the Weimar Republic. How they dominated the German media, porn industry, and the like, and ran the country straight into the ground. How Hitler did not have a desire to take over the world, but that he was opposed to Marxism and saw the threat coming from the East. That the concentration camps were not “death camps” but work camps to support the war, that he did not declare on either Britain or France…
Would it change the way you view the world?
Of course it would. The media is the programmer, and you are the program.
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Maybe Mel Gibson wasn’t so crazy after all…
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🧵 12/12
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