People keep asking me to do a thread breaking down why these suits don't look great. I gather that these are famous, very well accomplished F1 drivers (I don't know these people). Since I only talk about famous people, I will do a thread. 🧵
Please note nothing in this thread is meant to diminish the men in these clothes. If anything, it's the people who dressed them that failed them. I am only talking about the clothes. Hopefully, by pointing out these issues, you will learn something for when you're shopping.
A pinstripe suit with a white business shirt cries out for tie. If you don't want to wear a tie, then you need a more casual shirt or a more casual suit. Additionally, the shoes are too chunky for this outfit.
But the biggest issue is that there's something wrong with the tailoring. It's very easy to spot this on a patterned fabric because the vertical lines should run "true," which is to say straight up and down. See how these lines are swinging away from his body.
A properly tailored jacket should hang like a balanced scale from the shoulders. See how the front hem on these jackets don't swing forward. In the second photo, you can see how the lines run "true."
The grey pinstripe suit simply doesn't fit and should not be worn.
I commend this person for trying to be adventurous but I just don't think it's working on him. The outfit is just too large. The proportions on the jacket are also strange (too truncated at the bottom). But cool that he tried something different.
The best of the group but the jacket is too short and the pants are too slim, causing them to catch on his legs. I think he would look better in a longer jacket and slightly fuller pants, as well as shirt collar points that reach his lapels.
Shoulders strike me as too wide and trousers are too long. This can be a style (1980s Armani-esque). I just don't feel it's working here. I think this would look better with narrower shoulders, slightly trimmer pants, and less break.
Personally don't like this silhouette and really dislike the shape of the lapels. Bottom button shouldn't be fastened. Would look better with dress shoes, not sneakers.
Both pairs of pants are too slim. Second person's jacket is too short. Both would look better with traditional dress shoes. Personally dislike luxury sneakers like Zegna's. Minimalist sneakers that cost $1,000 are inherently corny.
I am often accused of having overly traditional taste. It's true that I generally prefer tailors over designers. I also think that certain ideas work: a jacket that bisects the person halfway from collar to the floor; jacket silhouette flows into the trousers.
These two outfits on the left don't look good to me bc they make the wearers look like double popsicles standing on sticks. This silhouette can be fine for casualwear, but I think suits look best when the jacket and trouser form a harmonious whole.
Some people will say I'm old fashioned. But I think these three guys at the premiere looked great. And look: their outfits follow basic tailoring principles: jackets bisect halfway from collar to floor; jacket silhouette flows into trousers. Outfits don't look old fashioned.
I assume the three men above were helped by higher-powered stylists. Perhaps the F1 drivers were just put in branded clothes. IMO, if you are a celebrity, you should turn down brand deals. Don't wear clothes for money (you don't need more money). Instead, hire a tailor.
Is this a guarantee for success? No, of course not. There are *lots* of bad tailors. Even good tailors sometimes get things wrong. But to me, this is a much better way of going about this process. Don't assume something is good just because it's expensive or a luxury brand.
Instead, find a tailor that specializes in a house style that resonates with you. Try them out, just as you would try a restaurant. Let them "cook" for your once (try the "house dish"). If you like it, maybe adjust on the margins on the next order ("leave off the basil").
A suit doesn't have to be boring. There are lots of tailors who can make you a "creative" suit. Nina Penlington makes suits inspired by 1970s and 80s rock and roll. Here she's making a black twill Western suit for @urban_comp.
IG ninapenlingtonbespoke
Kamsten, a new custom tailoring company by Kamau Hosten, makes suits with a lot of sexy 1970s energy.
Suited Atelier, another new company, is run by Ash Owens. They pitch themselves as making for all genders and all bodies.
IG kamauhosten and suitedatelier
Alternatively, you can go with a traditional tailor, but choose an interesting fabric. But remember: tailoring quality is paramount. It's all about cut and silhouette. Don't get caught in how something is expensive or from a luxury brand. That stuff doesn't matter.
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Most people think of black tie as the most formal kind of menswear, but technically speaking, it's semi-formal evening attire. Historically, men wore this kind of outfit to dinner or evening shows, such as going to the opera or ballet. Or celebrations such as NYE parties.
White tie is true formalwear. It differs from black tie primarily in how it requires a long tailcoat (black tie originated when men cut the tails off their coats to create a more casual garment for dinner). Also requires a white waistcoat, white tie, and wing collar.
If you're interested in bespoke tailoring and based in the United States, I have some trunk show announcements to share with you. Since Twitter recently changed their formatting options, I will be doing this as a thread. 🧵
Matthew Gonzalez
There's a long history of cross-border influence and immigration in tailoring, but as far as I know, Matthew Gonzalez is the first American to operate under his own banner on Savile Row. Born and raised in Southern California, he moved to London about twenty years ago to pursue a degree in bespoke tailoring from the London College of Fashion. Thereafter, he climbed the ranks — moving from undercutter at Thom Sweeney to cutter at Dunhill and eventually Huntsman, where he achieved his longtime goal of cutting on Savile Row.
Today, he runs his own firm, where he merges his California sensibility with his training in British bespoke craftsmanship. He recently told me he admires a photo of JFK staring out of a window. The President dressed in a dark worsted suit, white button-up shirt, and dark silk necktie, but everything about the photo looks very casual and relaxed. This, he told me, is what American style means to him.
Gonzalez cuts suits and sport coats inspired by that mid-century American tailoring, although he's adamant about not wanting the clothes to look like historical costumes. Thus, while the jackets have a soft, natural shoulder line, he sticks with front darts and prefers side vents (rather than the dartless front and hook vent characteristic of Ivy Style). The lapels have a moderate width and minimal belly (the curve sometimes distinguishing an older style of British tailoring). The garments are designed so they can be teamed with a dress shirt and tie, or something more casual such as a chambray button-up.
Given Gonzalez's penchant for slightly more relaxed, casual attire, it's no surprise that he also offers made-to-measure suede jackets, wool-cashmere shawl collar cardigans, and denim Western shirts (made without the contrast stitching, so they look more at home with tailoring). He's also one of the few bespoke tailors I've met who "gets it" when it comes to the polo coat, arguably the most iconic of American overcoat styles. Gonzalez tells me he thinks a polo coat should have letter box patch pockets, a half belt, gauntlet cuffs, an inverted back pleat, and a center button vent. But crucially, he also thinks the split-sleeves should be made with a lapped seam. To my eye, this makes the garment more casual and sporty—truer to its original roots—and allows the tailor to shape the sleevehead.
Consider Gonzalez if you share the same sensibilities: a love for classic American tailoring, but a suspicion of styles that are too anachronistic, and a bias towards clothes that feel more relaxed and casual. The point about Gonzalez using a split-sleeve with a lapped seam demonstrates that he takes care of details that may not occur to a client, but will be appreciated years down the road.
Taillour
In bespoke tailoring, there's a generally accepted rule that most clients would do well to observe: choose a company based on their house style and stay close to it. The term "house style" refers to the tailor's established methods, which combine to create clothes with a distinguishable fit and feel. Just as you wouldn't order burritos from a ramen chef, you shouldn't ask an English tailor for an Italian jacket (or vice versa).
Taillour is one of the few exceptions. Co-founder and head cutter Fred Nieddu has worked in the bespoke tailoring industry for decades, cutting for firms such as Thom Sweeney and even teaching pattern drafting courses at the London College of Fashion. A good percentage of his current workload involves making clothes for films and TV shows. In fact, you may have seen his creations. He made all the menswear for the Netflix series The Crown, the suits in the film The Phoenician Scheme, and one of the colorful costumes for Wonka. Given this experience, he's more flexible than most tailors regarding what he's willing and able to make.
Still, I think it's always a good idea to stay close to the house style. I think of Taillour's house style as very soft but architectural in its lines. Nieddu uses a full body canvas and only a bit of laptair near the wearer's collar bone to prevent the jacket from sinking. The shoulders are minimally padded, giving the garments a very light feel. While Neapolitan tailors are known for a similar construction, Taillour's jackets have a bit more room and shape. The shoulder line is very straight, and the chest is slightly full. When combined with those characteristically straight lapels and larger jacket collar, I find Taillour's jackets have an angular appearance reminiscent of Apparel Arts drawings.
Consider Nieddu if you want a tailor who's a bit more flexible in terms of what they're willing to make (although, again, I recommend tweaking at the margins, not bringing in a photo of something and asking for it to be copied). He has also made clothes for women, which will be useful if you're looking for someone who can make a women's suit, sport coat, or overcoat.
Summer is around the corner and soon you'll read a bunch of tweets about how every man should have a pair of loafers.
I don't think anyone needs anything, but if you're shopping for a pair, let me show you how to think about loafers. This applies to any wardrobe item. 🧵
When it comes to choosing loafers, a simple answer will go something like this: "Such-and-such brand makes the best pairs." Or "Here's a hierarchy of loafers." IMO, such approaches are reductive and often devolve into trend or status pursuits.
Let me show you another approach.
As always, it's helpful to start at the beginning.
There are a few origin stories for loafers, but most lead back to Norway. If menswear lore is to be believed, then the penny loafer comes from a simple slip-on shoe known as the teser, which was once worn by Norwegian peasants.
Someone asked if I could tell them where to buy a pair of good chinos. In this thread, I will tell you, but my answer is not simple. On the upside, I think this is a better approach when shopping for clothes and you can apply it to any kind of item. 🧵
A simple answer will go something like this: "Such-and-such makes the highest quality chinos." Or "this brand provides the best value." While potentially useful in some respects, I don't think this gives you the fullest picture.
Instead, let's start at the beginning.
During the 1898 Spanish-American War, US troops stationed in the Philippines wore sand-colored pants made from a heavy cotton twill woven in China. Since the Philippines had been under Spanish colonial rule at this time, the locals call these "pantalones chinos" (Chinese pants).
One day, "It" will happen, by which I mean sudden and unexpected news that you want to celebrate. In such cases, you will want the right outfit. 🧵
What do I mean by "It?" I mean that joyous moments are not always something you can plan for. Perhaps you received a pay raise or got accepted at a waitlisted school. Perhaps a loved one is now cancer-free. Such moments can be sudden and unexpected — and you want to be prepared.
Of course, you can always celebrate in the same clothes you wear to bed. But IMO, this diminishes the moment. Thus, it's nice to special outfits for "It," even if you don't wear them all the time. It's similar to toasting a special glass of champagne and drinking water.
In the 1950s, Irving Penn traveled across London, Paris, and NYC to take portraits of workers in their work clothes. These clothes at the time were not considered glamorous — they would not have shown up on fashion runways — but they demonstrate a simple aesthetic principle 🧵
Consider these outfits. How do you feel about them? Are they charming? Repulsive? Stylish?
If you consider them charming and stylish, as I do, then ask yourself: what makes them charming and stylish? Why are you drawn to the outfits?
As I've mentioned before, I think outfits look better when they have "shape and drape." By shape, I mean the outfit confers a distinctive silhouette. If these men took off their clothes, we can reliably guess their bodies would not be shaped like this: