Since my tweet about Jeff Bezos, I've been getting a lot of replies such as these. "Where do these dress rules come from?" "When do they change?"
These are very good questions, so let me answer them. 🧵
Let's first run through some experiments. Please make up your mind at each step, so you are not influenced by what I'm about to say.
Here are two men wearing tailored jackets with jeans. Which do you think looks better?
Here are two men wearing a tuxedo. Which outfit do you think looks better?
Here are two men wearing skinny black jeans with a jacket. Which do you think looks better?
If you choose the right side of each set, then we have the same taste. But why do we think these outfits look better?
IMO, the answer has to do with fashion history.
Back when men's wardrobes were divided by city and country, men wore slick suits to do business in London and more rustic tweeds for sport or leisure in the country. Thus, if you wear a tailored jacket with jeans, it helps to select a more casual or rustic sport coat.
In this way, you reduce the formality between the jacket and pants, which can otherwise look like a sartorial mullet. A smooth, grey suit jacket cries out for the pants. But a tweed sits comfortably alongside jeans because both pull from similar cultural history.
Similarly, black tie can require some kind of waist covering — cummerbund, dress waistcoat, or a single breasted jacket — depending on the cut and details of your rig. You want to prevent the flash or shirting that can appear beneath a single-breasted coat's buttoning point.
In this way, you maintain the integrity of the line between the jacket and pants, making the suit appear as one harmonious whole. A waist covering can be especially important if your formal shirt has a bib, as you don't want the bottom of the bib to show.
Finally, skinny black jeans make sense with black leather jackets and boots because of the history of 1970s and 80s punk and rock 'n roll. They don't make sense with a tailored jacket because you're mixing together two fashion histories.
However, it's true that culture isn't static. So how do things change?
One way is when people with cultural capital create a new language. Pinstripe suit jacket doesn't traditionally go with bootcut jeans, but Lenny Kravitz is very high in cultural capital, so he looks cool.
The actual *meaning* of the item can also change or, at least, become layered. During the Vietnam War, US military jackets and fatigues were worn both by troops fighting abroad and people back home protesting US foreign policy.
In a 2015 NYT article, Troy Patterson noted that the US military field jacket has become "the shell of a loner (Robert De Niro in “Taxi Driver”), the skin of a neurotic (Woody Allen in “Annie Hall”), and the badge of the last honest man (Al Pacino in “Serpico”)."
That's why it can be worn with different things today to communicate a range of identities — everything from rugged man to creative bohemian to "refined guy who isn't too precious about his tailored clothing."
We're very far from the 1950s. However, the language of classic tailoring is preserved through films and TV shows like prehistoric insects suspended in amber. Many people today will be familiar with this aesthetic even if they haven't encountered it in real life.
I happen to think there was something special about this era of dress. It has nothing to do with class, civility, or body shape, but just the specialized techniques once used to make clothing. Elegance also played a bigger role in dress (today it's more about "youth" and "cool")
Thus, it's not surprising to me that many people agree that the man on the right is better dressed, despite having less money and fame than Jeff Bezos. That's because he's wearing a dress waistcoat, not a traditional waistcoat, which goes better with black tie.
This style used to be more common. And so, even if you don't see it in real life, you may have subconsciously picked up on it when you looked at beautifully dressed people during the 20th century.
This is why you get something is "off" about Piers Morgan's black tie rig. He has a tuxedo jacket, but a white business dress shirt and long black tie instead of the formal shirt (bib, pleated, fly front) and bow tie. Also why John Quinones looks better — he gets the language.
There may come a time when a group of people who wield tremendous cultural capital wear high-cut traditional vests with black tie. And then, this combo will take on cultural meaning. But at the moment, it's often on ppl with financial capital, not cultural capital.
You might admire Jeff Bezos because of his wealth, fame, or power. But this is not the same as cultural capital. Ballroom dancers, Lo Heads, and people in the lowrider car scene have little financial capital, but lots of cultural capital.
To me, this is obvious because Twitter is full of people who appropriate queer and black culture (especially language). Look at how many people say "crash out," "period," "unc," "girl," "gyatt," "cap," "slay," etc. This even happens in communities that shit on these groups!
So, to answer the original question: our fashion judgements are shaped by the semiotics of dress, which are in turn shaped by historical culture. This culture casts a long shadow, but can change depending on how cool people today dress.
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Let me make the case for why the NHL should abolish its dress code, which currently requires players to wear a suit and tie while heading to and from games. 🧵
The arguments I've seen for the dress code fall into one of two categories: players look better in a coat-and-tie (some use descriptions such as "classy"). Others say that requiring players to dress in this way shows respect for the game. I will address each argument in turn.
It's true that tailoring once played a larger role in sports. Basketball coaches, for instance, used to wear tailored jackets pretty regularly, even at games. Some even looked quite good in these outfits.
It's true that progressives valorize "ugliness." But I think this person doesn't interrogate this position enough and thus lands at the wrong conclusion.
Let me give you a new perspective on ugliness. 🧵
In popular discourse, the world was once good, people were virtuous, and all things were beautiful. Then modernity came along and destroyed everything. In this view, beauty is an objective standard that has been corrupted by liberalism.
I contend that beauty in personal appearance is subjective, not objective. In fact, its standards rest on the shifting tectonic plates of politics, economics, and technology. Let me give you examples.
Today, we think of these photos as the standard for male beauty and dress:
Earlier this week, I asked which tie knot you think looks better. Of course, you can wear whichever you like. But here's the social history behind both knots and why some people consider one better than the other. 🧵
In the mid-19th century, as ready-to-wear tailoring started to take form, people got around in horse-drawn carriages. After all, the car had not yet been invented. During this time, some formed driving clubs, where they rode drags.
Check out the text in this lithograph:
The term "drag" refers to the carriage you see above, which was a sporting vehicle that was lighter than the more robust stagecoach. Men in driving clubs raced drags. Hence the term "drag race" first appearing in an 1863 issue of Racing Times.
People keep asking me to do a thread breaking down why these suits don't look great. I gather that these are famous, very well accomplished F1 drivers (I don't know these people). Since I only talk about famous people, I will do a thread. 🧵
Please note nothing in this thread is meant to diminish the men in these clothes. If anything, it's the people who dressed them that failed them. I am only talking about the clothes. Hopefully, by pointing out these issues, you will learn something for when you're shopping.
A pinstripe suit with a white business shirt cries out for tie. If you don't want to wear a tie, then you need a more casual shirt or a more casual suit. Additionally, the shoes are too chunky for this outfit.
The US Army celebrated its 250th year today with a massive parade in Washington, DC. It appears @ComfortablySmug believes that this is an appropriate tie for the occasion.
It's once again worth reminding that men's dress used to be governed by time, place, and occasion (TPO). If you were of a certain social station and had to do a certain thing, you were expected to wear a certain outfit.
This tradition can be seen in men's neckwear.
In Britain, where we derive most of our traditions for classic men's dress, the term "regimental stripe" refers to neckwear with diagonal lines, like you see below. These were not purely about decoration. Each design symbolized belonging to some organization.
This is the suit in question. It's a bespoke suit by Anderson & Sheppard in London. The cloth is a 60/40 mohair-wool blend from Standeven's "Carnival" book. The stylist was George Cortina.
To understand why this suit is interesting, you have to know a bit about tailoring history
In the early 20th century, Dutch-English tailor Frederick Scholte noticed that a man could be made to look more athletic if he belted up his guard's coat, puffing out the chest and nipping the waist. So he built this idea into his patterns. Thus the "drape cut" war born.