In this thread, I will tell you, definitively, whether Sydney Sweeney has great jeans.
This way, you will be more informed when shopping for your wardrobe . 🧵
I should state two things at the outset.
First, I never comment on womenswear because I don't know anything about it. This thread isn't actually about Sweeney's jeans (sorry, I lied). But in the last few days, I've seen grown men buying American Eagle jeans and I can't abide.
Second, while clothing quality matters, it's more important to develop a sense of taste. Buying clothes isn't like shopping for electronics — you don't "max out" specs. It's more like buying coffee — you sample around and identify what notes you like. Develop taste.
In this thread, I will get into the basics of jeans. And then talk about my personal taste.
So what makes a pair of jeans "good?" We start with material. American Eagle typically uses blended yarns, such as cotton mixed with recycled cotton, polyester, and elastane.
Sometimes manufacturers add elastane to skinny jeans to make them more comfy (common in womenswear). But AE even uses it in relaxed cuts.
Why? Because their jeans are cheap & require low-quality material. Recycled fibers are shorter and weaker. Elastane helps them not fall apart
Worse still, they can't be easily repaired. Pure cotton jeans can be patched or darned when they develop holes. While you can still do this with elastane-blended jeans, the repair won't hold very long, so the cost is not worth it. The jeans eventually end up in a landfill.
Peer inside and you can spot more cost-cutting. To prevent the raw edges from fraying, AE uses a messy overlock stitch. On a higher-quality pair of jeans, this area (the seat) will be made with a flat-felled seam. This is more labor intensive, but also adds durability.
Of course, jeans aren't just about quality — you're buying these to look good. So consider whether the fit and silhouette work for you. Skinny jeans look great with boots and leather jackets bc of rock n roll history. Less good with prep and business casual bc that makes no sense
The above should help you buy a better pair of jeans no matter your taste. But I will now talk about my preferences.
As always, I have presuppositions. Just as I believe men wore tailoring better in the past, I believe the same is true for denim and workwear.
But why did so many men look great in jeans in the past? And why do so many look terrible today?
A big change has to do with how denim is woven. For much of the 20th century, denim was woven on shuttle looms, which produce narrower width fabric finished with selvedge (self-edge)
Around the 1970s, denim producers started to use faster, more efficient projectile looms. This was the dawn of mass-manufacturing for denim. By producing things at higher speeds, mills could cut cost and offer lower-priced materials. Of course, brands were happy to adopt.
The other dimension has to do with finishing. When men bought jeans during the first half of the 20th century, they were typically buying raw denim, which is to say that the material was in its "natural state." It was not pre-washed or pre-faded — you put the fades in yourself.
Over time, new finishing processes developed: sanforization (pre-shrinking), mercerization (making the fabric smoother and more lustrous), and of course, pre-distressing. You can find denim today with pre-faded laps and pre-torn knees. Some are even faded with lasers!
Pre-washed jeans are popular today because they're softer and more comfortable out the box. The problem with raw denim is that it can be stiff and cardboard-y at first. The fabric will also bleed for a bit, which means indigo can rub off on your white couch.
But the advantage is that it looks much more natural. The top of the pockets bust because you repeatedly put your hands into your pockets. Fades develop around your actual lap and the back of your knees, not in weird places that don't even match your body.
The older method of producing jeans resulted in a fabric with a lot more character, which yields better looking fades. Once denim moved from shuttle looms to projectile looms, and was put through all sorts of finishes, you've squeezed the life out of it. It's processed baloney.
In the early 1980s, denim brands also moved from chain stitching to the faster, more economical lock stitching. The chain stitch was historically used in certain areas, such as the hem, which resulted in the roping effect you see in the first pic. Without it, the hem is flat.
When you combine these things, you get the differences below. First pic shows vintage Levis (shuttle loom, natural fading, chain stitching). Second pic shows jeans from the mid-1990s, when denim was almost entirely mass produced (projectile loom, pre-washed, lockstitch).
Of course, when you get into the upper tiers of denim, there may be other details that separate a pair of jeans. Stevenson jeans feature leather backed buttons and handmade belt loops (pics 1 and 2). This is a step up from even designer jeans, such as Our Legacy in pics 3 and 4.
My goal is to not push you in any one direction (raw denim may not be your thing!). Only to help you understand the basics of jeans (AE jeans are objectively bad). And give you a sense of how to understand fabric and details so you can find what's right for you. Develop taste!
Whether raw or processed, jeans can be "good" depending on your taste.
If you'd like to explore raw denim, check out stores such as Self Edge, 3sixteen, Standard & Strange, Blue in Green, Division Road, AB Fits, Blue Owl Workshop, Tellason, Rivet & Hide (UK), and Dutil (Canada).
I also like Buck Mason's Saddle Cut (available in raw denim).
If the prices above take you aback, check Gustin. Their newly introduced "vintage straight" — a roomier, more classic cut — comes in Cone Mills denim.
Todd Shelton and Williamsburg Garment Company can also do custom
Many of these companies — such as Tellason, 3sixteen, Gustin, Raleigh Denim, Imogene + Willie — also produce their jeans in the United States. This way, you can support US jobs.
IMO, it's better to buy one pair of high-quality jeans than three pairs of low-quality ones.
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In 1999, a group of Haitians were tired of political disorder and dreamed of a better life in the United States. So they built a small, 23-foot boat by hand using pine trees, scrap wood, and used nails. They called the boat "Believe in God." 🧵
In a boat powered by nothing but a sail, they somehow made it from Tortuga Island to the Bahamas (about a 90 mile distance). Then from the Bahamas, they set sail again. But a few days and some hundred miles later, their makeshift boat began to sink.
The men on the boat were so dehydrated this point, one slipped in and out of consciousness, unable to stand. They were all resigned to their death.
Luckily, they were rescued at the last minute by the US Coast Guard.
After this post went viral, I called Caroline Groves, a world-class bespoke shoemaker, to discuss how women's shoes are made. I normally don't talk about womenswear, but I found the information interesting, so I thought I would share what I learned here. 🧵
Footwear is broadly broken into two categories: bespoke and ready-to-wear. In London, bespoke makers, including those for women, are largely focused on traditional styles, such as wingtip derbies and loafers. Emiko Matsuda is great for this.
In Paris, there's Massaro, a historic firm that has been operating since 1894, now owned by Chanel. Their designs are less about creating the women's equivalent of traditional men's footwear and more about things such as heels or creative styles. Aesthetic is still "traditional."
Earlier today, Roger Stone announced his partnership with a menswear company, where together they've released a collection of tailored clothing items.
Here is my review of those pieces. 🧵
The line is mostly comprised of suits and sport coats, supplemented with dress shirts and one pair of odd trousers (tailor-speak for a pair of pants made without a matching jacket). Suits start at $1,540; sport coats are $1,150. One suit is $5,400 bc it's made from Scabal fabric
Let's start with the good points. These are fully canvassed jackets, meaning a free floating canvas has been tacked onto the face fabric to give it some weight and structure. This is better than a half-canvas and fully fused construction, but requires more time and labor.
Here is a guide breaking down what goes into quality men's footwear. This is focused on men's shoes, as women's shoes, depending on the style, will have different construction techniques and thus standards. 🧵
First, let's set a standard. What does it mean for a pair of shoes to be "good quality?" In this thread, I define that standard to be two things:
— Do the shoes age well?
— Can they be easily repaired?
In short, you should want and be able to wear the shoes for a long time.
We'll start with the part most people see: the uppers.
Quality uppers are made from full grain leather, which shows the natural grain of the hide (pic 1). Low quality uppers will be made from corrected grain, where bad leather has been sanded and given a chemical coating (pic 2)
When I was on a menswear forum, one of my most controversial opinions was that certain coats look better when they're worn open, while others look better when they're closed.
For instance, which of these two outfits look better to you? 🧵
If you shop for an overcoat today, there's a good chance you'll land on a single breasted. As suits and sport coats have receded from daily life, the types of outerwear that men historically wore with them have also slowly disappeared.
If you look at the past, men had all sorts of designs to wear over their tailored clothing: polos, Ulsters, Balmacaans, Chesterfields, paletots, wrap coats, etc. They were offered in a wider range of materials: gabardine, camelhair, covert, heavy tweeds, etc.
The reason why this looks off is bc the coat is built from many layers of material — haircloth, canvas, and padding — which sits on top of another jacket with similar structure. This can make you look a bit like a linebacker. If you find this to be the case, switch to a raglan 🧵
A raglan is defined by its sleeve construction. Most coats have a set-in sleeve, which is to say the sleeve attached to a vertical armhole, much like a shirt. A raglan, by contrast, has a diagonal seam running from the neck to armpit. Historically, this was put on raincoats.
A raglan construction is a bit more waterproof that its set-in sleeve counterpart because there's not vertical seam in which water can sit and eventually penetrate. But most importantly, it's completely devoid of padding. This results in a softer, rounder shoulder line. Compare: