Thread by @AmurakaHidden

The Idol Factory🧵

The public imagines STARDOM comes from talent, charimsa AND hard work. But in Hollywood, stars are not BORN, they are BUILT. Hollywood is not a meritocracy and, often times, you're bloodline matters. Stars are selected for a variety of reasons.

Behind the red curtain is not an industry but a lodge. Hollywood is a temple of initiation, where souls are fractured, programmed AND transmuted into something else. Hollywood is the new age Theater of the Mysteries with their own rites, tokens and oaths.

The Idol Factory is not a metaphor, it is a literal occult laboratory, an alchemical process to create a programmable Idol.

ALL THE WORLD IS A STAGE.

Before a film is shot, the star’s role in the larger ritual is mapped with precision. Everything is planned well in advance.

Everything is done by the numbers. Like Solomon’s Temple, the idol’s blueprint is both geometric and mythical.

First, the Initiate is given a name: A sigil, often numerologically attuned (Marilyn Monroe = Lnar glamour, Lady Gaga = High Priestess, Jay Z = Jehovah).

Secondly, the Initiate is given a Style. This is a from of frequency engineering, calibrating vibration to demographic currents. This is tweaked and changed over time.

Thirdly, the Archetype is selected.

This ranges from the Innocent (Judy Garland) to the Rebel (James Dean) to the Prophet (Tupac) to the Fallen Angel (Britney), the Fool (Jim Carrey) and many more.

Then, comes the Wound. This is the core trauma that magnetizes the masses and keeps the initiate bound to the Order.

Lastly, and most importantly, the Story Arc, the Mason's Journey. From Rise to Fall ending in Rebirth, echoing the myth of Osiris, Dionysus, and Christ, replayed as a Hollywood script. Often times inverted.

Each idol is a living myth. Each career is a staged ritual.

No film reveals the occult blueprint of Hollywood more clearly than 1939’s The Wizard of Oz. It was not merely a fairy tale but a ritual text, a map of initiation that has echoed across the cultural zeitgeist for nearly a century.

It's imagery has been so deeply embedded into the collective psyche that it became a framework for MK-Ultra mind control programming.

The symbols are not random, they are drawn from Hermeticism, Masonry, alchemy and the psychology of trauma.

Every child who watches Dorothy’s journey is unconsciously rehearsing the archetype of the initiate: torn from innocence, led to the Hero's Journey (Story Arc), dazzled by emerald lights AND confronted by the hidden hand behind the curtain.

Dorothy represents the neophyte, The Fool, the uncorrupted soul of childhood. Kansas symbolizes the uninitiated world, innocence of the profane. In Masonic terms, Kansas is the unentered apprentice, whose eyes have not yet been opened to the Temple’s mysteries.

The tornado is the initiatory whirlwind of trauma, the initial disorientation event. In trauma-based programming, a violent rupture separates the subject from ordinary reality. Dorothy is torn from Kansas into Oz, the dazzling dreamscape of illusion, glamour and artificial order.

This is Hollywood itself: an Emerald Dream-Machine, the Land of the Unconscious.

The Yellow Brick Road is the Masonic Winding Staircase, paved in gold, leading the initiate toward Solomon's Temple. The Red Carpet ritualistically transforms ordinary actors into divine stars.

Yellow itself is symbolic, the color of sulfur in alchemy, representing fire, transformation AND sometimes deception. To walk the Yellow Brick Road (or the Beatle's Yellow Submarine) is to submit to the alchemical fire of fame, a path glittering with promise AND manipulation.

Dorothy’s companions, Scarecrow, Tin Man, and Lion, symbolize fragments of the initiate’s dissociated psyche.

The Scarecrow, who has no brain, represents the intellect denied, the suppression of independent thought.

The Tin Man, who has no heart, represents the emotional body, frozen by trauma until oiled by artificial means (drugs, handlers, conditioning).

The Cowardly Lion, who has no courage, represents the will, broken and domesticated, unable to resist the trauma programming.

Together, they are the dismembered parts of Dorothy herself, the shattered soul fragments created through trauma, a pattern eerily consistent with MK-Ultra’s use of dissociation to compartmentalize personality and create alters.

The Emerald City is the inner sanctum of Oz, the place of ultimate initiation. Green is the same color of the Emerald Tablet of Hermes Trismegistus, the foundational scripture of Hermeticism. "As Above, So Below" is the guiding principle of magic AND alchemy.

Emerald is, also, a reference to the Lapis Exilis, a mythical stone said to have fallen from Lucifer's crown when he was cast out of Heaven, striking the Earth like a meteorite. The Lapis Exilis is said to bave created the Emerald Tablet and the Holy Grail.

Emerald City = Lucifer's City

Emerald green, also, corresponds to the Aurora Borealis, the visible veil of Earth’s magnetic field. The ancients saw this as the breath of the gods, the ether made visible.

In Oz, Emerald City is placed at the center of the map just as the Rupes Nigra, the Magenetic North Pole emanates from the Earth’s cnter. The initiate is being taught: the Temple stands at the axis of the world, the place where heaven and earth meet.

On the microcosmic level, the Emerald City corresponds to the Anahata Chakra, the Heart Chakra from which the human electromagnetic aura radiates, the Chakras center point. The City at the center of Oz is a mirror of the Heart at the center of the body.

The “Great and Powerful Oz” is the archetype of the Hidden Hand. A booming, disembodied voice, cloaked in smoke and flame, who controls the Temple through illusion. He is the perfect symbol of Hollywood’s producers, executives and handlers, the men behind the curtain.

The ruby slippers are Dorothy’s talisman, bright red, glimmering on the feet that walk the Yellow Brick Road. Red is the color of the alchemical rubedo, the stage of completion, transmutation into the Philosopher’s Stone.

Behind Dorothy stood Judy Garland.

Judy was a child star torn from innocence, ritualized through trauma, drugged into compliance, and consumed by fame. She became the prototype of the Idol Factory.

A Preview of my NEW book, "Rituals of the Red Carpet: An Initiation Guide to the Occult Religion of Hollywood"

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