Tenchi Muyo being made up as it went becomes really apparent when you consider Ryoko was retconned to having watched Tenchi grow up & fallen in love with him as an astral projection, then rewatch this.
A lot of reckless endangerment at minimum going on here.
And the scene works better if you assume she's at least okay with the possibility of killing him, even if she's not trying to very hard. It's better if they're strangers.
The sexual tension and the genuine danger together are what makes it so iconic. The retcon makes it worse.
This is why Tenchi Universe is the better version of the main story, despite not looking as good, and not having the atmosphere of this 1st episode (which is really unmatched in the franchise, imo).
It's more consistent and makes more sense.
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Amazing how crazy you can make something sound when you aggressively misunderstand it & are also stupid.
"Heritage American" just means American culture is tied to American history, therefore the less connected you are with that history the less culturally American you are.
This should be pretty self-evident. Of course you have morons & edgelords say that this means deporting all the Italian or Irish descended Americans, but nobody serious or with a large following says that.
And no, this is not the same thing as intersectionalism, because intersectionalism isn't about shared culture. In fact, it's about people whose ONLY shared interest is looting from straight white men, their shared enemy. We have our own word for this: bioleninism.
Turk has very strong feelings about the absolute, irredeemable evil of the KKK. Less so racist groups or individuals in his own country.
I mentioned the Arminian Genocide in replies to a post about this & got several "They had it coming" replies. Not from him, but it shows how popular the sentiment is over there.
A lot of developing world people think racism is evil but only when it's done by an outgroup.
If ever there was someone the term "grifter" applied to, it's accounts in Bali or Pakistan or wherever who make content about da ebil Nazis, klansmen, etc, but never make such commentary about anything closer to home.
@threadreaderapp
When I read the first sentence I was like, "That absolutely did not happen, WTF are you on?" Then I realized, "Oh, you just mean the 1/3rd of the country that has refused to suck your mentally ill, chemically shrunken dong."
Seriously, people like this are completely batshit insane & become dangerous when they get an ounce of power.
This is the kind of person who has been ranting about how they're going to be put in camps since 2016, it never happens, & that never causes a moment of self-reflection. Cause by "camps" really they mean, "free to act as unhinged in public as I want, including around minors."
>"Creatives are much more left wing than the public"
No, creatives who are allowed to work in mainstream entertainment industries are. Very important distinction that The Atlantic accidentally admitted to.
Making good art takes time & effort. The phrase "Time is money" exists for a reason. People who struggle to pay bills & put food on their table obviously will have less time & other resources to invest in making art.
And then there's finding an audience, maybe the hardest part.
Combine all of this & you can see how creatives who have committed wrongthink can be throttled by simply denying them funds & platforms.
The left does this across the board, fervently. They are VERY concerned about maintaining an entertainment monopoly. But if you call them out..
@TheManlet_King likes to talk a lot about edgekino. The oughts were the 2nd age of edgekino in anime & manga. The 1st was obviously in the 80's.
The 2nd one had more focus on goyrls.
@TheManlet_King These shows had a pretty wide range of quality, but they all had some clear common threads. Goyrls, trauma, angst, ultraviolence, madness.
Just cause it's after Halloween doesn't mean we can't have another #stinepost.
Stine has written a lot of stinkers, & even his gems have a lot of rough edges, but funnily enough, a good way to judge his talents is compare his stinkers to others in adolescent pulp horror.
The book on the left is terrible (I did a short thread on some of the major problems) & might be Stine's worst, but it's also creative & weird, in a stupid way. It's still interesting.
The book on the right from MD Spenser's Shivers is HIS worst & is pure filler. A nothing book.
90's pulp publishing was always to a degree about sneaking sawdust into rice krispies, but Camp Fear is an example of a book that's pure sawdust.
Stine is a kid at heart I think, & even when he's bad he's usually not boring cause he's good at making up wacky, stupid bullshit.