विप्रतिषेधे परं कार्यम् ।1.4.2
Since 15th Dec night, all the Pāninians(Sanskrit grammarians) r working over the claim.
Imagine going through 260 pages of his thesis to find where he has missed.
I've the response of Vaiyākarana Kartik Bhagwat's response in Sanskrit. How to post? Kartik Bhagwat is a traditional scholar of vyakarana. Here is his response -

//नमस्ते
लेखकेन विप्रतिषेधे परं कार्यमित्यत्र परशब्दस्य उत्तरवर्ति (right side) इति व्याख्यायते। परं तु तथा स्वीकृते रामेभ्यः इत्येव साधनं कष्टाय। राम + भ्यस् इत्यत्र *बहुवचने झल्येत्, सुपि च *
1/n

Cārvāka (or Cāru-vāka - literally means sweet-tongued), is the Indian Material School. Aka Lokāyata (Worldly Ones).
It is a school of thought that argues that pleasure is the only intrinsic good. It arose approximately 6th century BCE and died out in the 14th century CE. The Cārvākas maintained that the Hindu scriptures are false, that the priests are liars, that there is no afterlife, and that pleasure should be the aim of living. Unlike other Indian schools of philosophy, the Cārvākas argued that there is nothing wrong with sensual indulgence.

@CynicalMallu @KS1729 @dpanikkar Already numbered!!!
No more God then...
By Ms Sarah Welch - Own work, CC BY-SA 4.0, commons.wikimedia.org/w/index.php?cu… @CynicalMallu @KS1729 @dpanikkar By Ms Sarah Welch - Own work, CC BY-SA 4.0, commons.wikimedia.org/w/index.php?cu…
The Varaha panel at the Hindu Udayagiri Caves is one of the most studied examples from the Gupta Empire era. It narrates the Hindu mythology about a man-boar avatar of Vishnu (Varaha) rescuing goddess earth ...

केशवं पतितं दृष्ट्वा, पाण्डवा हर्षनिर्भराः ।
रुदन्ति कौरवाः सर्वे, हा हा केशव केशव ॥

Seeing the fall of Keśava, the Pāṇḍavas jumped with joy. All the Kauravas cried aloud, "O! O! Keśava! Keśava!"

https://twitter.com/manjit2007/status/1302314942310133760

Clearly, there is something amiss here.
The Pāṇḍavas are such dear friends and admirers of Kṛṣṇa that they would obviously not rejoice in his fall.
The Kauravas hate Kṛṣṇa so much that they would surely not wail at his collapse.

In Classical Sanskrit, the styles of stotras are many.

There are -
pañcakam (comprising five ślokas),
ṣaṭkam (comprising six ślokas),
aṣṭakam (comprising eight ślokas),
śatakam (with a hundred ślokas),
sāhasrī (with a 1,000 ślokas).

Nirvāṇaṣaṭkam is a ṣaṭkam. All these are generally simple.
Rarely some of them sometimes contain long compounds leaning towards artificiality, especially when the subject matter is Tantric.
Some of such examples are -
Kanakadhārā-Stotra,
Mahiṣāsuramardinī-Stotra,
Saundaryalaharī.

अ is a negative particle (a निपात).
It has six meanings in language,

तत् सादृश्यम्, अभावश्च, तद् अन्यत्वं, तद् अल्पता |
अप्राशस्त्यं, विरोधश्च, नञर्थाः (नञ् अर्थाः) षट् प्रकीर्तिताः ||

https://twitter.com/Cownpuriya/status/1194606932511748099

i) तत् सादृश्ये् - similarity/likeness
(e.g., अब्राह्मण - a non-brahmin meaning a क्षत्रिय or वैश्य, not a tree.)

ii) तद् अभावे - absence/lack
(e.g. अक्रोधः - the absence of anger,
अपापम् absence of पापम्.)

contd...

MahiṣāsuramardinīStotram
Composer - Śri Rāmakrṣna Kavi

Popularised by Śrī Anantarāma Dikshitar Sengalipuram Anantarama(2 August 1903-30 October 1969)
(प्रातः-स्मरणीयः/ प्रातः-स्मरणयोग्यः).

A great kathākār in the south. Used to do kathā on Rāmāyaṇam and Śrimad Bhāgavatam). ॥ महिषासुरमर्दिनिस्तोत्रम् ॥

अयि गिरिनन्दिनि नन्दितमेदिनि विश्वविनोदिनि नन्दनुते
गिरिवरविन्ध्यशिरोधिनिवासिनि विष्णुविलासिनि जिष्णुनुते |
भगवति हे शितिकण्ठकुटुम्बिनि भूरिकुटुम्बिनि भूरिकृते
जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥१॥

In Kangra valley, at the feet of DhauladharMountain range, nestles the small hamlet of Sidhbari (abode of the Siddhas). As per ancient scriptures, this mystical place was home to numerous great saints and seers, who, through their austerities, sanctified the earth they walked on. Chinmaya Tapovan is a modern-day ashram at the foothills of the Dhauladhar ranges of the Himalayas. The ashram complex has a 9 m high image of Lord Hanuman, A nine-foot-high statue of My great Lord Hanuman stands at the gate, spreading his special message of loyalty and bravery.