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The house's exterior is a dynamic intersection of sliding horizontals with deep, shady eaves that mustv been like a spaceship landing in the neighbourhood of upright Victorian residences of the time 

or maybe as close as one might get to actually BEING inside the architect’s imagination… not only is it almost too vast to fully comprehend, like Lutyens’ great design for Liverpool Metropolitan Cathedral, it knows how to emphasise its scale…
They both adored modern design, but my grandmother disliked very angular buildings, loving curves instead, hence the architect was asked to incorporate some in the design which led to its unusually organic shape
Its details recall steampunk visions of the future from long ago, 20,000 leagues Under The Sea windows and enlarged metal bolts that look like they’re holding everything together… 
Here you can see the overall profile
& is testament to Chicago’s architectural genius… by the great maverick Helmut Jahn who mixed Hi-Tech structural gymnastics with Miesian sophistication and postmodern richness of effect to create absolutely singular spaces
Sullivan uses oversized archways without doors to form sequences of interconnected spaces that create a powerful sense of constant & dramatic transition
Look at this ‘everyday beauty’ (of which there are soooo many) with a slice taken out of it, in Milan, by Giancarlo Malchiodi
It is not taught in schools and is known but virtually no one in this country, which is why we are dooned to repeat it, and why people jump to comparisons with the Nazis, because people aren’t aware of just how bloody repulsive we ourselves were.
It is experienced as an incredibly rich and layered series of interconnected spaces which make it feel like an entire interior city in some alternative universe of marble, brick, and mosaic…
Here are some other views of this extra terrestrial colony in the heart of Tokyo 


1 of the world’s most important buildings in the style, its perfectly preserved. There are plans currently being drawn up by @bgyarchitects & owners @blackstone that are putting its artistic integrity in danger… this building’s future must be guaranteed @c20society @owenhopkins
This detail & the previous image are of his Kirin Plaza in Osaka from 1987, sadly, like several of his best works, demolished (in 2009)


The London Millenium Tower proposal was for a gargantuan, but super unusual double-ellipse-plan curving 386 metre superskyscraper by Norman Foster on the site of what later became the Gherkin. English Heritage actually enthusiastically supported the scheme... 



Although sadly my favourite elements, the six kaleidoscopic arches that welcomed all arrivals into Soho at the top of the escalators, were demolished to upgrade the station 