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Where do we even start with this nonsense? Much of ‘Victorian life’ was powered by coal burning, perhaps the least sustainable source of fuel. Victorian industry polluted waterways with its industrial waste, the air in the cities was unbreathable in some places.
https://twitter.com/WhoresofYore/status/1546911161920245760I was in July 2020 to participate in the series that had been commissioned by @channel5_tv . The producer told me she had read my book and wanted me to be involved. I agreed because I thought this would be an opportunity to tell the victims' stories, and not the killer's story.
The article spends a lot of time discussing how Burnell has suffered as a result of what he did. While Burnell is certainly entitled to legal representation, the newspaper decides how much of the abuser's defense it wants to print.
https://twitter.com/TheHistoryPress/status/1319190767223607296We seriously need to consider what parts of a murder narrative we are parroting when we repeat a story. We need to ask, is this true? Where did this come from? Who said this? A murder victim doesn't get to give their side of the story in court. The murderer does.
Martha died on the 7th of Aug, 1888, several weeks before Polly Nichols was killed. Her body was found on the landing of George Yard Buildings, off Wentworth street in Whitechapel. She’d been stabbed multiple times. That’s all I'm going to say about her actual murder.
From a Russian source, @nokingbutCaesar I was sent some translations of what's being said about her in Russia. She is described as 'An honest and truthful woman who was never afraid of having an unpopular opinion if she believed it was truth'.
If we tell their stories and allow ourselves to know these women as the individuals they were; the sisters, wives, mothers, daughters, servants, ballad sellers, coffee house keepers and sex workers, we can never again look upon them as anonymous victims.
https://twitter.com/DrEstellePrnq/status/1089457174131150848Often the tone and angle of the film, which is decided at the outset, during the creative process determines the level of accuracy - if the film will be light- hearted, revisionist, faithful to history, or a 'modern' interpretation of events.