I worked on this shader last year, but never posted the project. This morning i was asked how i did my skin-shaders in Unreal Engine, and i decided to make a breakdown and put a bow on this project.

So here is a quick thread on how you can do skin shaders in Unreal Engine 🧵 We have all been there, going back and fourth between Painter and Unreal to tweak our roughness and normals. Perhaps its not quite right in one area, or you keep pushing the values too far or too little. This problem was essentially what i set myself out to solve

So, i decided to revive my "so, how to?" mini tutorials again. This time, from the perspective of environment/technical art, which is basically what i have moved on to.

This time, i will explain how i made grass in an hour in @Fibershop3d 🌿🧵 So, if you have never been doing character art ever, its probably unlikely that you know about Fibershop.
So Fibershop is essentially a tool for character-artists to create hair. It is very powerful tool and i think this also demonstrates how versatile it can be

Something i dont see explained enough, if anywhere really, is how to make the inside of the mouth on characters where you put the teeth

Do you model it? Do you add in retop? Do you inflate the model inwards in ZBrush and pray?

Well, this is a thread on how i do it!

🧵 I often hear this referred to as mouthbag/mouthsack. It generally refers to the inside of the mouth on characters - But how do you model that efficiently?

SO

I get asked quite a bit how i do my real-time hair using cards,
So this is my attempt at explaining how i do exactly that!

🧵 First, you need to make your cards. I personally use @Fibershop3d right now, but
hairTG by @_olau_ is also a great tool. I encourage you to try out both and see what you like the most

"AAA games does not have any jank in them"
meanwhile, AAA: Was looking into how topology was done for various models, since i am currently creating a basemesh where i try to enhance my topology