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The traditional view of sorcery is basically something like "metaphysical engagement that serves the ego at the expense of the whole/community/divine unity.
Well, they're not a book or even a scroll. Instead they're a loose collection of songs and prayers that were carved into the walls of Old Kingdom-era royal tombs.

The idea, so it goes, is that for various cultural and institutional reasons - like the stock market and term-limited offices - America plans and executes on a much shorter time-scale than China, prioritizing quick profits and often tripping on our own feet because of it
First, we need to establish what an “archetype” is.
What comes to mind when you think of swords abstractly? Maybe justice, protection, the authority of a king or hero. This is all true, but it comes downstream of something much more basic:
First, some clarifications and criteria:https://twitter.com/true_concinnity/status/1540660865631928321This is currently extremely difficult because many of the pipelines people come in through are either explicitly political or are extremely steeped in meta-political subcultures. But it has to be done.
Like many fantasy fixtures, their names and attributes originate in medieval folklore where there was no sharp delineation of the “fictional” from the real.

If anyone or anything is bypassing you to access your children, no matter how innocuous an explanation they offer, the safe, reasonable, and historically supported assumption is that they are attacking you.
Radically increasing the market cap for cp, even if all of it is ai generated, would increase the amount of p*dos in the general public. Even if we accept her fantasy prior that access to simulated rape reduces actual rape by some percentage,
https://twitter.com/arrikirri/status/1511909868978192385The recurring argument I see from this camp is that to think the myths aren't *physical* is to think they aren't *real.*
https://twitter.com/AngloPlayboy/status/1511927708468584454?s=20&t=kr0A0BCuuUhlg-9-mz2u3A
To answer these questions we’ll have to traverse a few different layers of analysis. The first, and frankly least interesting, is simply cultural. Whenever discussing mythology, the historical reality of a fairly diverse classical Greece has to be remembered.