A Thread About the Importance of Audience Orientation of Goals and Acquisitions in Screenplays:

In Arch Plot, Mini-Plot, and Classical Design stories if your primary POV character learns or gains something, the audience should be oriented about what they’ve acquired. 3rd script in a row where our main character goes into a room. The camera or a supporting character lingers outside. We don’t see what’s in the room, what conversation happens, or what discovery is made, but our hero experiences it nonetheless.