Matt Potter / šŸ¦£ mattpotter@c.im Profile picture
Journo/creative/film/TV/magpie/data/showpony @WashingtonPost @Time @BBC @lit_review @Dentsu @absw. New book WE ARE ALL TARGETS @hachette, OUTLAWS INC. He/Him.
Jan 10, 2023 ā€¢ 25 tweets ā€¢ 7 min read
Todayā€™s the day.

More than 20 years in the writing, my book #WeAreAllTargets is published in the USA & Canada by @HachetteUS.

In this thread, Iā€™ll share a few things I learned about the reality of cyberwar, its weird & wonderful originsā€¦ & why itā€™s not what we think. My involvement was an accident. In 2000, I was questioned by British military intelligence because NATO suspected me of spying for Serbia (I wasnā€™t) - because I had secret NATO Kosovo battle plans on my work computer.

MI5 came to my office.

You should have seen my bossā€™s face.
Jan 8, 2023 ā€¢ 14 tweets ā€¢ 3 min read
A funny thing about blind spots is that they persist.

Even when things come from them, we declare them weird, or freak occurrences, rather than revisit our thinking.

Germanā€™s equivalent ā€˜toter Winkelā€™ or ā€˜dead angleā€™ nails that utter impossibility of it beingā€¦ inhabited. This leads our own minds into waters of deep strangeness.

Police on the scene at car accidents routinely note magical thinking in statements. Drivers recounting how the other car/pedestrian/cyclist ā€˜came out of nowhereā€™, leaving him powerless to react in time.

Thatā€™s the tell.
Jan 10, 2022 ā€¢ 4 tweets ā€¢ 2 min read
@IanDunt 100% that. I once had to get some copy out of him and it became clear during the dribbled excuses & telephonic Lorem Ipsum that ensued that month that he had no object permanence. The brain area that helps most of us think about absent, potential or future things isā€¦ missing. @IanDunt He would lie, and being told he was on speaker with me and my editor, would lie again, in the same way as a toddler will lie about not having the biscuit it has in its hand at that very moment. It was like trying to coach custard towards GCSE Maths.
Jan 9, 2022 ā€¢ 4 tweets ā€¢ 1 min read
Sad thought this morning. One of the last things I did in London before the first lockdown was watch Tom Stoppardā€™s play ā€˜Leopoldstadtā€™ at the theatre.

The play was funny, sad, very good; it drifted a little in parts, but you always knew. These people are heading into darkness. Then there was the end.

The characters from earlier scenes, all on stage, as if in a photo. A roll-call as someone remembered them, and what became of them. The repetition of ā€˜Auschwitzā€™. Like a drumbeat. It was devastating. And the lights went out.