Tom Gray šŸŒ¹ Profile picture
Chair of @IvorsAcademy, MU, Gomez, Council of PRS, Director of UK Music. Labour & Cooperative PPC for Brighton Pavilion. Still a working songwriter (just about)
Ingrid Pizarro Profile picture Kevin Froude Profile picture 2 subscribed
Dec 1, 2021 ā€¢ 5 tweets ā€¢ 3 min read
Today is the last day to get in touch with your MP and ask them to support the #BrennanBill.

This Bill is the result of one of the most extensive select committee inquiries ever held.

The elements it brings in were recommended by multiple lawyers, academics and executives. A form of Equitable Remuneration has been part of the international conversation around streaming for over a decade. This is nothing new or unconsidered.

Contract limits already exist in places like the USA and the Netherlands.

The right to see our own data is obvious.
Jun 7, 2021 ā€¢ 13 tweets ā€¢ 42 min read
Jul 2, 2020 ā€¢ 8 tweets ā€¢ 2 min read
Hereā€™s a thought about @PaulMcCartney and his beat combo.

Between 1965 and ā€˜69, many people assert that some of the greatest records ever produced were made by The Beatles

They never played a single live show in that period.

Letā€™s look at if Rubber Soul was released today. In 1965, 1.8 million copies sold in the USA. 11 songs. Thatā€™s 19.8 million confirmed song sales. Thatā€™s about Ā£80k for Parlophone in streaming terms and Ā£16k for The Beatles.

Letā€™s be fairer, say everyone averaged listening 20 times that year.

So thatā€™s Ā£1.6 million and Ā£320k
Jun 14, 2020 ā€¢ 54 tweets ā€¢ 23 min read
OH MY GOD. The deals between the majors and the streaming services.

The thread many of you requested. It gets a bit sticky, tricky and puzzling, but thatā€™s the point. The themes of this story: a lack of transparency and accountability for artists and a system that disdains the relationship between artists and their fans.

What makes telling this so hard is these deals are hidden behind NDAs for ā€œreasons of commercial confidentialityā€.
Apr 12, 2020 ā€¢ 27 tweets ā€¢ 8 min read
Why the music industry HAS to change and why it has to change now. A thread. Stick with it! I hope itā€™s not wrong of me to assume that most people donā€™t know or fully understand how musicians get paid. Truth is, I know an awful lot of musicians that donā€™t understand how they get paid.
Mar 21, 2020 ā€¢ 23 tweets ā€¢ 11 min read
Letā€™s start from the top. The music business is like the finance industry 20 years ago. Unregulated by governments who misunderstand how it works. When I direct my anger at ā€˜the IFPIā€™, Iā€™m talking about the Major Labels: @UMG, @sonymusic & @warnermusic. They have been able to run the market based on their terms. They own more than two thirds of ALL recorded music. You may ask, but *how* have competition authorities allowed this to happen? Sadly the answer is: fuck knows.