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https://twitter.com/Ajay_Ashok_/status/1310771852952829955The patriarchal society oppresses the erotic power within women, asking them to turn away from the erotic, considering the erotic in women only when it serves men in bedroom, and treating the women in charge of the erotic as inferior
https://twitter.com/aryaprakash/status/13085587773360455683) But 7 eggs/1 cup of flour - not helping the science of baking.



there were the “chiri padangal” (as Jenny Rowena called it) where the heroes were totally different from the likes of Induchoodan. The success of chiri padangal also means that the two conflicting kinds of masculinities co-existed in the 90s and afterwards+
The movie captivates us with its beautiful frames but it fails to show us why Sufi (Dev) and Sujatha (Aditi) are madly in love. Believe me, I'm all for the romance genre, but show me the romance and longing!
Nivin's rustic and darker facets are brought about as naturally as his delicate and romantic side, probably for the first time ever. The depth of the emotional journey between the two sides is never explicitly talked about, but left to the audience to fathom. 
A little boy Sosuke rescues a fish like creature and names it Ponyo. But in fact Ponyo had fled from her father's under water laboratory and is eventually brought back. Ponyo wants to be a human and uses magic to go back to Sosuke, bringing the planet to the verge of collapse
https://twitter.com/aryaprakash/status/1267391352087572480It helped to focus on the end goal (clean sink free of plates) than the process (of washing). And obviously it's easier to wash 2 or 3 plates rather than a pile!
Not going to a full fledged narrative analysis now. I wished the movie focused on Shobana and Suresh Gopi, without DQ, Urvashi, KPAC Lalitha etc. Too many irrelevant people, irrelevant stories.
Although the German Consulate offered him legal assistance, he felt "IT WAS SAFER TO GO BACK"