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Mike Flanagan Profile picture
Mike Flanagan
@flanaganfilm
Jul 9, 2022 • 10 tweets • 9 min read
A few minutes ago we wrapped production on THE FALL OF THE HOUSE OF USHER, closing a huge chapter of my life. I've worked in Vancouver almost nonstop since BLY MANOR in 2019. We made 4 series in 3 years, only taking a short break for the COVID lockdown in early 2020. BLY MANOR, MIDNIGHT MASS, MIDNIGHT CLUB & HOUSE OF USHER were each profoundly challenging. Three of those shows were produced during the pandemic, amid ever-shifting safety protocols designed to keep our huge casts and crews safe.
Dec 9, 2021 • 36 tweets • 10 min read
We're just a few weeks away from principal photography on THE FALL OF THE HOUSE OF USHER, @intrepid's latest miniseries for @netflix. Today, Executive Producer Trevor Macy and I are elated to unveil the first wave of our cast. This miniseries is a modern remix of some of the most iconic works of Edgar Allan Poe. To tell this epic tale of greed, horror, and tragedy, we have assembled the largest ensemble cast in the history of Intrepid Pictures.
Jan 1, 2021 • 7 tweets • 1 min read
Happy New Year!!! My resolutions for 2021: I resolve to do everything in my power to protect the health and safety of others, and to modify my behavior in whatever ways necessary to do so, regardless of convenience.
Dec 16, 2020 • 20 tweets • 4 min read
That's a wrap on MIDNIGHT MASS. It has been an extraordinary, unprecedented production, and I cannot be prouder of this amazing cast and crew. In fact - and I do not say this lightly - this has been the best production experience of my career. We began prepping this series in December, 2019. We were mere days away from shooting when the production was shut down in March 2020 because of the pandemic. We left our sets standing, dropped everything and frantically got our cast and crew to their homes as the lockdown began.
Nov 4, 2018 • 28 tweets • 6 min read
I've gotten a lot of questions about ep 106 of @haunting . Netflix released an awesome little BTS video, but for those that want more information, here's a little thread: Episode 6 was part of the very first pitch for the show, promising an episode that would look like one shot. Most of the camera choreography was actually included in the script itself, which meant that the draft for ep 6 was a really tough read with "camera pivots left/tracks right down left aisle, keeping Steven in MS profile" breaking up the dialog.