How Avatar: The Last Airbender took Inuit culture to create the Southern and Northern Water Tribes: A thread
The Inuit* are a nation of many communities in Arctic & Subarctic regions in Russia, the US, Canada, & Greenland and totalling about 170,000 people
The N/S Water Tribes are positioned similarly in the world of Avatar, on the coldest extremes
The creators of Avatar have openly admitted to basing the Water Tribes after Inuit, though the association is clear as demonstrated by these hair loopies:
(Photos are from Atanarjuat: The Fast Runner (ᐊᑕᓈᕐᔪᐊᑦ) a 2001 film directed by Zacharias Kunuk)
A number of names are derived from Inuit names: Tonraq, Unalaq, Noatak, etc
(I’m not going to get into what words they’re derived from and the meanings, but you could if you wanted to)
And then there’s stuff like the igluvijait (snow houses) in Katara and Sokka’s Southern Water Tribe village, while iglu/igluit means any kind of house in many Canadian Inuktitut dialects
Avatar has even taken our modern disputes for their inspiration, the conflict over oil and ‘progress’ in the the graphic novel Avatar: The Last Airbender—North and South has been taken straight from conflicts in Inuit territory in Alaska
And bottom line, if you’re looking to take inspiration for a people with an ice-based lifestyle, the Inuit are pretty much the only option
Sea ice is an integral part of Inuit life, necessary for hunting, travel, and environmental stability
The creators of Avatar: the Last Airbender have borrowed a lot from the Inuit, and without our permission
So remember when you hear news about the new live-action Avatar series, it wouldn’t be possible without us
*The Inuit are formerly known as Eskimo, but if you’re not familiar or intimate with any of this, absolutely do not use Eskimo
As of right now, I don’t have any concrete leads on who’s responsible for making sure the show has Inuit actors, but you can’t go wrong tweeting at @netflix
If you want to get more acquainted with Inuit cultureS (plural, because we’re diverse):
I think it’s really important to consider the systemic harm the capitalist technologies for creating animal cells independent of those actual wild animal (and also farming to a lesser extent) like in this article, esp for Indig ppl
chemically, cellularly, taste-wise eating salmon from wild salmon bodies versus farmed salmon bodies versus salmon cells grown in a lab isn’t much different
but it’s completely and utterly different in who controls the means of production and the consequences of that control (2)
to put things in more Marxist language, Yupiit understand that animals control own their own means of production over the animal products produced from their bodies
if they want you to have food from their body, they must willingly give it you (3)
it’s important to put this in perspective: at the time, everyone (except Natives) thought genocide of Ntv communities had utterly and completely worked
it was THE gold standard of genocide in the early 1900s
in the 1920s / 30s Native populations were the lowest they’ve ever been or will ever be, the Indian Wars were over, everyone was on a rez, ntv food systems were devastated, and our culture was illegal
ppl thought the remaining thousands were simply going to assimilate + die out
between various wars, actively induced/managed famines and epidemics, and ruthless violence Europeans had murdered millions of Native Americans and asserted control over vast swaths of land — that was the Nazi DREAM, Manifest Destiny and Lebensraum are carbon copies of each other
Here’s a thread on contemporary circumpolar Inuit art and media if you want to become more acquainted:
First off, Tristan Agnauraq Morgan (@tristan_jpg) is one of the most innovative Inuit artists alive right now, she is Iñupiat and her family is from Wainwright, AK
I SING. YOU DANCE. is an excellent YouTube channel by Yup’ik artist Byron Nicholai (@byronnicholai) where he does sings traditional and modern Yup’ik songs, often accompanied by yuraq, Yup’ik dancing