This particular peepshow was produced in Germany in around 1835 and consists of hand-coloured scenes based on contemporary illustrations of the Old Town in Edinburgh.
Just so you know - that siren you hear in the video isn't a period-specific one from the 1830's that we skilfully added for extra multimedia realism and historical accuracy. We did consider that, though... 😉
What you just saw was a view of Edinburgh’s Grassmarket with the premises of ‘G.E. Wright Stabler’ (and @edinburghcastle) in the distance and the West Port to the left.
Paper peepshows (or teleoramas) were first published in Germany and Austria in the 1820s. Unlike earlier 18th-century versions which were made of wooden boxes and were cumbersome to use, these new peepshows were small, light and simple to operate.
They used paper panels which were connected at the sides, like bellows. The diminishing paper panels created an effect of receding perspective, which led the viewer’s gaze towards the back scene, in much the same way as a conventional theatre set.
The cheap and simple construction meant that the design was quickly copied and soon peepshows were being mass-produced across the world, giving people in an era before mass tourism a chance to visit famous places or events.
Paper peepshows were extremely popular in the 19th century, but from the 1850s onward there was strong competition from mass-produced stereoscopic photographs and viewers (as well as magic lanterns) and by the early 20th century they'd declined in popularity.
Thanks for peeping! If you’d like more information give us a shout. 'Paper Peepshows' by Ralph Hyde (2015) provides a great introduction to the intriguing world of the Paper Peepshow (view it here at shelfmark > HB6.215.6.77).
This peepshow is called 'Panorama des glaciers du Mont-Blanc' and it was made in 1865. It's a hand-coloured peepshow and shows a scene of France's Mont Blanc, ranging from the forest to the mountain peak and including buildings, animals, and many mountaineers.
So this is a fore-edge painting of Leith Walk (mid-to-late 19th century) as seen in a book we acquired last year.
"But what is a fore-edge painting?" We hear you cry. Grab a seat, get comfy and let us tell you...
Fore-edge painting is a technique for decorating a book's fore-edge (the edge opposite a book's spine).
There are several types of fore-edge painting, including painting directly onto the fore-edge, but what we’ll look at is the ‘fanned’ technique of fore-edge painting.
We have launched an online learning resource – Struggles for Liberty: African American Revolutionaries in the Atlantic World. It shares the fight for social justice of African American freedom fighters, some of whom campaigned in 19th century Scotland.
Struggles for Liberty takes its name from the phrase ‘struggles in the cause of liberty’, written by Lewis Henry Douglass (eldest son of Frederick Douglass) of his mother Anna’s tireless antislavery and social justice activism.
The resource is structured by theme: the Story of the Slave; the History of Black Abolition; the US Civil War; African American activists in Scotland; and the Anna Murray and Frederick Douglass Family. View it at > digital.nls.uk/learning/strug…
During lockdown, Library staff have been improving the quality of transcriptions of our collection of 3,000 digitised Scottish Chapbooks using the @wikisource platform.
Wikisource is an online library of out-of-copyright, digitised books. It’s part of a wider family of free, open knowledge project run by @wikimediauk; @Wikipedia is its more famous sibling.
Williamina was born in Dundee, the daughter of a carver and gilder with premises in the Nethergate. She left school when she was 14 and became a pupil-teacher.
In 1877, Williamina married James Orr Fleming, an accountant and fellow Dundonian. She worked as a teacher for a short while, before the couple emigrated to America (specifically Boston, Massachusetts) when Williamina was 21.