Today we spent the last lecture of the @ArtHistoryStA course #AH4236 "Images and Knowledge in Early Modern Europe" discussing a selection of early modern materials from Special Collections @StAndrewsUniLib, including ⬇️
A rare edition of Galileo Galilei's Siderus Nuncius (1610) *without* the engravings depicting his observations of the surface of the moon. See these two images for comparison (the St Andrews edition on the left, the @SILibraries edition on the right) #AH4236@StAndrewsUniLib
An edition of Galileo's Letters on Sunspots (1613), featuring his signature as a "Linceo", that is, a member of the Roman Accademia dei Lincei (the "lynx-eyed", as indicated by the emblem of the lynx in the title page) #AH4236@StAndrewsUniLib
An edition of Christian Huygens' Systema Saturnium (1659), featuring some wonderful illustrations of different representations of Saturn and its ring. #AH4236@StAndrewsUniLib
See, for instance, the way Peter Paul Rubens depicts Saturn in this work at the @museodelprado: Saturn devouring a son (ca. 1636-1638) | This 3-body depiction of Saturn relates to the early history of the telescopic observations of this planet e.g. Galileo's #AH4236
An edition of Leonhard Fuchs' Primi de stirpium historia (1549), rich with annotations #AH4236@StAndrewsUniLib
A hand-coloured edition of Dioscorides, De medicinali materia libri sex. (Frankfurt, 1549) #AH4236@StAndrewsUniLib
And many more items, including several editions of Kircher's treatises, Hooke's Micrographia, Worm's museum, a Phil. Trans. volume ... but my phone died and I couldn't take any photos! Hopefully some students will send me some to fill the gaps!
PS: Thanks to Elizabeth Henderson!
Thanks to @mionemrys, who has kindly shared some photos from today's session at Special Collections @StAndrewsUniLib, the thread goes on! ⬇️
Athanasius Kircher, Mundus subterraneus (1665) > truly spectacular images, which raise many questions about the actual production and publication of these illustrations and the treatises that feature them #AH4236 [Image credit: @mionemrys]
Athanasius Kircher, China Illustrata (1667) > Left: portrait of German Jesuit Johann Adam Schall Von Bell (1592-1666) & Right: large fold-out sheet with numerous characters which would have required new types / reproduction techniques #AH4236 [Image credit: @mionemrys]
Title page of Athanasius Kircher, Oedipus aegyptiacus (Tomus 1, 1652) #AH4236 [Image credit: @mionemrys]
Title page and fold-out sheet with city view > Sebastian Münster, Cosmographiae uniuersalis (1550) #AH4236 [Image credit: @mionemrys]
Some wonderful illustrations from Maria Sibylla Merian's Metamorphosis insectorum Surinamensium (1705) | Next year I'll make sure I devote more time and attention to this author and her impressive publications #AH4236 [Image credit: @mionemrys]
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Como investigador especializado en la historia de las imágenes científicas estoy siguiendo con mucho interés la evolución de los programas de generación de imágenes por #InteligenciaArtificial.
En este HILO voy a ir recopilando algunas reflexiones sobre el tema 👇
Por cierto, la imagen de arriba NO está generada mediante #AI. Es un dibujo atribuido al artista Jacopo Ligozzi (1547-1627), perteneciente al @museodelprado
Pero creo que captura bien el elemento "quimérico" de esta nueva y fascinante cultural visual
1⃣ El lenguaje. Al tratarse de programas “text to image”, el input textual es clave. Me interesa cómo estos programas responden al lenguaje que empleamos los historiadores a la hora de estudiar las imágenes y los temas que representan. *
Son días muy duros. Por si ayuda a alguien a desconectar, aquí va una segunda entrega de los #AcertijosdeHistoria sobre arte y ciencia, en apoyo de la iniciativa #TwitterCultural.
¿Qué representa el detalle en imagen?
Mi contribución al #TwitterCultural de hoy trata sobre una joya de la cultura visual impresa, fruto del ingenio y la imaginación del artista italiano Luigi Serafini:
el CODEX SERAPHINIANUS
Abro un hilo sobre este libro, desde la perspectiva de la historia de la ciencia 👇
Publicado por primera vez en 1981, el Codex Seraphinianus es una especie de enciclopedia fantástica, escrita en un lenguaje inventado. #TwitterCultural
El libro está dividido en varias secciones, e incluye temas relacionados con la botánica ... #TwitterCultural
Today at #AH4236 "Images and Knowledge in Early Modern Europe" we paid a visit to @StAndrewsUniLib Special Collections and examined a range of wonderful early modern books 👇
* These photos have been provided by students - thank you very much all for your contributions!
Above we see one of the well-known (and fascinating) illustrations featured in Athanasius Kircher's 'Arca Noe in tres libros digesta' (1675) [@StAndrewsUniLib, r17f BS658.K5C75]
Here you have a detail of this image, showing the distribution of creatures inside Noah's Ark 👇
Did you see the pair of rhinoceros? We examined two early representations of this animal, based on Dürer's famous print:
- the illustration in a 1550 edition of Münster's Cosmographiae uniuersalis
- Gessner's Historiae Animalium (I, 1551) [@StAndrewsUniLib, Typ SwZ.B51FG]