ᏏᏲ @CantorArts, @Stanford alum/ former Cantor intern (2006?) here. I helped redo your Native gallery. I think my name is on the wall still. Anyway. This is a bad tweet and here’s why.
(There are lots of Native folks in your mentions saying this too but just my two cents)
Curtis has a complicated and painful legacy in Native communities. He set out to capture what he termed “the vanishing race,” believing that Native folks were going extinct and needed to be documented before their disappearance.
But he also had very strong beliefs about what constituted a “real” Native person, and would choose costumes, poses, and locations to capture his stereotype-laden aesthetic. He would mix regalia from tribes and physically manipulated negatives to erase signs of “modernity.”
His impact was and is immense. His photos have been reproduced on everything from coffee table books to ikea wall hangings, and many, many people throughout the world think of his sepia-toned historic photos when they think of “real” Natives. But they were not genuine captures.
I say “complicated” because there is some power for contemporary Native folks to be able to look into the eyes of our ancestors and see things like basket designs or beadwork. But to me that value is limited compared to the ways his work came to stand in for “authenticity.”
So when you tweet a laudatory tweet (w/a lowercase “i” on Indigenous), without any nod to the fact his work is harmful, it tells the Native community on campus that this is the type of Native representation you support—past tense, static, stereotypes made by outsiders.
I haven’t been to the museum in yrs, but I think(?) the Native gallery is the same as it was when I helped with the redesign over a decade ago. Which says something. There are tons of amazing contemporary Native photographers you could feature (both on twitter & in the gallery).
(I’d just note to make sure to let them stand on their own merits and not position them as “speaking back to Curtis” which is becoming a tired trope in itself)
<pause here to go get my laptop so I can better tweet about some of the incredible Native photogs I know>
@matikawilbur@Project_562 Then I love love Will Wilson's CIPX project, which speaks directly to Curtis. He uses the same large format camera Curtis used, but flips the script, allowing the subjects to choose their clothes and pose, and gives them the actual tintype at the end. willwilson.photoshelter.com/index
@matikawilbur@Project_562 @ryanredcorn Cara Romero (Chemehuevi) does breathtaking large scale work that uses digital tools to create these surreal, gorgeous scenes of Native life that speak to origin stories, climate change, identity, and all kinds of stories. cararomerophotography.com/home
Spitzer's work is also the basis for this powerful collaboration with Cannupa Hanksa Luger called "Sister," which draws attention to #MMIW. newsmaven.io/indiancountryt…
Because of this erasure of Native perspectives in photography, @ntvsphotograph is a fantastic resource and has growing collection/database as well. All of their database is available for use by photo editors, creative directors, etc. nativesphotograph.com
@ntvsphotograph Huge shoutout to @osagemuseumnerd, who is the first Native art curator at the @HoodMuseum at Dartmouth. She did an awesome talk this week that got me thinking about all of this. They have some amazing Native exhibitions coming up, including one featuring the Spitzer/Luger collab!
@ntvsphotograph @osagemuseumnerd@HoodMuseum And @CantorArts, if you'd like a guest curator for a contemporary Native art show, I would *love* the chance to feature some of these artists and others on campus...I wrote my senior paper for @stanfordccsre on the topic (feat. Curtis) so it would be full circle. :)
I have been hesitant to share this publicly, but in light of Elizabeth Hoover's most recent statement, I felt like it was time to share the letter I sent her in June 2022 with the research into her family and exposing her lies. nativeappropriations.com/2023/05/a-lett…
I have been devastated, enraged, and exhausted over this for the past year. I have spent countless hours supporting her current and former students, trying to process my own emotions, and having to continue on at an institution that gave her a PhD, her first job, and tenure.
I have so much more to say, and I will. The waves of harm extending from this are immense and difficult to even capture. So many actual Native people have been caught in the web. And there are so many more like her.