With #TheTamingoftheShrew officially opening this evening, we’d thought we’d delve in to the history of Shakespeare’s tricky, tempestuous comedy.
Here’s 10 Things You May Not Know About Shrew…
As with most of Shakespeare’s plays, it’s difficult to assign a precise date to #TheTamingoftheShrew, but we believe it was written and performed between 1590 and 1592, making it one of Shakespeare’s earliest comedies when he was but a youth.
We know #TheTamingoftheShrew was definitely written by June 1594, as this is its first recorded performance – staged when Shakespeare’s company were in residence in a playhouse in Newington Butts (near today’s Elephant and Castle station).
The Taming of *A* Shrew was printed in 1594, and is almost identical to Shakespeare’s in terms of plot, but has different language and character names. How are they related? No one’s sure!
The textual mysterious don’t stop there.
#TheTamingoftheShrew we know bears much revision, including hints that Hortensio’s role was expanded, or two roles merged into one, and a framing device that never gets resolved. (Does Sly just fall asleep during the play within a play?)
Unlike many of Shakespeare’s comedies, there isn’t a direct and obvious source for the ‘taming’ plot in #TheTamingoftheShrew. Likely, it was just based on an amalgam of folk tales and ballads about men subduing their unruly wives.
Sometime in the early 1600s, Shakespeare’s fellow playwright John Fletcher wrote a sequel to #TheTamingoftheShrew called The Woman’s Prize or The Tamer Tamed, in which it is Petruchio’s turn to be ‘tamed’ by his second wife, Maria.
For nearly a hundred years, an adaptation of #TheTamingoftheShrew by actor-manager-producer-all-rounder David Garrick called Catharine and Petruchio was performed to the nearly complete exclusion of Shakespeare’s text. (He did like to change those endings, A LOT).
#TheTamingoftheShrew is equally famous now for its adaptations in popular culture, including the musical Kiss Me, Kate and the 1999 teen comedy 10 Things I Hate About You. (Heath Ledger, be still my beating heart…)
The roles of Kate and Petruchio have attracted stars for centuries, including Elizabeth Taylor & Richard Burton, and Alfred Lunt & Lynn Fontanne. The latter’s production of #TheTamingoftheShrew was so tempestuous, it became the inspiration for the musical Kiss Me, Kate.
More recently #TheTamingoftheShrew has frequently been performed with all-female casts, including here at the Globe in 2003 and at New York City’s Shakespeare in the Park in 2016.
Fun fact: Janet McTeer played Petruchio in both productions.
Well, there you have our 10 Things You May Not Know About Shrew!
And to find out more about our current production now playing in the Sam Wanamaker Playhouse, head to: bit.ly/39bpOkQ
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Dr Sophie Duncan (@clamorousvoice) author of Searching For Juliet, gives us the history of Juliet.
THREAD 🧵
Racist backlash against Francesca Amewudah-Rivers's casting as Juliet has pretended to oppose "inaccurate" or "woke" casting, as if Shakespeare's Juliet were a real historical figure or a fixed point in theatrical tradition.
But Amewudah-Rivers's Juliet joins a long tradition of diverse, evolving interpretations of Shakespeare's tragic heroine. There is no one Juliet. There never has been.
Are you joining us for Hamlet on YouTube this evening?Where in the globe are you watching from? ⭕🌍
We’d love to hear from you throughout the show – tweet us @The_Globe#Hamlet.
Here’s approx. timings for this evening's #Hamlet 💀
7.00pm Part One
7.35pm 10 min Interval
(Be sure to pause the YouTube video and press play again in 10 mins time if you’d like to join us for an interval)
7.45pm Part Two
9.45pm Ends
First up, prepare yourself for this evening’s performance of #Hamlet 💀 with an introductory talk from our very own @ProfFarahKC
There is no denying that history has been dominated by stories about men, and by men, and this winter, we’re shining a (candle)light on women and their stories.
This autumn sees the centenary of two political milestones in the fight for gender equality – the election of the first female Member of Parliament, Nancy Astor, and the Sex Disqualification (Removal) Act.
To mark this centenary, we turn to one of the most important modernist authors – #VirginiaWoolf – and her seminal works, A Room of One’s Own and Three Guineas: po.st/Woolf
See the responses from our panel below - and share your own answer too!
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